Showing posts with label The Woggles. Show all posts
Showing posts with label The Woggles. Show all posts

Thursday, 5 December 2024

Retro Man Blog & Retrosonic Podcast's Favourite Gigs of 2024 with Photos & Videos

All photos copyright Retro Man Blog
Welcome to this selection of some of our favourite gigs of 2024. There were some super shows this year, from intimate solo performances in churches to full-on orchestral shows and of course the usual raucous Rock 'n' Roll gigs in classic venues. Please click on the highlighted band name for links to access our videos from the relevant shows and I've added links to various corresponding reviews in our archive too.

1. Love Revisited with Johnny Echols - Shepherds Bush Empire

 For review with photos and videos check out our Retro Man Blog feature here

2. The Soundtrack of Our Lives - Camden Electric Ballroom

3. The Prisoners - The Roundhouse, Camden

For review with more photos from the show, check out the feature here

4. Bill Ryder-Jones - "Iechyd Da" Live at The Barbican

5. Lenny Kaye & Friends Play Nuggets - 100 Club, London

Check out the feature here for review and more photos and videos

6. The Woggles, The Len Price 3 & The Galileo 7 - 100 Club, London

See more photos and videos from the show at our Retro Man Blog feature here

7. The Blue Aeroplanes - Lafayette, London

For review with photos and videos from the show check out the Retro Man Blog feature here

8. Michael Head - St. Pancras Old Church, London

9. Love Revisited with Johnny Echols - The Stables, Milton Keynes

10. Indochine - Rough Trade East, London

See more photos and videos from the show at our Retro Man Blog feature here

11. Altin Gun - The Troxy, London

12. Elephant Stone & Karma Sheen - The Lexington, London

Check the feature here for review with photos and videos

13. The WitchDoktors, The Phobics & Damage - The Half Moon Putney

14. Michael Head & The Red Elastic Band - EartH Hackney

For review with photos and videos from the show, check out the feature here

15. The Damned - Waterside Theatre Aylesbury

16. Lalalar - The Garage, Islington

See photos and more videos from the show at the Retro Man Blog feature here

17. Michael Head - Rough Trade East, London

18. Ruts DC - ElectrAcoustic at 100 Club, London

For feature on ElectrAcoustic Vol. 3 check out the the Blog archive here

19. Bill Ryder-Jones - Islington Assembly Hall

20. Robyn Hitchcock - Foyles, London


For original videos from most of the shows above, please check out our Retromanblog65 YouTube channel, you can subscribe for free here. All photos and videos copyright Retro Man Blog.

Sunday, 18 August 2024

The Woggles at The 100 Club London with The Len Price 3 & The Galileo 7, Friday August 16th 2024


The Woggles made a very rare trip to the U.K. for two shows, first of all in Bristol on the Thursday and then Friday night at the legendary 100 Club in London, where I finally got to witness what many people claim are one of the best live acts around. I've been a fan for a long time now and watching videos of them over the years and seeing comments from those lucky enough to have seen them play I was wondering if they could live up to my expectations. Well, I wasn't to be disappointed, in fact they exceeded all of those expectations and then some. Another big fan of The Woggles is Graham Day, frontman of one of our favourite bands, The Prisoners. In fact, he is such a fan that he invited The Woggles to play at his wedding and he also borrowed their rhythm section of drummer Dan Eletxro & bassist Buzz Hagstrom for his Graham Day & The Gaolers line-up on their excellent debut album "Soundtrack To The Daily Grind". I've spoken to Graham about The Woggles on a few occasions in previous interviews and chats and he has now been in the band for over five years, the opportunity arising after the sad and untimely passing of guitarist Jeff "Flesh Hammer" Walls in 2019. Graham has expressed how difficult he sometimes finds the pressures of being a frontman and his struggles with singing and lyric writing - although if you take the Gaolers for example, this seems somewhat hard to believe. He told me once in our Retrosonic Podcast interview that he always fancied being the guitarist in a band seen playing at a dance or 'happening' in one of those American sixties teen movies. Either that or in an instrumental band, an ambition he was to make happen when he formed The Senior Service, his side project that was heavily influenced by those classic Spy, Sci-Fi and Spaghetti Western movie and TV theme tunes by composers such as Barry Gray, John Barry and Ennio Morricone. 




So tonight, the London crowd gets their first chance to see Graham playing guitar with The Woggles and he seems to be having as much fun as we are. Busting out all the moves and shapes with his cool looking Nineteen67 Jones guitar and despite the proliferation of Prisoners T-shirts in the crowd, he is relishing the spotlight being on the livewire frontman The Professor Mighty Manfred Jones. Manfred has to be one of the best rabble-rousing all action vocalists I have ever seen - he does not stop moving for a minute, he demands your attention with his cheerful cheerleading antics. One minute he's lifting the mic stand high above his head, then he's on his knees blasting out on his harmonica, before leaping up and pirouetting around with some nifty dance steps. He also likes to get down among the crowd, encouraging us to participate. I'm exhausted just watching him and I wonder how he gets his energy as he never lets up. His energy levels are matched by Go Go dancer Moana Santana who also doesn't stop for the duration of the show and she adds even more glamour to the visual extravaganza. We saw Moana dancing at the 100 Club for the fantastic Lenny Kaye plays Nuggets gig (which you can read about here) and she really adds to the whole swinging sixties vibe. 




Bassist Buzz Hagstrom and guitarist/saxophonist Shane Pringle also seem to be in their element, they have to compete with some strong personalities to their right and yet they acquit themselves perfectly, they are superb on the night. Only super-cool drummer Dan Eletxro in his trademark cap, remains seated throughout and that's because he has to keep the relentless groove going, I'm sure he was dancing inside. The perfectly plotted set unsurprisingly draws heavily on the excellent new album "Time Has Come", which is out now on green vinyl via Little Steven van Zandt's Wicked Cool Records, and is surely going to feature very high in our best albums of 2024 come the end of the year. I would go so far as to say it's up there as one of the best, if not the best Woggles albums and it positively bursts out of the speakers, coming very close to capturing the live energy we witnessed tonight. It's going to be lauded as a future classic in the Garage Soul genre, I'm sure of it. Graham contributes a couple of songs to the record along with guitar and backing vocals and what with The Prisoners stunning reunion album, "Morning Star", he's on a great creative streak at the moment. My personal highlights included "Telling Me Lies", "Paisley In Paradise", "Mr Last Chance", "Her Majesty's Pleasure" and the blistering "Flesh Hammer" which was written by Pat Beers by another of our favourite bands, The Schizophonics. "Karate Monkey" is also superb, with everyone joining in on the "ooh aah" karate kata moves. I sincerely hope that The Woggles don't leave it so long before returning to our shores - in these sometimes dark and depressing times we all need a regular shot of their peerless good-time Garage Rock 'n' Soul. 




The night was made even more special with the added bonus of The Galileo 7 and The Len Price 3, two more of our long-time favourites. In fact what with Graham Day on stage with The Woggles and so many familiar friendly faces in the crowd, it took me back to the good old days of our Retro Man Blog nights at the Half Moon Putney. The LP3 powered through a raucous set including a couple of promising sounding new songs which seemed inspired by their Medway and North Kent roots. You realise just what a great back catalogue the band have built up and they treated us to a pick from most of their albums, culminating in the classic "London Institute". The Galileo 7, who are of course fronted by Graham's colleague in The Prisoners, Allan Crockford, opened up proceedings quite early but thankfully there was a healthy crowd already in the venue to witness another great performance from the band. Their dynamic and memorable Psych Pop songs, with all four members having a go on vocals, went down really well with the crowd. They also debuted two new songs which are due out early next year and they sounded excellent, I'm really looking forward to hearing them recorded. So, all in all it was a perfect night out, proving the importance of the communal spirit and positive vibes of a room full of fans enjoying no-nonsense, uplifting live music. 

The Galileo 7

The Len Price 3
For more information on The Woggles and details on how to order the new album, please check out their official web-site here. Please click on the highlighted links throughout the feature for more information. I'll put more photos of the night at the Retro Man Blog Facebook page so please head on over here, like and subscribe for access. All photos and videos copyright Retro Man Blog.

Saturday, 15 December 2018

Graham Day & The Gaolers with The Galileo 7 at Damaged Goods Records 30th Anniversary, The Lexington

Graham Day & The Gaolers - Photo copyight Retro Man Blog
In an early episode of Retrosonic Podcast, we were picking tracks by our favourite bands and artists and the question came up, whatever happened to Graham Day...? There had been no news on the former Prisoners singer/songwriter since Graham Day & The Gaolers had split up a few years earlier. Graham formed The Gaolers by recruiting drummer Dan Eletxro and bassist Buzz Hagstrom from The Woggles, one of his favourite bands and in 2007 they released a stunning debut album “Soundtrack To The Daily Grind”. Buzz was later replaced by Jon Barker from The Daggermen (currently with Graham in The Senior Service) and they released the superb follow up “Triple Distilled” a year later. “Triple Distilled” was one of those rare classic albums where everything just clicks. Right through from the stunning cover art to the blistering production to the mind-blowing collection of top quality songs within, it was faultless. Sadly, The Gaolers were a short-lived affair and things suddenly went very quiet. Then out of the blue came the announcement of a Prime Movers reunion when Graham, Allan Crockford and Wolf Howard were lured back to play some shows thanks to an offer from a German record label. This would eventually lead to Graham Day & The Forefathers when the trio had the idea to play a selection of ‘hits’ from all the Graham fronted bands, not only the Prime Movers but The Prisoners, The SolarFlares and The Gaolers too. They were a “tribute band to himself” as Graham told us in our Forefathers special Retrosonic Podcast. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog
Dan & Jon, The Gaolers - Photo copyight Retro Man Blog
When I heard the news about The Forefathers, I leapt at the chance to offer them a gig at one of my Retro Man Blog Nights at The Half Moon in Putney. The opportunity to work with one of my musical heroes and make our old Podcast wish to see Graham play live again come true, was too good to miss. We would go on to put on three memorable shows with The Forefathers, in particular one on Graham’s birthday, which included an extra special surprise when they dusted down the legendary Prisoners Star Trek stage outfits. I have to admit I had a lump in my throat when I went backstage before that show and saw the tunics hanging up behind the door as it took me back to the very first time I saw The Prisoners on CH4’s The Tube in 1984. Some of my personal highlights from The Forefathers set were actually tracks by The Gaolers and I had a cunning plan to see if Graham would consider re-forming the band. I knew he had a soft spot for them too and it was discussed in a roundabout way but the timings didn’t quite work out. It did however sow the seeds for our two sold-out SolarFlares reunion gigs at The Water Rats in Kings Cross - by coincidence, the same venue (although then known as The Pindar of Wakefield) where The Tube filmed The Prisoners in their Strar Trek outfits all those years ago. Then we also put on the debut single launch party by Graham’s instrumental outfit, The Senior Service at The Half Moon but deep down, I still harboured ambitions to put on a Gaolers reunion show one day. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog
Graham Day & The Gaolers - Photo copyight Retro Man Blog
So I must admit to having mixed emotions when it was announced earlier this year that The Gaolers would indeed be getting back but only for a one-off appearance as part of the Damaged Goods Records 30th anniversary celebrations at The Lexington. Part of me was disappointed but at least it meant I could be there, down the front, purely as a fan without all the pressure and responsibility of promoting the gig. Anyway, who can compete with or begrudge Damaged Goods Records, they did release The Gaolers albums after all and I knew label boss Ian was a huge fan, as he explained in our Damaged Goods Records special Podcast here. The band take the stage, looking good in their matching black military style tunics with red piping – Graham picks up his cool Gretsch guitar, Dan with his trademark cap is behind the drums and Jon Barker is on bass. There is a real sense of anticipation as they launch into the first number “Glad I’m Not Young” and the roof is nearly lifted off The Lexington with the sheer power of it. It really is a great song, with lyrics harking back to the violence between the youth cults that many of us had to deal with as teenagers and it is refreshing to hear something that’s not all rose-tinted nostalgia. Another plus side of getting older is finally being able to say what you mean and this is perfectly captured in the next song “Better Man”. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog
Of course, the negative experiences are also dealt with in the brutally frank “Part Time Dad” which is a loud and raucous stunner. Although Graham professes to dislike writing lyrics, I think his work with The Gaolers is up there with the best. Both Gaolers albums feature searingly honest songs touching on the issues of a man coming to terms with impending middle age. They are often shot through with a self-deprecating humour though, in particular “Something About You Girl” which is an evocative vignette of a guy getting slightly more than he bargained for from his date. However, I don’t want to look too deeply into the meaning of the lyrics, as Graham is on hand to admonish any such pretensions in the all too modest “Just a Song”. After all, as he sings, these are “not words to analyse or scrutinise”. Graham hands around a bottle of Jim Beam to his two colleagues and to his grateful mates standing side of stage before slamming into a great version of “Pass That Whiskey”. The swirling “Lost Without My Dignity” slows the pace a little and allows for a quick breather and chance to reflect that actually, I do wish I was young. We were treated to the added bonus of two excellent brand new songs “Just a Little” and “I’m Not The Only One” and they were both soulful with memorable catchy guitar riffs. The good news is that the band have recently been in Ranscombe Studios with Jim Riley and have recorded them for a future Damaged Goods Records single. It is a relief to those of us who have been patiently waiting for some new Graham Day material and I guess they might well find their way into a Forefathers set in the near future. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog
Dan of The Gaolers - Photo copyight Retro Man Blog
An explosive “The Most Expensive Sleep” is followed by their classic debut single “Get Off My Track” which is a vitriolic burst of energy and the set draws to a close all too quickly. Of course, there are demands for an encore and “Wanna Smoke”, that fist waving singalong rant at political correctness goes down a storm. A Graham Day show would not be complete without an instrumental tune, after all The Gaolers were responsible for one of his best in “Sitar Spangled Banner”. Tonight though it’s a slight case of sitar-mangled banner and the three bandmates trade sheepish grins as they stumble a bit half way through. Anyway, we didn’t really care whether all the right notes were being played in the right order or not as we were having way too much fun to worry. The band are called back for a well-deserved second encore and play a crunching “Begging You” which ends the show perfectly and they lap up the heartfelt applause. With the new single coming out soon I’m sincerely hoping there may be the possibility of more Gaolers gigs to promote it next time Dan is over in the U.K. and I’m certainly going to be first in the queue with an offer!     

The Galileo 7 - Photo copyight Retro Man Blog
The Galileo 7 opened the show and put in one of their best performances to date. I mean, I was blown away by their set supporting Ebbot Lundberg at the Retro Man Blog Night back in October but this was even better. Allan Crockford certainly seems to have grown in confidence as both a frontman and vocalist, attacking his guitar and leaping around, trying to avoid being injured by Paul Moss, the bouncing bassist to his left, who only stands still when he has to deliver some backing vocals. They are becoming a great visual live act nowadays with Allan and Paul vying for space as drummer Mole kicks up a Tasmanian devil storm behind them. Then there is Viv swaying along behind her keyboard, managing to play with one hand whilst keeping the beat with her tambourine in the other. The band kick off with the powerful “One Lie at a Time” and tonight, the set concentrates on their current album “Tear Your Mind Wide Open”, taking in the superb title track and the melodic Power Pop of “Live For Yesterday”. 

The Galileo 7 - Photo copyight Retro Man Blog
However, it’s “The Mask” that is a real highlight, cramming mind-bending twists and turns into a song that some might call a mini-opera. It’s as if The Who had condensed the whole of “A Quick One” into a three and a half-minute masterpiece. The stunning quick-fire ending sees people standing there open-mouthed watching Mole in awe. He certainly rose to the added pressure of being watched by some mighty fine drummers as I spot Lois from The Embrooks, Wolf Howard and Johnny Symons from The Prisoners in the crowd enjoying a night off. There is a dip into the band’s debut album for the crowd favourite “Orangery Lane”, a classic piece of Syd Barrett inspired Psych Pop, which segued into a cracking version of Pink Floyd’s “Astronomy Domine”. At least they are not shy of acknowledging their influences. The band know how to plan a set-list too; the dynamics are always perfectly plotted and live, the vocal backing harmonies of Mole, Paul and Viv really lift the songs to another level. Viv handles lead vocals on a promising new unreleased track “Too Late” and despite “Tear Your Mind Wide Open” only being a year old, there is a good chunk of the new LP already written. The band seem to be fizzing with a creative energy and have been dropping in some more impressive teasers into their set recently, including the brilliant “Everything Is Everything Else”. This is a classic piece of melodic Garage Pop, which surely must be nailed on as a future 7” single release. 

The Galileo 7 - Photo copyight Retro Man Blog
I can feel there is an impatience to keep moving on, to keep improving and the new songs I have heard are catchy and concise and slot in perfectly among the more familiar material. Just like their gigs, the albums have been getting progressively better too so I am already impatient to hear what is coming next. They end the set with an oldie “Are We Having Fun Yet?” and when Allan sings those words in the chorus we all reply with the cynical response “no, I don’t think so”, but don’t worry, we certainly don’t mean it…! There was a real buzz in the crowd after their set and the talk centred on just how much The Galileo 7 are improving with each passing show. I am hoping that if they can get some more decent high profile gigs such as this one, they are sure to be converting a lot more people to the cause. The band are keen to play more shows so any promoters out there please do get in touch. I must also mention DJ Lee Grimshaw from the Spinout Show who was on hand to keep us entertained between the live music and as usual, his eclectic mix went down a storm. So, a great night out to celebrate Damaged Goods Records 30th birthday and long may they continue!



For more photos of the night please visit the Retro Man Blog Facebook page here and you can find some videos of both bands over at our Retro Man Blog YouTube channel here. Please click the highlighted links throughout the feature to check out further information. 

Sunday, 31 December 2017

Retro Man Blog's Top 10 Albums of 2017


 
Retro Man Blog's Top 10 Albums of 2017 (in alphabetical order...)

The Blue Aeroplanes: "Welcome Stranger"

The Galileo 7: "Tear Your Minds Wide Open"

Groovy Uncle (featuring Suzi Chunk): "A Clip Round The Ear"

Joss Cope: "Unrequited Lullabies"

King Mojo: "Do Not Feed The Dancing Bear"
 
The Len Price 3: "Kentish Longtails"
 
Michael Head & The Red Elastic Band: "Adios Senor Pussycat"
 
Oh! Gunquit: "Lightning Likes Me"
 
The Woggles: "Tally Ho"
 
5 Billion In Diamonds: "5 Billion In Diamonds"

Best Albums 11-20, Gigs & Happenings, Singles, EPs, Tracks & Reissues etc coming soon...