The Damned 50th Anniversary Show at Wembley Arena with The Loveless, Peter Hook & The Light and The Courettes

My first introduction to The Damned was watching them play "Love Song" on Top of The Pops as a kid back in 1979 and the first thing that hit me was that immense blast of a bass riff by Algy Ward. I got the album from where it came, “Machine Gun Etiquette”, and it still stands out as one of the very best Punk Rock LPs of all-time, certainly one of my favourites too. However, what came next was a big departure, not just with the line-up as Paul Gray from Eddie & The Hot Rods replaced Algy on the bass, but in the sheer scope of the songs on their next release, an ambitious double album entitled “The Black Album” which included the 17 minute Gothic masterpiece “Curtain Call”. I finally got to see them play live in 1981 at the Lyceum in London on the tour promoting the album, and I was totally blown away. I still think of that fantastic line-up of Dave Vanian, Captain Sensible, Rat Scabies and Paul Gray as 'my' Damned and "The Black Album", "Strawberries" and "The Friday 13th E.P." from that era are absolute classics. So, it was quite emotional to see that very same line-up on stage at the Wembley Arena to celebrate the band's 50th Anniversary with a setlist that featured many of the songs they played back at my first ever Damned gig! When the gig was announced I must admit to being disappointed to see they had chosen such an awful venue, I am not a big fan of such large soulless places, and I was in two minds whether to go or not. However, I didn’t want to regret missing out on such a special occasion and when I saw the superb support acts lined up, I snapped up a ticket. I must admit I was very pleased and relieved that I did, in the end it was a triumphant and hugely successful show despite my initial misgivings about the venue. At least I wasn’t the only one to dislike the place, even Captain Sensible held the same view, “I prefer the Hope & Anchor” he announced, “Wembley Arena is a big concrete shithole, but at least tonight it’s our big concrete shithole!” 

 

Dwarfed by a huge backdrop and screens showing some fantastic spooky graphics, the band opened with “Street of Dreams” from the “Phantasmagoria” album, (which ironically didn’t feature the Captain or Paul Gray) and then treated us to a first set that was an absolute treat for us “Black Album”/”Strawberries” generation of fans. The brilliant “Wait For The Blackout” was one of the highlights of the night for me and this was followed by the epic “History of The World (Part 1)” and an atmospheric “Dr Jekyll & Mr Hyde” complete with old horror movie back projections. It’s a song that highlights Paul Gray’s immense bass playing, and the sound is spot on tonight so you can really appreciate his talents and wonder why he is such an underrated bassist. Maybe it’s because his playing didn’t define The Damned in the way that maybe JJ Burnel, Peter Hook (more on him later) and Jah Wobble did on their respective bands. Captain Sensible in his trademark beret, black and red stripey jumper (with the addition of an oversized ‘50’ badge) and Gibson SG guitar, looks as good as he sounds, defying the years, it’s hard to believe the band are celebrating their 50th year as he’s barely changed since that first time I saw him. We then get two tracks from “Strawberries”, the brilliant, soulful “Stranger On The Town” is an absolute delight that gets the crowd moving and the Psychedelic Pop strains of “Under The Floor Again” is an unexpected gem. Dave moans about Su Pollard keeping “Eloise” off the top of the charts, I’m not a big fan of the song but I guess it has to be included as it was their biggest hit, and I guess an entry point for a lot of new fans at the time. 

The band remind us that it’s not all about nostalgia and that they are still releasing new material with “Wake The Dead” from the 2023 “Darkedelic” album. Personally, I think the band were rejuvenated when Paul Gray re-joined and they released the brilliant “Rockfield Files” E.P. and it got me interested in their new material again. It was a similar situation when Baz Warne took on lead vocals with The Stranglers and the quality of their music and live performances shot up to another level and seemed to re-energize the band, and their fans. Captain takes over on lead vocals for the whimsical “Life Goes On” underpinned by another superb Paul Gray bassline that I’m sure Nirvana pilfered for “Come As You Are” and the pure pop of “Is It A Dream?” are pointers that The Damned weren’t always just about Anarchy, Chaos and Destruction, we’ll save those traits for the second set. My love of “Machine Gun Etiquette” is rewarded by “I Just Can’t Be Happy Today” which highlights the skills of keyboard player Monty Oxymoron who has now become an integral part of the band, “Hurry up Beethoven”, Dave jokes with him at one point. The first set draws to a close with the classic “Smash It Up Parts 1 & 2” after which the band retire for a short interval, and we are kept entertained while we wait by the Pearl and Dean music and loads of old nostalgic TV adverts.

 

The band return for a second set and take no prisoners with a far Punkier selection of songs, the back projection shows a clip of the band’s appearance on the classic comedy show The Young Ones and we get the rush of “Nasty”, which is a fantastic and unexpected surprise. That awesome bass intro of “Love Song” is like a rush of adrenaline and that’s followed by the blistering “Machine Gun Etiquette/Second Time Around” which almost careers off the rails. Despite missing his cue on occasion and some dodgy Elvis style hip swings, Dave Vanian is in fine form, starting off in trilby, black mask and long black coat, there must be a Dorian Gray style portrait hanging up in his loft, as he is defying the years like his bandmates. Rat Scabies proves that he is one of the best drummers to have come out of the Punk explosion and it’s so great that he is back in the line-up where he belongs. Dave pays tribute to Brian James and also to Algy Ward and Bryn Merrick which is a nice touch, and they slam into “Fan Club” from the debut album. 

I’m over the moon as next up they play what could well be my all-time favourite Damned track, “Disco Man” from what must be the best ever 4-song E.P. of all time “The Friday 13th E.P.” and I can feel a lump in my throat and a tear in my eye. It’s impossible for a band to satisfy everyone, especially one that’s been going for 50 years with such an immense back catalogue, but I think they got the setlist just about right. After all, if every fan submitted their ideal setlist, I’m sure every single one would be different! Also, we already had the special treat of the original line-up reunion with Brian James at the Hammersmith Apollo, so they could be forgiven for missing a lot of the early material. Personally, as it was their 50th anniversary, I would have liked to have heard “Problem Child” or “Stretcher Case”, but I was happy that I got a fair few of my favourite songs. Talking of favourite songs, “Ignite”, the opening track from “Strawberries” was incendiary, if you pardon the pun, and it turned into an immense call and response singalong with the crowd. The classic “Neat, Neat, Neat” sparked off some mosh pit action but then the mood changed for the epic, cinematic classic “Curtain Call”, a duo of songs that couldn’t highlight the scope of The Damned’s musically ambitious eclecticism any better. Of course, the set closes with “New Rose”, that very first Punk single released in 1976, fifty years ago. I’ll say that again, fifty bloody years ago, hard to believe it when the band you are watching are looking and sounding as fresh, energetic and vital as ever. Let’s hope for a few more birthday celebrations to come.

I mentioned earlier that one of the reasons I decided to go was the great line-up that didn’t just consist of the usual Punk bands that I was expecting. The Loveless is Marc Almond’s fun Rock ‘n’ Roll side project and they played a great set mainly consisting of covers with a couple of originals thrown in. They had that down and dirty sound down to a tee and some highlights included takes on 13th Floor Elevators “You’re Gonna Miss Me” and a rousing, Glamtastic “Hell Raiser” by The Sweet. Guitarist Neal X was in top form and the version of his old band Sigue Sigue Sputnik’s “Love Missile F1-11” really worked. As did, Soft Cell’s classic cover “Tainted Love” which was out of this world played in the Rock ‘n’ Roll format. Marc Almond’s voice was fantastic, and he really seemed to enjoy fronting this excellent band.

 

Peter Hook & The Light also delighted the crowd with their set of Joy Division numbers that all sounded immense. The band were formed out of the ashes of Hook’s own Monaco with the addition of his son Jack on second bass, in fact Jack seemed to carry most of the burden, playing more than his Dad, who concentrates on singing, legs wide in familiar pose. Hooky, who’s wearing an Oasis T-Shirt featuring one of my Retro Man Blog colleague Paul Slattery’s photos, has such charisma that he seems to shrink the size of Wembley Arena, and Joy Division’s icy songs flourished in the environment. Talking of T-Shirts, guitarist David Potts is wearing one featuring the cover of The Damned’s “Friday The 13th EP” and he said he was chuffed to bits to be on the same bill as one of his favourite bands, it was a nice touch. We get a superb selection of songs such as “Transmission”, “Disorder”, “Shadowplay” and “Ceremony”, which was the Joy Division song that crossed over to New Order and inevitably, the set closed with “Love Will Tear Us Apart” and the crowd sang their hearts out.

 

Opening up the night were one of our Blog favourites, the Brazilian/Danish duo The Courettes, and I must admit I was a little worried about how they would fare in the cavernous Arena. But I needn’t have been concerned, and I was so pleased for Martin and Flavia that they went down so well despite the extremely early start. In the end they owned the huge stage of the Arena, it was certainly a far cry from the first time I saw them at the Fiddlers Elbow in Camden, but Flavia’s electric presence and Martin’s dynamic drumming style, more than compensated for the huge empty space around them. Of course, having such memorable and timeless songs helps and their trademark wall of sound, bubble-gum harmonies and fuzzed up riffs really endeared them to the thankfully, quite large crowd that were there early enough to see them play. “Boom! Dynamite!” was a real highlight with Flavia machine-gunning the crowd with her vintage guitar and “Hop The Twig” with its Cramps style intro went down a storm and I’m sure they gained a whole bunch of new fans. So, overall it was a superb night and I must admit that the sound and lighting at the venue were excellent, it was loud and powerful even from where I was sitting at the side of the stage, but I don’t think I will attend many more Arena sized shows, as just like the Captain, my heart is at The Hope & Anchor.

 

You can see more videos from the show at our Retromanblog65 YouTube channel here. Also, don't forget our thoroughly entertaining Retrosonic Podcast with Flavia and Martin from The Courettes, which can be found at our Soundcloud archive here.

Retrosonic Podcast · Presenting the fabulous Courettes

Retrosonic Podcast with Music Photographer Paul Slattery on The Smiths, Joy Division, Thee Headcoats, Penetration, KaS Product and more...

Welcome to this special edition of Retrosonic Podcast where we talk to the legendary music photographer Paul Slattery about some of the recent books and records to use some of his iconic pictures. There's Johnny Marr's new book "Marr's Guitars" and Paul pays tribute to The Smiths' bassist Andy Rourke who sadly passed away recently. There's news of Paul's recent meeting with Mona Soyoc from KaS Product in France and their new compilation album. Penetration and Invisible Girls frontwoman Pauline Murray has included some of Paul's photos in her promisong forthcoming autobiography "Life's A Gamble". Then there's the comprehensive Subhumans book "Silence Is No Reaction" by Ian Glasper. The shortlived but influential band Empire featuring Bob Derwood Andrews and Mark Laff of Generation X used Paul's pics for their "Expensive Sound" album which was a favourite of Johnny Marr and John Squire and was an inspiration on Fugazi and the Washington DC Hardcore scene. Damaged Goods Records will reissue Thee Headcoats' classic album "Heavens To Murgatroyd" with new cover photography by Paul. Then we discuss the upcoming Joy Division walking tour and talk in Stockport which coincodes with Paul's book "Joy Division at Strawberry Studios". Paul also picks his favourite Joy Division track which also happens to feature on the most expensive record in his collection. Then Paul discusses his love of the German Electronic and New Wave 'Neue Deutsche Welle' scene and looks back on a special night in Blois in France with The Flamin' Groovies and local Pub Rock heroes Sharpers. Please kindly support the Bands, Artists and Authors by clicking on the highlighted links or images below to find out further information and details on how to buy the books, records and tickets to events discussed in this episode. Thanks! Listen in below...

Retrosonic Podcast · Music Photographer Paul Slattery Part 1: The Smiths, Joy Division, Penetration, Subhumans & More...

Tracklisting and Links

Pauline Murray

1. Penetration "Stone Heroes" 

 2. Penetration "Beat Goes On"

Penetration, Pauline, Robert, Neale, Willesden Cavern, 27 March 1978

 Pauline Murray "Life's a Gamble" (Omnibus Press) 

3. KaS Product "Fever Lust"

Kas Product, Spatsz and Mona Soyoc, 18th Arondissement Paris, France 7 August 1982

4. Sharpers "Nobody Knows"

Sharpers, Joe and Simon at Maison de Begon, Blois, France, 17 June 2015

5. Empire "All These Things"

6. The Smiths "Girl Afraid"

Johnny Marr "Marr's Guitars" (Thames & Hudson) 

Paul Slattery "The Smiths: The Early Years" (Omnibus Press)

7. Joy Division "Dead Souls"

Stockport Music Map Walking Tour & Joy Division Talk with Paul Slattery

Paul Slattery "Joy Division at Strawberry Studios" (Legends Publishing) 

8. Fehlfarben "Gott Sei Dank Nicht In England"

9. Subhumans "Terrorist In Waiting"

Subhumans, Dick, Trotsky, Grant, Bruce, Warminster, 1 May 1982

Ian Glasper "Silence Is No Reaction - 40 Years of Subhumans" (PM Press/Earth Island Books)

10. Thee Headcoats "We're Gone" (Damaged Goods Records)

Look out for Part 2 coming soon where Paul discusses some of the early local gigs he attended in 1960's West London by The Yardbirds, The Others and Stevie Wonder, then he pays tribute to David Crosby of the Byrds and Jeff Beck. He talks about his musical hero Link Wray and how he fianlly got to meet and photograph him and explains about his photographic contributions to the new Grammy winning box-set from The Grateful Dead and plays his favourite Dead track. Please support the Artists, Musicians and Authors featured in his episode and if you like what you hear please click the highlighted links and photos above to find out more information and buy the products. All photos copyright Paul Slattery. Don't miss an episode - you can subscribe to Retrosonic Podcast for free at SoundCloud, Spotify or Apple Podcasts/iTunes.

Joy Division at Strawberry Studios - Photography by Paul Slattery: New Book of Iconic Photos Celebrating the 40th Anniversary of "Unknown Pleasures"

Joy Divison at Strawberry Studios - Photography by Paul Slattery

To mark the fortieth anniversary of Joy Division’s seminal album "Unknown Pleasures", Paul Slattery, the celebrated rock photographer (and my Retro Man Blog colleague...) travels back in time to Saturday 28th July 1979. His new book, published by Legends Publishing, features the iconic images of the photo session of the band which he took on the streets around Strawberry Studios in Stockport (where the band recorded the album) and later that day at the legendary "Stuff The Superstars" gig at The Mayflower Club in Gorton. This is the first time all the images have been published in one volume. Paul also shares his memories of the day and the photographic locations, along with some never-before-published images. The limited edition author-signed copies of the book come with three postcard sized prints and an exclusive Joy Division badge – while stocks last and not sold separately. Please note, the official book launch will take place on Saturday 27th at the Stockport Museum and books will be posted out on or around that date. Overseas purchases are possible but extra postage charges will apply – the publisher will advise details after an order has been made. You can order the book directly from Legends Publishing here.

Joy Divison at Strawberry Studios - Photography by Paul Slattery

Paul was invited to give a talk about his Joy Division photos at the Stockport Museum during their "I Am In Love" exhibition back in December 2017, you can read a report on the event, along with an interview with Paul by Lee McFadden of ATV, in the Blog archive here. 

- All photos copyright Paul Slattery.

Joy Division on The Streets of Stockport: Photographer Paul Slattery on his iconic 1979 photo session and Strawberry Studios Exhibition

Joy Division on the streets of Stockport photographed by Paul Slattery

In July 1979 I was working for Sounds magazine as a freelance photographer and I drove up to Strawberry Studios in Stockport with writer Dave McCullough to photograph Joy Division for an article in the mag. Dave had been listening to this demo tape very loudly in the Sounds office above Covent Garden tube station but I can’t say that I or anyone else in the office liked it at the time. Dave though had a sixth sense when it came to music, he was an absolute legend. In the evening we went to the Funhouse at The Mayflower to see Joy Division play along with The Distractions, The Fall and Ludus at a gig entitled "Stuff The Superstars". Tickets were £1.50 and I thought Joy Division were a load better live than on the demo tape though. You can still read Dave's original interview from Sounds magazine first published back in August 1979 here.

Strawberry Studios Stockport photographed by Paul Slattery

Roll on 37 years. In the late summer of 2016 Peter Wadsworth from the Stockport Museum got in touch with me about the Joy Division photo session I did on the streets of Stockport as he wanted some of the images for the upcoming exhibition "I Am In Love" about Strawberry Recording Studios. After the exhibition finishes my photographs will be on permanent display at the museum. This is a really excellent exhibition and has been hugely successful since its opening in January this year and if you still haven't been then you are lucky as it’s open until 29th January 2018. There are some great artefacts in the exhibition from Graham Gouldman and Martin Hannett from the studio made famous by 10cc and Joy Division among others. This was a golden age of British rock music and I was utterly privileged to be there. 

Photo by Tracey Holloway

Last month I was invited up to Stockport to give a talk about the Joy Division photo session at the Seven Miles Out Art Cafe. I was truly humbled by everyone letting me rattle on for about an hour or so, and to a packed crowd so I’m told. As a photographer you may hope that some of the photographs you take come out OK, but I’m truly touched at the love that this crowd showed for these Joy Division images.

Paul Slattery in front of his iconic Joy Division photographs - Photo by Peter Wadsworth

Before the talk I went to visit Hopes Carr where I took some of the photographs - little has changed except some idiot at the council decided to cover what was a beautiful cobbled street with tarmac. I was gutted. Save your history Stockport! I hadn’t been in the centre of Stockport before and I must say that it has a very attractive little town centre with many period buildings and a covered market. It also has the Robinson’s Brewery where you can book a tour. It looks like a town trying to reinvent itself for the future and there is no doubt that the preserved building fabric of the town centre, the beautiful market, the really superb and eclectic Stockport Museum and the Seven Miles Out Art Cafe are all contributing to its revival.

Strawberry Studios memorabilia on display - Photo by Paul Slattery

Many thanks are due to both Peter Wadsworth who arranged the talk and to Rosemary and John Barrett who run this excellent Arts centre in Stockport. Thanks for the coffee Rosemary!

- Paul Slattery December 2017

Lee McFadden (musician with Cult Figures, Alternative TV etc.) interviewed Paul for the Joy Division Central web-site back in 2014 and he mentions the Stockport photo session and his first experience of seeing the band perform live.

Paul: It was one of those photoshoots where you felt the band really didn’t want to be choreographed. You just took them down to a place – “look over here”. I think the image they were – or Hooky was – trying to project – wasn’t a playful image. It reflected the music, which I thought at the time was melancholy. They’re not love songs. It was a different kind of vibe to what I was used to. I’d been taking pictures of punk, power-pop bands who project this kind of pop song vibe, so you get three guys and they’re all smiling. Joy Division was a different vibe. I just got them on the corner, saw how they interracted and took a few frames. Obviously in retrospect I wish I had taken about ten rolls of film (laughs).

 

Lee: You saw them at the Mayflower that night. People often remark on the marked difference between their live and studio sound. You’d heard “Unknown Pleasures” in the office – how did you react after seeing them live for the first time?

Paul: I thought they were amazing. I felt they really came alive. Hooky was there with his low-slung bass and I thought – “Well he’s learnt something from Paul Simonon anyway!” (laughs).

Lee: He’s admitted the same to me!

Paul: They were great. Ian Curtis had so much charisma. Live they were tremendous. There were some great bands on there – Ludus, The Fall, The Distractions were a really great pop band from Manchester, and Joy Division. I never knew whether Joy Division’s band of music would surpass the Distractions. I’d seen the Distractions a few times and I like that kind of pop music. But for me, the gig was very powerful and Ian Curtis was amazing live.

Photographer Paul Slattery - Photo by Peter Wadsworth

The full original interview can be found at the Joy Division Central web-site/resource, extract used by permission. Thanks to Paul Slattery, Peter Wadsworth, Lee McFadden & Tracey Holloway.