The Soundtrack of Our Lives - Second Life Reunion: The long awaited return of the Swedish legends, Way Out West Festival, Gothenburg - Photos by Daniel Eriksson

It feels pretty surreal to find myself here at the Way Out West Festival in the middle of the huge Slottsskogen Park in Gothenburg, eagerly awaiting the return of The Soundtrack of Our Lives, some eleven long years since they bowed out with a six-night stand at Stockholm’s prestigious Södra Teatern. By coincidence, twenty years ago I was in this very same park visiting the Natural History Museum for some TSOOL related sightseeing with friends that I’d met through the band. We were hunting down the ‘pickled’ babies and stuffed lion that featured on the cover of their debut album “Welcome To The Infant Freebase” – yes, I’d already been lured into that kind of obsession by this unpredictable, non-conformist Swedish Psychedelic Rock outfit comprising six individual yet equally vital characters who, it’s no understatement to say, would put my life on an unexpected course. It’s understandable to be obsessed by a band when you’re a teenager - but as an adult, well that's not what I was expecting. As a kid I was heavily inspired by The Clash and Joe Strummer’s positive message, The Jam and Paul Weller’s socially aware lyrics, The Beat, The Specials and 2-Tone Records multi-cultural outlook, The Undertones and Buzzcocks for their unashamed melodic Pop Punk classics and The Stranglers - or most importantly, JJ Burnel’s snarling bass sound - that made me pick up a bass and start my very first band.

 

Then you go on a voyage of discovery – delving into the past and the music that inspired your heroes, in my case it was checking out The Stooges, The Doors, Love, Sixties Garage Rock nuggets and much more. Over the years, there were of course contemporary bands that I was blown away by, the best were often those that I saw by chance – Pixies supporting Throwing Muses, Discharge at the 100 Club, Black Flag with The Damned at The Lyceum, not forgetting bands such as The Prisoners and The Playn Jayn at the much-missed Clarendon. But none would have quite the same impact that my first experience of The Soundtrack of Our Lives had on me. I was an adult about to become as obsessed by a band again as if I was a teenager. After all, seeing The Soundtrack of Our Lives play for the first time they absolutely blew my mind as they seemed to channel all of the best parts of all of my favourite bands into their own explosive live show and sound. I don’t seem to be alone in this, as guitarist Andy Ruff had a similar story as he shares here along with his impressions of the Way Out West reunion show…

“I feel like a fan and not a fellow musician around TSOOL, ever since I first saw them at the original Concorde in Brighton in early ’97 when they were one of the support bands, that was my ‘Eureka’ moment. I was hooked. I must admit the song that did it that night was “Firmament Vacation” and when they played it at Way Out West, it was quite emotional. Helen dragged me to the front (which I never usually do) and when they played it, I immediately thought ‘I’ve made it’ as at one time, health wise I didn’t think I would be there. It was a great set but not long enough, and as Ebbot said, the guys should have headlined the show on one of the days. What a trip, it was great meeting up with the band (well 50%) again after all this time, I had an emotional meet up with Mattias, Ian and Ebbot. Although I keep in touch on and off with them via messages, it really meant so much seeing them all again, the band has been a big part of my life for 26 years, from the early days when I saw them support Kula Shaker, Gene and a few others before they started to get their own shows. We are all getting older, but the love is still there. Amazing band and people, even seeing people like Chicago, who I recognised, not forgetting all the Soundtrack followers in the VIP bar, what a great bunch of people” - Andy Ruff (Andy’s band Psychobabble supported TSOOL during their 2005 UK tour)

The Soundtrack of Our Lives appearance at Way Out West was the second of three highly anticipated official reunion shows, sandwiched between Spain’s Azkena Festival and the Øyafestivalen in Oslo. They did play a couple of warm-up shows – a ‘secret’ friends and family show at Pustervik in Gothenburg and then a low-key appearance at the arts venue Garageprojektet Hammenhög, in Skåne, Southern Sweden. Both of these were ecstatically received, and the set-lists were out of this world. Albert Lorenz, who played with Ebbot in The Indigo Children was at The Pustervik show and he compares this with the Way Out West appearance here…

“About TSOOL, I honestly have no idea! I think they were probably great, but this gig was so unique in the way I personally experienced it. The (secret warm-up) show at Pustervik in June I enjoyed for myself, and greatly so. It was mega, a hell of a show, and it felt like everything had finally come together in the most perfect way, an "I can die happy now" feeling. But this time at Way Out West, I was just so happy for them to get such a homecoming, and also for all the fans to have the opportunity again. A friend from Barcelona came to see them just like you, other friends I'd got into the band tagged along, many acquaintances were looking forward to it... I was just hoping everything went well and everyone, band and audience, would thoroughly enjoy it. Which I'd like to think is what happened. Musically, yeah of course I can't not be biased, and I was ecstatic, but nothing compared to seeing Ebbot put his arm around Ian as I had my arm around friends in the crowd. The experience overshadowed the music, in my case” – Albert Lorenz

So, I’m at the Way Out West festival but it’s so difficult to concentrate, it’s like I’m having an out of body experience looking down on myself as I wonder what the hell it will be like to see the band again after all these years. It’s difficult not to be distracted even though I’m meeting people who I’ve known for over twenty years – some of whom have become very close friends, people who I’ve shared many TSOOL related adventures with. There are acquaintances I’ve met at Soundtrack of Our Lives or other related shows and there are people I’m meeting for the first time that I only know through the website. Of course, it’s great to be with my fellow TSOOL Admins, Daniel and Hasse – it’s so much like old times that the surreal feeling gets even stronger as the time approaches for the band to take the stage and I see myself talking to Adam Wladis and Henrik Rylander from Union Carbide Productions, singer songwriter Martin McFaul and Wallander actor and theatre director Lars Melin. There are brief hellos to photographer, former member of Psychotic Youth and curator of the excellent Kållereds Ramones museum, Roine Lundström, who’s with Troublemakers singer Christer Blomgren and there’s Elias Jungqvist, once in Ebbot’s Indigo Children, now in the brilliant Viagra Boys. It reminds me when Soundtrack played in London at their peak and their shows were always well attended by other admiring musicians from bands such as Oasis, Doves, Primal Scream and Razorlight among others. There are also fans from Stockholm and other parts of Sweden, not forgetting those that travelled from America, the U.K. and Italy such as Gianluca Torelli…

“So, let’s start, this was my third time in Gothenburg after 10 years, after the COVID restrictions and so on and this was my second TSOOL concert in total, the first time was in Bern in 2011. Then I had a couple of meetings with Ebbot in Gothenburg, thanks to Marcel Tuores and then a couple of Ebbot solo gigs with Indigo Children, first at Liseberg and then in a small and (sadly) almost empty club in Frankfurt. And in between, there was a Free Fall gig also at Liseberg during my first Swedish trip. I’ve never been to Way Out West before, this was my first time ever, and I experienced a good mood in general, a huge space and a really good festival. The band seemed in very good shape, especially Mattias, and he rocked like no other, just like in the good old days, he even threw a guitar in mid-air like a real rocker. It was such an emotional journey to listen to them live and be there in the front row, to hear songs like “Instant Repeater ‘99” and I got tears in my eyes and became emotional during “Second Life Replay”, a song that really means something to me. Hoping this was not the only gig after this unexpected and surprising reunion” - Gianluca Torelli, Abruzzo region of Italy

I feel a palpable sense of excitement fizz through the crowd as the band take the stage to the exotic strains of “Mantra Slider” and charismatic frontman Ebbot Lundberg appears, resplendent in a black and gold kaftan emblazoned with the mystical OEOC “as above, so below” symbol. The first thing that hits me is that the band all look great, and with the song’s snaking Arabic atmosphere it’s like a magic carpet ride back in time as it’s soon clear they’ve lost none of their trademark onstage energy. Guitarists Ian Person and Mattias Bärjed leap and pirouette, spitting out those familiar killer riffs to a psyched-out “Galaxy Gramophone” and a blistering “Big Time”. Martin Hederos plays his keyboards like a lead guitarist, long fringe swiping across his keys as he gets totally lost in the music. Not to be outdone, the brilliant Fredrik Sandsten twirls his drumsticks and on “Grand Canaria” in particular, proves why he is one of the best contemporary drummers around while bassist Kalle Gustafsson Jerneholm anchors it all together with consummate coolness. What we get is a perfect festival greatest hits set concentrating on their debut “Welcome To The Infant Freebase” and breakthrough third album “Behind The Music” including of course, the timeless “Sister Surround”. But of course, us diehard fans always want more as Andreas Åhs and Andreas Hedberg both admit…

“It was good to finally see TSOOL again after all these years of abstinence. They had great energy and sounded really good throughout a greatest hits set that didn’t leave anyone disappointed. As a huge fan since the ‘90’s I would have loved to have heard one or two unexpected gems, but I guess a large festival as Way out West isn’t the time and place for that. Hopefully, they’ll return soon to bring that sweat soaked, guitar throwing Rock ’n’ Roll goodness to smaller venues!” - Andreas Åhs

“Seeing the band take the stage again after eleven years was magical, suddenly I was going back in time. Just witnessing “Mantra Slider” and the characteristic intro as these unique band members entered the stage was worth the ticket. It's very crowded, seagulls hover in the air, expectations vibrate, it feels like a very special evening. Ebbot opens his arms to welcome us to the special atmosphere that this genius band can create. I thought the setlist was great but too short of course although I could watch them for hours. I missed ”Dow Jones Syndrome”, “Black Star” and “Jehovah Sunrise” but which songs would they substitute? I loved that they played “Broken Imaginary Time” and jumped my legs off to “Confrontation Camp”. It was a top concert in my opinion, the first time I saw them was on ZTV live from Hultsfred in early 2000, it was really cool, so I bought the “Behind the Music” record and I was sold. My first live experience with the band was in Lund at Mejeriet in 2002/03 something. I remember watching them perform “Sister Surround” on Letterman on YouTube and Mattias was dressed in the Union Jack jacket, doing cool moves with the guitar. “Ebbot the Movie” recorded live at Slussens Pensionat really got me, I loved it, I had it on VHS tape and saw it many times. I’m so glad I took the train to Gothenburg to watch my favourite band of all time, it was a fantastic evening. Ebbot says thanks to the audience for existing in Way Out West but thank you TSOOL for existing, you’ll always be my safe point to return to!” - Andreas Hedberg

There’s an undeniable chemistry back in the band, “Nevermore” and “Broken Imaginary Time” sounding as fresh as ever and there are smiles all round from band and audience alike, the frustrations and issues that led to them splitting up in December 2012 seem to have been buried. I think the first signs a reunion could be on the cards actually came from the terribly sad news of Bruce Emms passing in 2022. Bruce was the hugely popular and likeable owner of Musik Utan Gränser (MUG) music store in Gothenburg, a loss that was felt not just by all in the City’s music community but I’m sure from all touring musicians and visitors to the shop too. There was a tribute show arranged at Pustervik which featured Soundtrack of Our Lives (Ebbot, Ian, Kalle and Fredrik) making their very first live appearance since the split and at the end Ebbot and Ian hugged, which many saw as a kind of public reconciliation. I’d like to think it could have been this moment that paved the way for the reunion. I interviewed Bruce for Retrosonic Podcast some time ago, like me he was also British, a bass player and was hugely enthusiastic about the Gothenburg scene, in particular praising one of my favourite singer songwriters Mattias Hellberg like only a true fan could. I once popped into MUG to say hello after TSOOL split up and he lamented the fact that the band had called it a day and it’s very sad he couldn’t be around to see the band’s triumphant return in the city he called his home. Musik Utan Gränser means ‘music without borders’ – a sentiment that I certainly promote with Retro Man Blog, and it can be applied to the far reaching international appeal of The Soundtrack of Our Lives too – as can be seen from the U.K. based Helen Ruff’s experiences…

“I’d waited so long to see the guys back again… and on their home turf was spectacular. The Soundtrack of Our Lives were the first band I was ever ‘into’ as an adult… the lyrics and the melodies resonate so deeply it gives me goosebumps whenever I hear them. Seeing them live after such a long hiatus was amazing. They don’t sound like they have aged at all! Ebbot’s voice was on point! And Ian’s guitar work was sublime. I just hope they will tour…. Their sound, their lyrics, their vibe needs to be heard. I hope the band will give us more. Meeting TSOOL stalwart fans was epic! The band need to know that their faithful are with them. Always” – Helen Ruff

During Sweden’s alternative national anthem, “Instant Repeater ‘99”, the crowd are going wild all around me, arms aloft and this fervour only increases with the incendiary Glam Rock stomp of “Confrontation Camp”. The set draws to a close sadly all too quickly with the emotional singalong “The Passover” and feel a lump in my throat as I look around and see the crowd joining in – there are all ages too, families, couples, friends all caught in the moment. Liselott Selander also felt the same…

“They delivered exactly as I expected, and it was fun to see that many who were probably not even born when the band were at their peak knew the lyrics" - Liselott Selander

Long-time fan Per Kristiansson, who I first encountered at one of Soundtrack’s now legendary shows at the stunning Slussens Pensionat waterside venue on the beautiful island of Orust, explains just what the Way Out West reunion show meant to him.

“The first time I saw TSOOL live was, I believe, in 1997, about a year after I’d been listening to their knockout debut album over and over again. Since then, I must have enjoyed around 30-40 gigs, perhaps ten were at Slussens Pensionat and others at various venues. Most of the time, the band were amazing and beyond, so with this history and a true love for the band, I had quite mixed emotions as I walked through the entrance to Way Out West. How would it be to see them back together once again? Do they still have the mojo...? Well, T-minus 30 minutes, standing in the front row and just watching them do the soundcheck, I knew this was going to be an unforgettable and awesome evening. And so, they went on stage… Fredrik started the drumstick intro of "Mantra Slider," and I just screamed out loud! They opened with one of my absolute favourites and totally nailed it, just like back in the day! Next up was "Firmament Vacation", followed by "Galaxy Gramophone" and I felt like I had been sent back in time. The rest is history. The lucky souls who attended got to witness the best band in the world back on stage! Looking forward to the next 30-40 gigs!” - Per Kristiansson

I can only hope that the heartfelt reaction and huge smiles on the band’s faces as they take a well-deserved curtain call, paves the way for more of their stunning live shows in the future and of course, being greedy now, the hope of new material too. Now that really would be something special. Well, I guess it’s fitting that I leave the final words to Daniel Eriksson, after all, Daniel ran the original Soundtrack of Our Lives web-site, forum and Mega Society fan-club and was the catalyst for introducing me to many other TSOOL fans around the world from not only the U.K. and Sweden but as far afield as Peru, Italy, Scotland, Norway, Finland, America and more… Daniel had the vision of taking the band’s music out into the International stratosphere, truly a case of music without borders.  

“A present from the past… Everyone was there... The whole of Soundtrack of course, but also families, friends, stage workers and hang-arounds from the past. The fans that were there from the beginning, but also a whole new generation... It was like they’re bigger than they’ve ever been before?! The desire for this Rock and Roll machine is a fact. They sound at least as good as they always did. 11 years have passed, but it’s as if time has stood still. Everyone just got a little bit older. With all dignity intact, they delivered eleven explosions, a ballad and finished with a sing-along. In hindsight it feels a bit surreal, did all this happen? They came, they won... But what happens now? Everyone wonders, not least themselves. At least one thing is certain, if there is more, there is a great embrace of love from the outside world that wants to embrace the magic that these six gentlemen can create together. We hope for more because this is Second Life Replay ‘Yeah, I feel alive. Cause I came back stronger than I’ve ever been before…’ " – Daniel Eriksson

Daniel Eriksson is also the official Way Out West photographer so I have him to thank for contributing the superb photos you can see in this feature. With sincere thanks to Hasse and Liselott, Mattias Bärjed, Georgios at Livenation and of course all the fans who kindly contributed their experiences and words to this feature. The offcial TSOOL Facebook page is here. For news on all the band member’s solo music, collaborations, other bands and side projects, TV and soundtrack scores, upcoming gigs and record releases please follow, like, subscribe to Retro Man Blog here or at Facebook and Instagram. Subscribe to Retrosonic Podcast for free at Spotify, Soundcloud or iTunes/Apple Podcasts as we have lots of interview specials with various TSOOL band members and other Swedish bands and musicians that may be of interest, all still available in the archives. We also have a YouTube channel with loads of related live videos. You can also join the TSOOL fan’s Facebook group here to communicate with other fans around the world, to share your own memories, experiences, photos and videos and to be kept up to date with all that is happening with the various band members music. Plus, you never know, one day there might well be news of more Soundtrack of Our Lives activities… we can but hope!

All photos copyright Daniel Eriksson at Rock My Lens.

The Soundtrack of Our Lives "Second Life Replay Reunion" - Sweden's Premier Psych Rockers Return!

Photo by Albin Händig

The Soundtrack of Our Lives, one of Sweden’s most legendary Rock bands, will be getting back for a Second Life Replay Reunion this summer for three festival dates: Azkena Rock Festival in Vitoria-Gasteiz (Spain) on June 16th, Way Out West in Gothenburg (Sweden) on August 11th and Øyafestivalen in Oslo (Norway) on August 12th. This will be the first time the band has played together since they split up in December 2012 and singer Ebbot Lundberg explains, "We all probably felt it was time to try and see what happens if we play together again, and the energy was still there, because the DNA was intact despite some hardships." The Soundtrack of Our Lives were formed in Gothenburg in the mid ’90s as a supergroup of sorts with members from Union Carbide Productions, Nymphet Noodlers, Whipped Cream and Mindjive. The single "Instant Repeater ’99" became a smash hit in Sweden as did their debut album "Welcome to the Infant Freebase" which won a Swedish Grammis for "Newcomer of the Year". The Soundtrack of Our Lives' majestic Psychedelic Rock soon grew beyond the country's borders, a fact that hardly escaped the Gallagher brothers in Oasis who invited the Swedes to tour with them. "Behind the Music", the third album from 2001, led to a breakthrough in the States and earned them a Grammy nomination. Last year, the band – Ebbot Lundberg (vocals), Ian Person (guitar), Mattias Bärjed (guitar), Martin Hederos (keyboards), Kalle Gustafsson Jerneholm (bass) and Fredrik Sandsten (drums) – were inducted into the Swedish Music Hall of Fame.

Stockholm Dec 2012 - Photo by Retro Man Blog

Thanks to Ebba at Ebba Lindqvist PR - B&W Photo by Albin Händig. You can join the TSOOL fan community Facebook group here, for up to date news on the reunion, all the band members other projects, along with fan's memorabilia, videos, photos and more... We'll be reporting on news of the reunion as well as digging up some fantastic material from the Retro Man Blog archives in the build-up to the festival dates. So please subscribe, follow, like to make sure you don't miss out!

Music From The Edge of The Universe: The 5 Billion In Diamonds Story, a special Retrosonic Podcast with Butch Vig, Andy Jenks & James Grillo

Portraits by Helen White

We welcome 5 Billion In Diamonds founder members, the legendary producer and drummer with Garbage Butch Vig, Bristol UK producer Andy Jenks and UK DJ James Grillo into the virtual Retrosonic Podcast studio to get the definitive and fascinating story on how this star-studded Transatlantic project came to fruition. The band's second LP "Divine Accidents" released on Make Records (our Album of The Year 2020), the follow up to their eponymous 2017 debut is another imaginary soundtrack to another imaginary film - a dazzling sonic and thematic journey to the heavens, a reaction to and escape from the insanity of these times. The band have brought some 80's vibes into the cinematic mix of Psych Rock and Folk sounds and expanded their sonic palette using the same stellar cast of collaborators including singers Ebbot Lundberg of The Soundtrack of Our Lives and The Indigo Children, David Schelzel of The Ocean Blue, Damian O'Neill of The Undertones, Sandra Dedrick of The Free Design, singer Helen White and musicians including the Bristol Wrecking Crew of Alex Lee, Sean Cook and Damon Reece on guitars, bass and drums. The album also features new sublime contributions from James Bagshaw of British psych rockers Temples and gorgeous vocals from Martin Barnard from Jenk’s '90's combo Alpha. In this thoroughly entertaining journey through 5 Billion In Diamonds musical universe, Butch, Andy and James play and talk us through some of the many and varied influences on the 5BiD sound including John Barry, Ramases, John Carpenter, Jimmie Spheeris, The BBC Radiophonic Workshop, Michel Legrand, Linda Perhacs, Faust, Jeff Bridges and Richard Rodney Bennett. 

 

There's also a pick of their own music from both albums including the forthcoming single and a special sneak preview of the as yet unreleased vinyl-only bonus track featuring Jimmy Chamberlin from The Smashing Pumpkins. There's a comprehensive introduction to all of the 5BiD special guest musicians and vocalists and a Butch Vig edited medley of examples of their music. Along the way we find out how they all met, the influence of movie soundtracks and about the collaborative songwriting process. We also discover how bureaucracy got Butch and James drunk and their unorthodox tactics for approaching prospective special guests. If all that is not enough, James tells us who is next on his special guest wish list, Andy plays a track from his new project Ree-Vo and Butch gives us an update on the new Garbage album. We even find out how TV presenter, naturalist and conservationist Chris Packham is involved with 5 Billion In Diamonds. So, sit back, relax and enjoy this very special episode, packed full of music from the edge of the universe.

James Grillo, Ebbot Lundberg & Andy Jenks - Photo Copyright Paul Slattery

You can listen, download or stream directly from the Soundcloud site below or subscribe to Retrosonic Podcast at Spotify, Apple Podcasts/iTunes and Mixcloud. There are also special dedicated episodes with Ebbot Lundberg and Damian O'Neill in the archive where both discuss their involvement with 5 Billion In Diamonds and much more besides.

Retrosonic Podcast · 5 Billion In Diamonds with Butch Vig, James Grillo & Andy Jenks

You can check out our 2016 feature on Five Billion In Diamonds in our archive here, which includes exclusive Paul Slattery photographs of recording sessions from Press Play Studios with Ebbot.

Ebbot Lundberg 5 Billion In Diamonds Session - Photo copyright Paul Slattery

The double vinyl version of "Divine Accidents" is available to pre-order from Make Records here and for more information on 5 Billion In Diamonds, please check out their official Facebook page here. 

Retrosonic Podcast Lockdown Lowdown Episode 7 with Damian O'Neill

Photo by Rosa O'Neill

As we once again return to an unwelcome period of lockdown it's time to invite another very special guest into the Retrosonic Podcast 'virtual studio'. So, for Episode 7 of our Lockdown Lowdown series I am delighted to welcome Damian O'Neill, guitarist with The Undertones, That Petrol Emotion, The Everlasting Yeah and (as Damian confesses) "guitar gunslinger for hire"! I wanted to find out more information about his recent collaboration with the excellent New York based Power Pop band Baby Shakes and their brand new single "Sweet 'n' Sour", a stomping version of a track from Damian's own solo album "Refit Revise Reprise". Damian and his Undertones colleague, drummer Billy Doherty produce and play on the single which also features a cover of the Undertones "Really Really". We talk about his involvement with Dimple Discs Records, the label he runs with good friend Brian O'Neill who have released "Sweet & Sour" as a stunning 7" single on coloured vinyl. We also discuss and play a track from another excellent Dimple Discs release from Eileen Gogan & The Instructions album "Under Moving Skies" and catch up with news on Damian's latest projects including new music from 5 Billion in Diamonds. Finally, we get a long-awaited update on what's been happening with The Everlasting Yeah. You can download/listen to the episode directly from the Retrosonic Podcast Soundcloud site below or subscribe for free at Spotify, iTunes, Apple Podcasts and Mixcloud.

Retrosonic Podcast · Damian O'Neill

Track-listing

Retrosonic Theme by Adam Donovan

Eileen Gogan & The Instructions "Echo"

Baby Shakes "Really Really"

The Undertones "Billy's Third"

Incidental music: The Everlasting Yeah "Hoodlum Angels"

Incidental music: Damian O'Neill & The Monotones "Mundanian Dream"

5 Billion in Diamonds "Weight of The World" featuring Ebbot Lundberg

Baby Shakes "Sweet 'n' Sour"

Useful Links - (please click on the highlighted links below to investigate further)

Baby Shakes 

Dimple Discs Records

Damian O'Neill & The Monotones 

The Undertones

The Everlasting Yeah

 5 Billion in Diamonds

Eileen Gogan & The Instructions 

Retrosonic Podcast special "From The Undertones to The Monotones" (with Damian O'Neill)

Retrosonic Podcast special "The Story of That Petrol Emotion & The Everlasting Yeah"

(with Damian, Raymond Gorman & Ciaran McLaughlin)

Baby Shakes interview at WriteWyatt Blog

Here's the great new video of "Sweet 'n' Sour" by Baby Shakes - enjoy!

 

 

Retrosonic Podcast Lockdown Lowdown Episode 6 with Ian Person of The Soundtrack of Our Lives, Union Carbide Productions & Pablo Matisse

Photo courtesy Ian Person

In Episode 6 of our special Lockdown Lowdown series we welcome Ian Person into the virtual Retrosonic Podcast studio. We take an entertaining and in-depth journey through Ian's musical life - not only as a guitarist, singer, songwriter and composer but as an enthusiastic music fan. We go back to Ian's earliest musical memories - from the very first record he bought, the first gig he went to and the first band he formed. He discusses his favourite albums, 7" singles and the influences on his guitar playing. There's also some of his own memorable shows and tales of touring with Robert Plant and Oasis and working with Denise Johnson, who we found out had sadly passed away just a few days before we did the interview. Along the way there's some great music from The Who, Black Flag, Creedence Clearwater Revival, The Damned, Minor Threat, The Stranglers, Oasis, Ebba Grön and Led Zeppelin to illustrate Ian's stories and choices. We also take a comprehensive look at Ian's own music from being a part of two of Sweden's most influential and important bands - the wild, untamed Union Carbide Productions and Psych Rock legends The Soundtrack of Our Lives. We take in his time with P-Funk innovators Stonefunkers and on collaborations with his ex-TSOOL colleagues Fredrik Sandsten and Kalle Gustafsson Jerneholm on such projects as legendary Swedish singer Jerry Williams comeback album to his movie and TV soundtrack work such as Box 21 and The Eternal Road. Then there's new music from his current band Pablo Matisse and we also feature a pick of his own solo music including the superb score to the documentary on his favourite football team IFK Göteborg and his Diamonds In The Rough album. Finally we end the episode with an exclusive unreleased song from his forthcoming solo album, a duet with Swedish singer Alice B.

Full Tracklisting

The Stranglers "The Raven"

Ebba Grön "Hang Gud"

Black Flag "Rise Above"

The Who "Baba O'Riley"

Union Carbide Productions "Golden Age"

Union Carbide Productions "Coda"

Stonefunkers "Mardi Gras Stomp"

The Soundtrack of Our Lives "Instant Repeater '99"

Ian Person "Valencia Theme"

Ian Person & Kalle Gustafsson Jerneholm "Theme from The Eternal Road"

Ian Person "Box 21"

Ian Person "Diamonds In The Rough"

Pablo Matisse "Is There Anybody Out There?"

Jerry Williams "Ghostrider"
Oasis "Champagne Supernova"

Led Zeppelin "Good Times Bad Times"

The Soundtrack of Our Lives "Mind The Gap"

Creedence Clearwater Revival "Fortunate Son"

The Damned "Love Song"

Minor Threat "Betray"

Ian Person & Alice B "Forever and a Day

Ian Person photographed by Paul Slattery

Useful Links - Please click on the highlighted link below to explore further

Ian Person - Official Facebook page

Ian Person - Bandcamp site

Pablo Matisse - Official Facebook page

Pablo Matisse - Bandcamp site

Svenska Grammofon Studion - Official web-site

The Soundtrack of Our Lives - Official Facebook page

The Soundtrack of Our Lives - Facebook Group

(for all things TSOOL related including Fan's Forum, Archive & news on all ex-Bandmembers)
Retrosonic Podcast - Special Episode with Ian Person
Retrosonic Podcast - Special Episode with Ian Person & Fredrik Sandsten 
Retrosonic Podcast - Special Episode on IFK Gothenburg movie "Football's Last Proletarians" 
(with ex-IFK & Liverpool legend Glenn Hysén, Directors Martin Jönsson & Carl Pontus Hjorthén)

This episode can be streamed/downloaded directly below or you can check out our Retrosonic Podcast site at Soundcloud or subscribe for free at iTunes or Apple Podcasts.

Retrosonic Podcast · Lockdown Lowdown Episode 6: Ian Person of The Soundtrack of Our Lives & Union Carbide Productions

Retrosonic Podcast has a valid PRS certificate. Podcover photo courtesy of Ian Person. Check out our previous Lockdown Lowdown episodes with Duncan Reid of The Boys, Leigh Heggarty of Ruts DC, Raymond Gorman of That Petrol Emotion/The Everlasting Yeah, Buddy Ascott of The Chords/The Fallen Leaves and Mike & Elsa from The Jack Cades. Retrosonic intro music by Adam Donovan.

Ebbot Lundberg & The Indigo Children at Slussens Pensionat and a Reflection on the Importance of the Stunning Venue

Ebbot Lundberg & The Indigo Children at Slussens Pensionat

When Sweden's Psych-Rock legends The Soundtrack of Our Lives sadly called it a day in December 2012 there were many things I was dreading losing out on. It goes without saying that I would miss the music and their incendiary live shows but there was also the travel, the social life with the great friends and acquaintances that I had made along the way since I first saw the band. It’s not overstating things to say that TSOOL pretty much changed my life, or at the very least, set it on a different course. After all, they re-energised my passion for music and inspired me to recreate my old-school 1980’s cut and paste fanzine "Out of Step" which I renamed "Retro Man" after my favourite TSOOL song. However, it was the thought that there would no longer be any more gigs at the beautiful Slussens Pensionat that most filled me with regret. TSOOL first started playing at the stunning waterside location run by the lovely couple Vibs and Robert Sohlberg on the island of Orust in 2001 and word quickly spread that these were gigs and a music venue like no other. 

Slussens Pensionat by Paul Slattery

Ebbot at Slussens Pensionat with The Soundtrack of Our Lives by Paul Slattery

The band used these shows at Slussens Pensionat as a kind of summer break for themselves; you could sense they were a release from what was possibly a very stressful time. Their profile was getting higher internationally due to the breakthrough album “Behind The Music” and they had to deal with all the pressures that success can bring - major record labels, PR, management and such like. The Slussens Pensionat shows stripped away all the corporate bullshit and just allowed the band to relax and enjoy themselves. I was to get my first taste back in August 2003 and was immediately hooked, travelling over as many times as I could after that initial mind-blowing experience. It was a fan's dream. The band played sprawling sets that could last over three hours stretching into the early hours of the morning. They would play obscure album tracks, B-sides, cover versions and try out brand new, often unfinished songs alongside their more familiar numbers. Sometimes, they played whole LPs in their entirety, such as the Winter Lucia show in December 2008 promoting the release of “Communion” where we were treated to each song in sequence. 

Ebbot at Slussens Pensionat with The Soundtrack of Our Lives by Paul Slattery

Slussens Pensionat by Paul Slattery

The Slussens shows usually started rather sedately, with the audience enjoying dinner while the band sat on stools playing acoustic guitars. However, the nights would inevitably end in drunken chaos with tables moved out of the way and the crowd getting up to dance. Vocalist Ebbot Lundberg would climb over tables, sending drinks, bottles, glasses (and sometimes people!) flying all over the place. Microphone leads would often get wrapped around people’s legs and necks and mic stands went crashing all over the place. It was always great fun. One year I was there, they were filming the fantasy/documentary “Ebbot the Movie” and I make a fleeting appearance in it. It’s a great film that really captures the true essence of the Slussens Pensionat experience, as well as highlighting some rather suspect acting from the band members themselves. Another year, Ebbot invited my Retro Man Blog colleague photographer Paul Slattery along and he documented the proceedings with some superb photos, which you can see in the archive here. I met other TSOOL fans from all over the world, not just from Sweden or England but also from Norway, America, Scotland and as far away as Peru. I even met the actor Lars Melin, who appeared in one of my favourite Swedish TV shows, “Wallander” and he seemed a bit surprised that his fame had spread over to the U.K. There are many other great memories, for example, I saw Ebbot duetting with the fantastic singer songwriter Martin McFaul and on separate occasions interviewed both Ebbot and Ian Person for Retrosonic Podcast on the terrace overlooking the beautiful Orust scenery. 

TSOOL with Robert from Slussens Pensionat by Paul Slattery

The last photo of TSOOL together at Slussens Pensionat by Paul Slattery

Yes, indeed, when TSOOL split up you can probably now understand why I was so sad at the thought that I might never get the opportunity to return. However, the good news is that Ebbot has continued the tradition and has since returned to play at Slussens Pensionat for his own TV show “Ebbot’s Ark” as well as with his current band The Indigo Children. Therefore, in August I found myself once again returning to what had almost become my spiritual home and the weather was thankfully perfect, it was so great to be back. Since TSOOL split up, Ebbot has become a bit of a TV celebrity in Sweden, appearing in the popular music show “Så Mycket Bättre” and his own show “Ebbot’s Ark”, as well as various daytime programmes and cooking/travel shows and the audience demographic on the night probably reflected this somewhat. Ebbot appears and is in a cheerful and suitably summery mood, wearing a brightly striped nightshirt, shorts, crocs and a Hawaiian flower garland around his neck. 

Albert, Billy & Ebbot of The Indigo Children by Retro Man Blog

Anton of The Indigo Children by Retro Man Blog

There has been a slight change in The Indigo Children line-up again, following last year’s shift from the members of Side Effects to members of fellow Stockholm based band, EKEN. There are some familiar faces from my Retro Man Blog night for Ebbot & The Indigo Children in London last October - Oskar Nylén and Billy Cervin on guitars, Alfred Holmgren on bass and the powerhouse drummer Anton Fernandez. Then, there is the latest recruit, newcomer Albert Lorenz on keyboards. We have already featured the incredible story of Billy Cervin, who was barely in his teens when he started taking guitar lessons off a neighbour who just happened to be TSOOL’s Mattias Bärjed. Under Mattias’ tutelage, Billy quickly graduated to forming his own band, Side Effects (named like this Blog, after a TSOOL song) and this led to him standing in for Mattias at some TSOOL live shows to eventually teaming up with Ebbot in the Indigo Children. Billy was also recruited into the Union Carbide Productions line-up for their amazing reunion gigs last year and has proven himself to be the perfect foil and ally to Ebbot and his musical adventures. 

Ebbot, Billy Cervin (guitar) & Albert Lorenz (keyboards) by Retro Man Blog

Albert Lorenz of The Indigo Children by Retro Man Blog

But back to the new keyboard player Albert, who has a similar fairy-tale story to Billy. A few years ago, I met up for a beer with him at Pustervik in Gothenburg; he was a big TSOOL fan from Spain who had just landed a dream job at ex-TSOOL bassist Kalle’s Svenska Grammofonstudion, now Sweden’s most sought after recording studio. We also went along to see Ebbot at Slussens Pensionat and one of my lasting impressions was of Albert, a few beers down, enthusiastically joining in on backing vocals after an impromptu ‘stage’ invasion! This could have been an early audition and I think Albert was as surprised as me to find out he would end up as an official member of The Indigo Children. Albert admitted to me that he was a bit concerned about following in the footsteps of previous keyboard player Elias, but he did just fine. He brought an energetic stage presence, encouraging people to join in and clap their hands, wading into the audience with his tambourine. 

Alfred & Oskar of The Indigo Children by Retro Man Blog

EKEN by Retro Man Blog

Although I was nervous when I found out that the Indigo Children line-up had changed literally days before my show with the band in London last year – the new recruits did a superb job at such short notice. Thanks in main to Billy’s organisation, they did not let me, Ebbot or the London crowd down and I was really looking forward to seeing them again. However, let’s get back to the Ebbot’s Slussens Pensionat gig, and what followed was a mammoth set crammed full of The Soundtrack of Our Lives songs, yes, this was definitely a night for all TSOOL fans. Ebbot always throws in a few TSOOL numbers into in his solo sets but I don’t think he has ever played so many of their songs at one gig and I am transported back to all those great TSOOL Slussens shows over the years. For example, there’s the classic “Galaxy Gramophone” from the “Homo Habilis Blues” EP along with “Rest In Piece” and “Century Child” and songs cherry picked from every TSOOL LP.

Billy & Ebbot of The Indigo Children by Retro Man Blog

Anton & Alfred of The Indigo Children by Retro Man Blog

Tonight though, there is just the one new unreleased song “Comfort Zone” from the forthcoming Indigo Children LP, it’s pretty much the good old familiar favourites all the way. There is a break half way through and Eken come on and play two excellent songs, I love this band and played a track in an early Retrosonic Podcast episode about my favourite Swedish music at the time. After this nice unexpected bonus, Ebbot then appears on his own with an acoustic guitar and runs through a long story, humorous apparently to those that can understand Swedish! He plays his first solo single “Wishing Well” and we all join in on the Burt Bacharach style-backing vocals. There’s Union Carbide Productions “Can’t Slow Down” and great versions of The Beatles’ “Day In The Life” and Bowie’s “Five Years”. The band come back and run through another set packed full of great songs from all aspects of Ebbot’s career that include the cover versions “Don’t Blow Your Mind” and “Calling From Heaven” which the band have made their own. Of course, there’s the stunning singles “To Be Continued” and “Backdrop People” that all feature on the excellent debut Indigo Children LP “For The Ages To Come”. The set draws to a close with raucous attacks on “Bigtime” and “Mantra Slider” and despite the clock approaching 2am, they still come back for more. The encores are a blur, Ebbot climbs over me to stand on the table, I do remember “Sister Surround”, “Firmament Vacation” and what must surely be Sweden’s unofficial national anthem, “Instant Repeater ‘99”. The show finally draws to a close with an emotional and moving singalong of “The Passover” and it proved to be a truly memorable night that lived up to all those old classic Soundtrack of Our Lives shows at Slussens Pensionat. If you ever get chance to visit this magical venue then please don’t hesitate, you might end up like me, hooked for life.
 

Ebbot Lundberg & The Indigo Children by Retro Man Blog

Ebbot has been busy provided vocals once again for the ‘super-group’ 5 Billion In Diamonds who will be releasing their second alum early next year. The band is masterminded by Garbage drummer and Nirvana producer Butch Vig, James Grillo and Andy Jenks and features Damian O’Neill from The Undertones, David Schelzel, Damon Reece and Helen White among other special guests. Ebbot also spearheaded the Union Carbide Productions reunion last year with Billy joining original band members Patrick Caganis, Per Helm, Adam Wladis and Henrik Rylander and we were lucky enough to see a stunning show in Gothenburg which you can read about in the Blog archive here. There’s also good news that a documentary on the band is currently in production. The other members of TSOOL have been equally as busy. Following one superb album of classic Rock with the band Free Fall, Mattias Bärjed has become a critically acclaimed movie and TV soundtrack composer and has combined this with touring with Refused. Along with Martin Hederos, he got Nymphet Noodlers back with original members Mattias Hellberg, Jesper Karlsson and Jan Martens, who has also recently released his own debut solo LP “Voices”. Martin Hederos has also just simultaneously released two brand new albums, one of piano music “Era Spår” under his own name and another “Master of Fog” with Tonbruket. Ian Person is currently in the excellent Punk Rock band Pablo Matisse with Per from Division of Laura Lee and has also been working on a TV soundtrack with Kalle. Ian also produced and played on the “Ghostrider” album by Swedish Rock ‘n’ Roll legend Jerry Williams along with TSOOL’s drummer Fredrik Sandsten.

The Soundtrack of Our Lives at Slussens Pensionat by Paul Slattery

So, there is plenty of great new music from all the ex-TSOOL members to fill that void left since the band finished. With sincere thanks to Hasse & Liselott, Vibs & Robert and best regards to Ebbot, Albert, Billy, Anton, Alfred and Oskar. You can check out the Retro Man Blog Facebook page for more photos of the show and there are also videos up on our YouTube channel here. Check the Blog archive for loads of Soundtrack of Our Lives related features including the band’s last ever London and Slussens shows. There’s features on the Nymphet Noodlers and Union Carbide Productions reunions and don’t forget our Retrosonic Podcast special editions featuring interviews with Ebbot, Ian Person, Fredrik Sandsten, Mattias Barjed and Mattias Hellberg and much more. Thank you to Paul Slattery for his photos, copyright Paul Slattery or Retro Man Blog where stated.