Showing posts with label The Daggermen. Show all posts
Showing posts with label The Daggermen. Show all posts

Wednesday, 12 January 2022

"A Little More Time With…The Senior Service" with guest vocalist Rachel Lowrie. Ms Sheringham-Boom reviews the new 10" Vinyl E.P. out now on Damaged Goods Records

"Instrumentalists find their voice" by Ms Sheringham-Boom (January 2022)

Happy 2022 anyone, anyone? This year has gotten off to a shaky start, and like everyone else, I am totally over this pandemic. It is however shaping up in one respect due to the release of some much-anticipated new music. Hopefully more widespread live events going ahead will follow across the UK and further afield in the not-too-distant future. Hat’s off to the fortunate ones who have managed to continue with their music throughout this time. There is a very welcome return to one band who managed to do just that at Ranscombe Studios in June last year. They are of course our favourite instrumentalists, The Senior Service (who feature Medway musicians Graham Day, Wolf Howard, Darryl Hartley and Jon Barker) whose much anticipated mini-LP is due for release on the Damaged Goods label this Friday 14th January. The band cordially invite us to spend "A Little More Time With…" Don’t mind if I do. But wait, there are vocals you say? 

The story goes that around year ago, The Senior Service (on a drunken night out) decided that they wanted to add a ‘little more’ to their instrumental sound. Enter Rachel Lowrie a local singer/songwriter who has previously recorded with a fair few fellow Medway stalwarts. Cited as their best work to date, four of the tracks on "A Little More Time With…" were written with Rachel in mind, and in a recent interview with Glenn Prangnell for the Groovy Uncle Podcast she declared that it’s ‘probably the best recording I’ve ever done.’ Who are we, readers, to argue with that? So, I put the question to Rachel about the collaboration 

Q: How did you feel about being approached by the band to sing vocals for them? 

Rachel: We were at Mr Unswitchable’s Open Mic night at Rochester Social Club in 2019 and I sang "24 Hours from Tulsa" (me and my ukulele) with some level of intensity. Jon Barker approached me about singing on their album that evening. I wasn’t sure the recording would happen until it had. And it’s a thing because they have made instrumental music and now vocals. I wondered what the songs would be like. I felt like I got a sneak preview.

Q: Were you familiar with the band’s sound, the individual band members, and their musical heritage?
Rachel: Yes of course, but I’m lazy with the details. I have grown up and lived in Medway most of my life, so I knew their names and band names. I’ve been to various gigs over the years, Graham Day & The Forefathers, The Daggermen, The Buff Medways, and The Senior Service etc.

Q: What was it like to be part of the recording process?
Rachel: I got the tracks and lyrics and turned up and sang to be honest, and it was all quite nice. As a bunch they were kind and welcoming and they laughed a lot - they have been mates for years so it felt like a relaxed space to come into. I was excited-nervous of course. I really like the songs they wrote. And I enjoy being at Jim’s studio (Jim Riley, Ranscombe Studios).

Q: What can we expect from you at the launch at the end of January, are you excited about it?
Rachel: I’m just looking forward to singing the songs live, should be fun.

Then there’s Darryl Hartley. As well as playing bass he also designed the fabulously evocative artwork for the cover sleeve. I asked him about his inspiration for this… 

Darryl: The sleeve artwork follows the previous designs we’ve had. I really like the Saul Bass posters of the sixties, so we’ve adopted that look as we believe it suits the music. I think with this record we were going for a jazz/lounge type feel to the whole package, so it ties in nicely with that too. It’s important that the artwork compliments the music and the 10" format also helps with this.

…and whilst he was there, I asked him about his song, the cool and collected "Just A Little Time".

Darryl: "Just A Little Time’ was written some years ago when I was going through a bit of a Bacharach phase or at least trying to go a bit Bacharach (I’d never claim that I’d ever reach those lofty heights). Years later when we decided we were going to do this record I remembered the song and thought it would work well with a female vocal. I had in my head a Dusty Springfield big ballad type of thing, a bit of brass, a dramatic chorus. It has come out pretty successfully. There are some unintentionally Carole King elements to it, which I’m not going to complain about!

Indeed. In fact, each band member has contributed to the writing of the songs on this EP, and it is difficult to choose a favourite, so I won’t. As well as the originals the band have included two covers of more obscure instrumentals: John Schroeder’s "Lovin' You Girl" and "Mysterious Land" by The Chris Lamb Orchestra. With this mini-LP you can expect the sublime, the nonchalant, and music of cinematic proportions; Hammond draped around brass, a sometimes-explosive guitar complimented by a driving rhythm section, and the stirring voice of a cool chanteuse.

You can hear a song from the new E.P. in our latest episode of Retrosonic Podcast.

"A Little More Time With…The Senior Service" the new 10" Vinyl E.P. with guest vocalist Rachel Lowrie is available to order from Damaged Goods Records here. For more info on The Senior Service please check out their Facebook page here. With thanks to Ms Sheringham-Boom. Ms Sheringham-Boom is the bassist in Edinburgh's premier purveyors of Garage Rock, Thee Girl Fridays.

Monday, 3 October 2016

Graham Day & The Forefathers & The Len Price 3 at Retro Man Blog Night - Exclusive Paul Slattery Photos

Graham Day & The Forefathers photographed by Paul Slattery
I'd like to take the opportunity to say a huge 'thank you' to all those who came along to our sold out Retro Man Blog Night with Graham Day & The Forefathers, The Len Price 3 and DJ Lee Grimshaw from the Spin-out Show, especially those of you that travelled some distance to be there. I'm sure all of you would agree that all the bands and Lee really put on a superb night's entertainment. Thanks to the Half Moon staff and to Eric from King Salami & The Cumberland 3 for the excellent gig poster and Glen Jordan for the superb video of the whole set which you can check out on YouTube here. When I went backstage before the show to see the Star Trek tunics hanging up I knew we were in for something special. The first time I saw The Prisoners was on the great Channel 4 music show The Tube way back in 1984 as part of a feature on the underground Garage Rock scene of the time along with The Milkshakes, The Tall Boys and The Sting Rays.

The Len Price 3 photographed by Paul Slattery
The Len Price 3 photographed by Paul Slattery
DJ Lee Grimshaw set the scene with a selection of great vinyl and got everyone warmed up for The Len Price 3 who put in another classic display with a set crammed with some rarely played oldies such as "Lai Ha Lam" and "Sailor's Sweetheart" along with some very promising new and unreleased numbers from their forthcoming album. The band are currently in the studio working on the album and of course we'll keep you updated on news of the planned release date as soon as possible.

The Len Price 3 photographed by Paul Slattery
It was Graham's birthday and as such The Forefathers had a few surprises up the sleeves of their Star Trek tunics. Jon Barker of The Senior Service, The Gaolers and The Daggermen was in the line-up and it was the first time The Forefathers had played with a Hammond organ. That meant we got treated to a lot of old Prisoners classics that rarely get played live by the band these days. Kicking off with the instrumental "Come To The Mushroom" from The Prisoners' debut album we then got served up a superb version of "The Drowning" followed by "Nobody Wants Your Love" both from the classic "Last Fourfathers" album. There was just the one Solarflares track tonight, the scorching instrumental "Lunar Girl", but The Forefathers have tended to concentrate more on the Solarflares material so I wasn't too disappointed especially with the treats that were coming up.

Graham Day & The Forefathers photographed by Paul Slattery
Wolf Howard of Graham Day & The Forefathers photographed by Paul Slattery
There was a brief pause when I presented Graham with a bottle of Jameson's and the crowd joined in an impromptu chorus of 'happy birthday to you' and the band slammed into The Gaolers "Pass That Whiskey" (not stage managed in the slightest...!) and "Just A Song". Then we got some prime Prisoners favourites including a stunning "Thinking of You (Broken Pieces)", "Whenever I'm Gone" and a mind-blowing version of "Hurricane" from "The WiserMizerDemelza" album.

Graham Day photographed by Paul Slattery

Allan Crockford photographed by Paul Slattery
Then we had a special guest appearance from The Senior Service, Darryl getting on stage to take over bass duties from Allan and they played "Bone Jacked" and the single "Depth Charge" to an eager and pleasantly surprised audience. Then there was another swift line-up change, Darryl passing the bass to Jon and we had a little tribute to The Daggermen with Allan taking over Dave Taylor's place on guitar and vocals. They played three tracks, two from the album "Dagger In My Mind" (which is surely due for a reissue) and "One More Letter" from their debut E.P. "Introducing The Daggermen".

Tribute to The Daggermen photographed by Paul Slattery
Darryl Hartley and Jon Barker from The Senior Service photographed by Paul Slattery
Graham was down the front enjoying the short blast of The Daggermen's Garage Rock songs, singing along but was soon back on stage. to run through yet more great tracks from The Prisoners faultless back catalogue including rare outings for "Till The Morning Light" and "Far Away". There was a raucous run through of The Gaolers "Begging You" which sparked a one man stage diving (well stage jumping...) invasion by Andy from The Past Tense and the set wound up with a viciously powerful "Melanie". For the encore the band came back and played a brilliant "Reaching My Head" - the track that they famously played back on The Tube in those Star Trek outfits - and a medley of "I Drink The Ocean" and "Hush" and I'm sure I wasn't the only one in the crowd with a lump in my throat.

Jon Barker photographed by Paul Slattery
Photo by Paul Slattery
Here's a video of "Melanie" from the night, please check out our Retro Man YouTube channel for more original "up close and personal" videos from this and many other gigs.


Our next Retro Man Blog Night at The Half Moon Putney will be on Friday November 18th and we are very pleased to announce that it will be the showcase/launch party for The Masonics new album "Obermann Rides Again". We've sorted another superb supporting line-up of The Baron Four and The Beatpack and tickets are available to order in advance now for the bargain price of £11.50 from the Half Moon, either on-line here or by phone on 0208 780 9383. You can hear an exclusive track from The Masonics new album in Episode 25 of Retrosonic Podcast along with chat about the Forefathers gig and songs by The Senior Service, The Daggermen and The Dentists among others. Subscribe for free at iTunes or listen/download for free from our Soundcloud site.



Thanks to Paul Slattery for the excellent photos as always, for more pics check out the Retro Man Blog Facebook page here, hit "Like" and "Get Notifications" to keep up to date on future gig news.

Graham Day photographed by Paul Slattery