Showing posts with label John Lydon. Show all posts
Showing posts with label John Lydon. Show all posts

Sunday, 4 September 2022

Dennis Morris "Super Perry" - Iconic Images of Lee "Scratch" Perry, Exhibition and Book

Dennis Morris at the Super Perry Exhibition - Photo copyright Retro Man Blog

Yesterday we went along to the Dennis Morris exhibition Super Perry, a selection of superb photos of Lee "Scratch" Perry arranged to coincide with the release of the book Super Perry and timed to commemorate Perry's sad passing in late August last year. Morris has included pictures of the legendary and eccentric Reggae and Dub producer from the late 70's right up to their last photoshoot together out and about in London in 2016. You can also see photos of John Lydon's pre-Public Image Ltd trip to Jamaica and there's even a full size recreation of Perry's Black Art Studio. We were in luck as Dennis was there in the gallery and was happy to chat and explain more of the background to the photos on display. Dennis Morris started off his career in music photography while he was still at school, hanging around a soundcheck waiting for Bob Marley. Marley was impressed and invited Morris on tour with the Wailers and the subsequent photos became famous worldwide and even graced the cover of Melody Maker, all this before Morris was 17 years old. The photos of Marley caught the eye of Reggae fan John Lydon who invited Dennis to take photos of the Sex Pistols when they signed to Virgin Records. These photos are collected together in the excellent book "Destroy" which was published buy Creation Books. When the Pistols split up, Morris continued to work with Lydon and Public Image Ltd, designing their logo and the "Metal Box" packaging. Dennis then worked in A&R for Island Records and joined the Punk band Basement 5. He formed Drum & Bass unit Urban Shakedown, who Paul Weller chose as the first release for his Respond Records label and this was followed by the Hip Hop outfit Boss, who were signed by Virgin. For details on how to buy Dennis Morris prints and books and news on upcoming exhibitions, please check out the official Dennis Morris web-site here. The Super Perry exhibition which is hosted by Gimme 5, is on at 30 Old Burlington Street, London W1 until Thursday September 7th, for more details please check here.




Dennis Morris photo copyright Retro Man Blog


Tuesday, 13 October 2015

Jah Wobble & The Invaders of The Heart at The Half Moon Putney, Saturday October 10th

Jah Wobble's Invaders of The Heart at the Half Moon Putney
The New Oxford Dictionary of English should be done with it and just go ahead and amend their definition of "eclectic" to simply read – "Jah Wobble". It's the first word that pops into my head whenever I think of the legendary bassist and after witnessing a superb two hour set here at the Half Moon in Putney, there's no reason to think otherwise. We are taken on a mind-bending journey that cherry picks from a bewildering array of styles and genres that he has tackled throughout his career. Tonight's set is loosely based around Wobble's latest release "Redux - Anthology 1978-2015" a beautifully packaged 6 CD box set released by Cherry Red Records. I say loosely based as it would take a damn sight longer than a two hour set to completely cover all aspects of his music. For example, we don't get any Chinese Opera or Japanese Dub tonight - but what's a couple of skipped genres amongst friends? He kicks off proceedings with "Socialist" from Public Image Ltd's "Metal Box" which goes to show just how ahead of the game PiL were, as the Krautrock inspired, Drum'n'Bass precursor thunders around the Half Moon. We then get a run through of most of his new 12" vinyl “Cover Versions” album which includes the Dave Brubeck Quartet's Jazz standard "Take Five" and Harry J Allstars’ Ska classic "Liquidator". In a strange way these are surprising choices mainly due to their familiarity, I suppose it’s surprising because we are always so busy looking for the obscure. 

Jah Wobble at the Half Moon Putney
Then we get treated to Jazzy versions of some much loved theme tunes, "Midnight Cowboy", "Get Carter" and "The Sweeney" which ends with Jah telling us, "You're Nicked!". Renowned as a pioneer of World Music we then get a cross section of genre busting songs which take us on a trip across the globe. It’s a cross continental journey with its starting point of course firmly bas(s)ed in Jamaica with that heavy Dub sound. We then travel to the heart of Spaghetti Western land as evident in "New Mexican Dub" and then there are the plaintive, atmospheric Arabic strains of "Java" and "Invaders Of The Heart". Not forgetting the “hits” – “Visions Of You” and “Becoming More Like God” which are personal highlights. Both have Wobble on lead vocals and are swirling with North African, Indian and Far Eastern infused sounds. But as he has proven with his recent collaborations with Keith Levene, he's also not afraid to stay at home to revisit and shake up the past. So, tonight we get a "sophisticated" take on the classic "Public Image" which I would like to hear a recorded version of as it worked so well.

Jah Wobble's Invaders of The Heart at the Half Moon Putney
I have to say the current Invaders of The Heart band he has assembled is something special, you can hardly call them a backing band as Wobble gives them free rein to adequately show off their quite considerable  talents. Jamie Crossley is half hidden behind a computer screen and despite Wobble claiming he "didn't quite know what Jamie does" he did provide a nice undercurrent of samples and atmospheric sounds that didn't detract from what was basically a pretty stripped down outfit. Martin Chung manages to wring some simply mind-blowing sounds from his fluorescent blue Ibanez guitar; he seems to come in for a lot of good natured ribbing from Jah throughout the show, in fact only keyboard player George King seems to escape the Bassist's banter. George switched effortlessly between superb Jazz piano to some great Hammond organ sounds. But it's drummer Marc Leyton-Bennett who almost steals the show with a stunning display behind the kit. Wobble's affectionate put-downs ("I resent them their youth...!") and teasing ("Marc is the brawn and Jamie is the brains...") can't hide the fact that he seems genuinely chuffed to have the band around him. 

Jah Wobble's Invaders of The Heart at the Half Moon Putney
He chats to them as much as to us in the crowd "This is from the Jah Wobble early period Chungy..." and "This is from the Jah Wobble 80's period, Marc you would have looked good back then, in make up and eye-liner". Then he deadpans "Oh no, I'm referring to myself in the third person now..!" The one-liners come thick and fast, he turns to his guitarist "The problem with the music business Chungy is there are too many name-droppers.” Then he turns to us. “Anyway, here's a track I wrote with Holger and Jaki from Can...!" At one point all the banter does back-fire on him though, there’s a bit of an embarrassing moment when he is bigging up the bass as an instrument. "You see, the bass is the Lion of the Jungle, whereas the guitar is more of your meerkat". The bass decided not to work. Cue a bit of an awkward shuffle, a change of instrument and a sly grin from the meerkat in the band! Then it is back to business. The sound man is asked to do a bit of live mixing and then implored to turn the bass up until it hurts. "You have your insurance, don't come crying to me afterwards". The set draws to a close with “Poptones” closely followed by a pounding, extended version of "Fodderstompf" and we all join in singing along, "We Only Wanted To Be Loved..." Wobble coerces Chungy into joining him in an impressive aerobics routine which included star jumps, marching on the spot and finally he machine guns the band and crowd with his bass. There was no encore, but to top that, even with this band, would have been nigh on impossible.

Jah Wobble at the Half Moon Putney
For more information on upcoming tour dates and all the latest news please check out the Jah Wobble official web-site or Facebook page. The "Redux - Anthology 1978-2015" box set is available to buy from Cherry Red Records here. For more photos of the gig please head on over to the Retro Man Blog Facebook page and hit “Like” if you are not already following.

Jah Wobble's Invaders of The Heart at the Half Moon Putney

Monday, 15 June 2015

John Lydon "Anger Is An Energy" Q&A at The 100 Club

John Lydon at the 100 Club by Kevin Shepherd
This was a rare chance to see John Lydon up close and in conversation at the legendary 100 Club, a venue with which he will always be associated.  The event was a Q&A session, hosted by the TV presenter and journalist Miranda Sawyer, designed to promote Lydon’s latest autobiography “Anger Is An Energy”. John takes the stage looking remarkably healthy and youthful with a shock of spiky blonde hair and it’s apparent from the start that he is in good humour as he greets the crowd warmly. He’s surprised by the amount of people crammed into the hot and humid 100 Club, “there’s more people here than when the Sex Pistols played!” he quipped. John talks honestly about his childhood and what it was like growing up in a working class Irish family in a Finsbury Park council flat. Although he learnt to read and write at a very early age, the nuns at his strict Catholic school made him feel inferior just because he was left-handed and that shaped his attitude towards religion and authority in general. He then starts to talk about the time that he contracted meningitis at seven years old and fell into a year long coma. John suddenly breaks off as if he’s aware it’s getting a bit serious and announces that he’d rather not talk but would prefer to just get drunk with all of us and play bingo instead! Miranda expertly steers him back on course and he returns to the time he spent in hospital, scared and confused, subject to hallucinations, not sure of who the strangers were who came to visit his bedside. As he recovered and slowly regained his memory he realised that he had to rely on the words of adults and to this day, trust and honesty are vitally important to him. He jokes that when he started to regain his speech, the words would come out in an unintelligible splurge “it was 1234 blah blah blah, rather like the Ramones first album, that explains Punk!” With so much to catch up on he immersed himself in books again and admitted that libraries are his high church. Initially he dreamt of becoming a writer but then he discovered music and realised that the added dimension of sound can portray a situation or the ideas in his head far more accurately. He tells us that the meningitis made him lonely and isolated and even today he is still surprised that so many are here and interested in what he had to say.

John Lydon with Miranda Sawyer - photo copyright Retro Man Blog
After an interval, Miranda passes John a box packed full of cards and asks him to join in on a little game of “lucky-dip”. Each card had a question on it submitted in advance by members of the audience. John really got into the spirit of things, picking out cards at random and addressing each person who sent in the questions, joking and gently taking the mickey out of some. Someone asks what he thinks about the 100 Club, surprisingly the Sex Pistols only played here once and it was very early in their short-lived career. “Everyone in the world said they were there at that gig and it became legendary. It was a nutty gig; the first thing you’re looking at from the stage is that pillar, that’s all you can see.  You think “I’ve made the big time now” and you’re right in front of a pillar – you might as well be in prison, a cell would be bigger. You can imagine what it would be like if there was a mirror on the pillar!” He moaned about not having any monitors on stage at those early Pistols gigs as he had no idea what he actually sounded like, “what I imagined was quite different, when someone plays back a recording, its soul destroying”.

John Lydon at the 100 Club by Kevin Shepherd
On one question card is a list of notable names from the early Punk scene and he is asked for his opinion on them…Johnny Thunders was dismissed as “just a Junkie…” although he admired his guitar playing, “the New York Dolls just ripped off British Glam Rock, we did it far better…” He compares Jimmy Pursey to Freddie Mercury for “trying to bring ballet to Punk” and following Viv Albertine’s expose in her recent autobiography he claims not to like gossip and “anyway she could have said worse”. On Siouxsie Sioux he turns the tables and asks us a question “Do you like her new Bacofoil outfits? She looks like a rack of lamb!” Although he admitted that the early Banshees made great records and she was “brave and beautiful” in the beginning before “it all got a bit like a Stephen King novel”. John is clearly enjoying the joking around now and is really warming to the crowd, “there’s a nice family vibe going on, a trailer park family though…”

He talks passionately about music and tells us that he collects records from all genres; he said he’d always had an open mind from when he was young. He could never understand that year zero attitude created by the media during the early days of Punk Rock, the “bizarre nonsense that said you weren’t allowed to listen to other people’s efforts if they were outside a certain agenda – that’s not Punk”.  Asked what he thought of his own recordings, he replied “every now and then I’ll put on a Pistols or a PiL record and I’m pleasantly surprised. For a moment I think oh, I’d like to be him, and then I realise I am him!” We learn that Alvin Stardust once auditioned for the Pistols before him and the song that he would like to cover would be “Devil Woman” by Cliff Richard.

Although, as I mentioned earlier, he is in a jovial mood, it wouldn’t be quite right without some withering comments and today these are directed mainly at organized Religion and the associated abuse and hypocrisy. The BBC also get both barrels, and he wonders how ridiculous it must seem to people nowadays that they banned the Sex Pistols on the grounds of bad taste when you stop to think what they were letting Jimmy Saville get away with at the time. The rise of racism and UKIP are also discussed, “what’s that new party? Sounds like the dog in Dr Who, Kpax or something…?” Someone asks “how did being London Irish form your character?” and he responds, “We can all yack on about being London Irish but you go back to Ireland and they don’t wanna know. I’m a Londoner, we’re multi-cultural, all shapes and sizes. We are London”. It goes without saying that a few poisonous barbs are aimed at Malcolm McLaren and when he was asked if he could have done more to stop Sid Vicious using drugs, he puts the blame squarely on Sid’s mum “Sid was doomed. When you have a registered heroin addict for a mother, someone who gives you heroin on your 16th birthday, you’re doomed; it drove me mad for years after Sid’s death”.

Some more topics that were covered included his acting role in the movie “Cop Killer” alongside Harvey Keitel and the doomed attempt to resurrect (If you pardon the pun…) Jesus Christ Superstar, “I would have made a great King Herod” he joked. The musical was on in London when the Sex Pistols started and he was always intrigued by how they got away with the show against the wishes of the moral majority. Of course his support of Arsenal Football Club is mentioned and he confesses to missing the standing on the terraces and the sense of community, “as a nipper it’s important to support your local team, you’re affiliated, other kids knew where you came from, it’s a rite of passage”. There are the inevitable questions about his appearances in the Anchor Butter commercial, “I’ll take money from anyone!” and someone asks if agreeing to appear in the TV programme “I’m A Celebrity Get Me Out of Here” was some sort of mid-life crisis. “Everything in life is a crisis; “I’m a Celebrity…” did wonders for me, now housewives love me. Just be yourself, don’t be so precious, one of the most poisonous things I heard when I was young was “act your age”. I can’t act; you’ve seen me in a film!” 

So, overall it was a thoroughly enjoyable and entertaining evening spent in the company of one of the few truly iconic figures from British music history. Lydon seems content and happy nowadays but obviously he has not lost that righteous anger at life’s indignities and injustice, and long may that continue. I have to say that Miranda Sawyer also deserves great credit for hosting the Q&A session perfectly. “Anger Is An Energy”, is published by Simon & Schuster and written in conjunction with the renown music journalist Andrew Perry, is out now.  

John Lydon & Miranda Sawyer photo by Kevin Shepherd
Q: What advice would you give the young John?
A: “There’s no point in looking back, hindsight did me no good. If you’ve made a mistake, deal with it apologize and move forward. Actually, writing the book I found out that the young Johnny Rotten hurt me a bit and that fucker’s got to apologize to me!”

With thanks to Kevin Shepherd for the photographs. For more information on what John is up to please check out the John Lydon official web-site here. Public Image Ltd head out on tour in September, for details on dates and tickets please check out the PiL official site here. You can order "Anger Is An Energy" via Simon & Schuster or from all all good book-stores. For more photos of the event please head on over to the Retro Man Blog Facebook page and hit "Like" and "Get Notifications" if you are not already following for access to the photo album.


Monday, 9 January 2012

Punk Rock Cartoons by David Worth


Adam Ant - by David Worth
David Worth is from Blackpool. He started drawing caricature cartoons in April 2010 and is self-taught. He has no art school background and his day job isn’t in design or illustration. The first cartoons he drew were of Public Image Limited and these were published on johnlydon.com and also on pilofficial.com.

This encouraged David to draw more cartoons and develop his own unique style.  Since then, David has drawn hundreds of cartoons of musicians, bands, movie subjects and TV personalities. He is quickly working his way through people and bands from the world of Punk, Alternative and metal. These include The Clash, Ramones, Sex Pistols, Motorhead, Henry Rollins, Beastie Boys, etc. He has also created cartoons of more mainstream musicians such as Katy Perry, Christina Aguilera, Fleetwood Mac and others. There is also a set of Hollywood Film Legends in progress.  

The Stranglers 1977 - by David Worth

The cartoons can be seen at his website, Punk Rock Toons and also on Facebook. They have raised a lot of interest on Facebook and some great feedback has been received from Killing Joke, Mike Joyce of The Smiths and Glen Matlock of the Sex Pistols. Glen even uses a cartoon of himself as his profile picture.

Ramones outside CBGBs - by David Worth
Exhibitions
David has shown his work at various exhibitions in the UK, including the Rebellion Punk Festival in his home town of Blackpool, which plays host to hundreds of punk bands and thousands of fans from all over the world every August. A cartoon of famous musicians born, raised or based in the local area has been displayed at the Blackpool Art Fair. 

Captain Sensible
He has also recently exhibited in Manchester and the sale of the prints from the various artists raised lots of money for a charity for children living in poverty in the city. He will also be displaying his artwork at the Punk Rock Museum at Ghettogloss Gallery in Downtown Los Angeles from 14th January 2012.
A cartoon of the Country Life Butter Advert was published in John Lydon's recent limited edtion book, “Mr. Rotten’s Scrapbook” and was the only cartoon featured in the book not drawn by John himself. It was given a full page, accompanied by John’s scribblings above and below the picture. The cartoons have also been published in Digital Arts and Front magazines and various newspapers. 
More of David's cartoons can be seen on the following sites:

Dave Vanian

  
  
- Under 26th July 2010 heading

- Find in show reports

- Country Life Cartoon used on Page 180

David would like to thank John ‘Rambo’ Stevens, John Lydon and Scotty Murphy, for initially publishing the cartoons and also to Taquila Mockingbird for giving David the opportunity to exhibit them in the U.S.A. 

Thanks to David for permission to use some examples of his excellent artwork, I'd like to wish him good luck with the Exhibition in Los Angeles and will certainly keep an eye out for future news and update here accordingly. In the meantime, please enjoy some more great Punk Rock Cartoons...

The Clash on Tom Snyder's Tomorrow Show 1981

Lemmy

The Damned - Black Album era
Don Letts and Mick Jones of Big Audio Dynamite

Charlie Harper with his Punk Rock Cartoon
John Lydon liked his cartoon so much he used one in his special limited edition book "Mr. Rotten's Scrapbook"
All cartoons and photographs Copyright David Worth