Retrosonic Podcast - Eel Pie Island Museum, The History and Legacy of The Thames Delta 1960's British Beat and R'n'B Explosion

In the latest episode of Retrosonic Podcast, Steve from Retro Man Blog and Buddy Ascott of The Fallen Leaves are on location at the excellent Eel Pie Island Museum in Twickenham in the company of museum curator Michele Whitby and music historian Pete Watt. We discuss the rich musical heritage of what has become known as the Thames Delta and the birthplace of 60's British Beat and R'n'B, focusing on the legendary Eel Pie Island Hotel and some of the famous acts who played there. From it's opening night in 1956 and the Trad Jazz of Acker Bilk, Chris Barber and George Melly to the last show in 1970, the Hotel hosted gigs by many hugely influential bands and artists. There were shows by the leading importers of American Blues and R'n'B such as Alexis Corner, Long John Baldry and John Mayall, the originators Howlin' Wolf and John Lee Hooker and of course, their young acolytes such as the Rolling Stones, The Artwoods and Downliners Sect. That's not to forget Soul acts like Jimmy Cliff and Geno Washington and even the later incarnation when the Hotel was transformed into Colonel Barefoot's Rock Garden and started putting on Heavy Rock and Psychedelic acts such as Deep Purple, Joe Cocker and Black Sabbath. One of the most fascinating aspects is discovering all the now legendary names who made early pre-fame and fortune appearances at the Eel Pie Hotel including David Bowie with The Manish Boys, Jeff Beck with The Tridents, Ian McLagan with The Muleskinners and Eel Pie audience regular, Rod 'The Mod' Stewart with Steampacket. 

Surprisingly, despite Pete Townshend's strong links with Twickenham - after all, his studios and publishing company were named after the Eel Pie Island - The Who only played there once and you might be surprised to find out when. The answer can be found in the episode along with other interesting facts and anecdotes - for example, just how did bands get their equipment to the Hotel before the bridge was built? Did you really need a passport to cross to the Island? Why did The Pretty Things never get to play there? The Hotel was sadly destroyed by fire in 1971 and is now the site of luxury flats but thankfully, the Eel Pie Island Museum is keeping the remarkable legacy of Eel Pie Island alive in such a vibrant and enthusiastic way. To find out more about the Museum and the history of Eel Pie Island, including their mightily impressive list of bands and artists who played at the Hotel, details on visiting, yearly membership, merchandise and much more please check out the official web-site here. If you're going along to the Museum we'd also recommend a visit to the excellent Eel Pie Records, check out the regular live shows at The Eel Pie Club at the Cabbage Patch and of course enjoy a pint or two at the Eel Pie pub. For our report on the recent Don Craine tribute and fund-raising gig at The Half Moon Putney, please check out the feature in our archive here. Retrosonic Podcast Episode 48 features Buddy and Rob Green of The Fallen Leaves discussing the show and there's also an exclusive new song from Thee Headcoats Sect, the band that Billy Childish formed with Don Craine. We'd also recommend the books "British Beat Explosion: Rock 'n' Roll Island" and "Raving Upon Thames: An Untold Story of Sixties London" by Andrew Humphreys for further reference and inspiration. You can subscribe to Retrosonic Podcast for free at Spotify, Apple Podcasts, iTunes, Amazon Music or direct from SoundCloud below:

Retrosonic Podcast · Eel Pie Island Museum - The Legacy of The Thames Delta 60's British Beat and R'n'B Explosion

Here's a few more photos of the Museum and Eel Pie Island itself (copyright Retro Man Blog).

Michele, Pete and Buddy Ascott

The bridge to Eel Pie Island

The site of the old Eel Pie Island Hotel

The impressive list of Eel Pie Island Hotel shows

Tracklisting

Downliners Sect "Glendora"

Rolling Stones "I Just Want To Make Love To You"

Rolling Stones "Not Fade Away"

The Artwoods "If I Ever Get My Hands On You"

The Muleskinners "Back Door Man"

The Who "I'm A Boy"

Downliners Sect "Why Don't You Smile Now?"

The Steampacket "Can I Get A Witness?"

Georgie Fame & The Blue Flames "Yeh, Yeh"

Geno Washington "Hold On I'm Comin'"

The Manish Boys "Take My Tip"

With sincere thanks to Michele and Pete at The Eel Pie Island Museum. Eel Pie Island resident Sheba from Bitter & Twisted Cartoons designed the fantastic Eel Pie caricatures picture (as seen below), which can be found on tea towels, posters and postcards in the museum shop.   

Don Craine Tribute at The Half Moon Putney with Downliners Sect, The Masonics and The Fallen Leaves, August 21st 2022

What a fantastic turnout on Sunday afternoon for the special matinee tribute show to Don Craine, the Deerstalker wearing R'n'B guitar legend of Downliners Sect who sadly passed away earlier this year. The occasion was also used to pay tribute to former Downliners guitarist Del Dwyer and large posters of the two hung on the backdrop, which was a nice touch. The fundraiser and celebration was really well organised by Rob Green and Ron Symmons of The Fallen Leaves to raise funds for Macmillan Cancer Support and included not only, three top bands but also a charity auction which included some tasty signed records, books and white label test pressings from Spinout Nuggets, Billy Childish, Damaged Goods and Ace Records. There were also signed books by artist Jamie Reid and a superb package from the Eel Pie Island Museum, which is a must visit if you are in Twickenham. Rob Green acted as Auctioneer with a nice line in quips, a drumstick as a gavel and a snare drum to bash once the items had been sold. The good news was that all the items presented were sold and I'm sure that well over £1,000 must have been raised from the auction itself. 

It was great to be back at The Half Moon again, scene of most of my Retro Man Blog Nights over the years and I had to remember that it wasn't my gig so I couldn't go backstage and help myself to the rider! The Fallen Leaves opened proceedings with "Begin Again" and slammed through a short and sharp set peppered with some promising sounding new songs such as "Rosalina" and "Worried Well" from their forthcoming new LP. I haven't seen The Leaves since before lockdown and they were even better than ever - former Subway Sect guitarist Rob Symmons unique blistering style leaves people standing there in awe and frontman Rob Green's idiosyncratic performance and impressive croon is always a joy. Drummer Buddy Ascott, who you can often hear as my co-host at Retrosonic Podcast  crams all his years of experience from his time in The Chords, The Moment, Speakeasy and many other bands to sublime effect in The Fallen Leaves. His John Maher-style fills and sharp, tight rolls add a dynamism to the Leaves sound. His rhythm section partner Gaz on bass leaps around the stage like Dee Dee Ramone, adding an air of unpredictability and a nice contrast to the two Rob's more studied approach. The band will be playing at the Dublin Castle in Camden on September 10th so if you're free, please go along and you'll see one of the best live acts around. 

Next up were The Masonics who never fail to entertain with their raw Medway Delta R'n'B and Beat and they didn't disappoint today with their catchy, danceable numbers. Like The Fallen Leaves, the band were good friends with Don and Downliners Sect and they regularly shared stages together. Of course, drummer Bruce Brand was also once in Thee Headcoats Sect with his Milkshakes and Pop Rivets colleague, Billy Childish along with Don and Keith from Downliners Sect so there's a lot of shared history between them all. The Masonics were joined by Ludella Black for a superb run through of "Why Don't You Smile Now" and they left everyone smiling and thoroughly satisfied. 

Downliners Sect closed the afternoon with a rollicking set of good time R'n'B featuring founder member Keith Grant on bass and vocals and you can only wonder why the band never quite achieved the fame of their early contemporaries, after all Rod Stewart and Steve Marriott once wanted to join them! So, a poignant but nevertheless thoroughly entertaining afternoon that will live long in the memory, in fact I wonder if it might become a regular occurrence? Anyway, well done to Rob Symmons and Rob Green and all involved in making it such a special event. You can hear Rob Green and Buddy Ascott of The Fallen Leaves talking to me about the background and preparations for the show in Episode 48 of Retrosonic Podcast which also includes an exclusive Headcoats Sect track and is available for free on Spotify, iTunes, Amazon Music, Apple Podcasts or from Soundcloud below: 

Retrosonic Podcast · Episode 48 "Why Don't You Smile Now?" with special guests Buddy Ascott & Rob Green

Please click the highlighted Links throughout the feature for more information. There are more videos of the show available at the Retro Man Blog YouTube channel here.

Thee Moot Release New LP "Peel It To Reveal It" and Announce Appearance at Twickenham's High Tide Festival

Thee Moot "Peel It To Reveal It" cover art by Lambo

Retro Man Blog's good pals Thee Moot have released their debut full length LP "Peel It To Reveal It" which comes hot on the heels of the excellent mini-album/EP "Tomorrow's Calling". I know this is going to sound somewhat contradictory but the band are reassuringly familiar yet refreshingly different. They are certainly hard to categorise, that's for sure. I think there should be a new movement for bands such as Thee Moot, The Galileo 7 and Of Arrowe Hill - superb bands that might often get overlooked because they plough their own furrow and don't conform to easy stereotyping. Words like 'taut' and 'lean' spring to mind, you see Thee Moot specialise in perfectly formed guitar pop nuggets that are as stripped back as you can get. Each song is naggingly catchy in the extreme and Dave's memorable ringing, glacial guitar lines are the undoubted star of the "Peel It To Reveal It" show. This might have something to do with the bass being mixed down a bit too low for my taste this time round, but that's probably just a minor gripe from an ex-bassist!

Thee Moot by Thee Moot

Vocalist Nick Stone and bassist Mark Leech were in the 80's Paisley Psych act The Onlookers, whilst drummer Freezer Pinch and guitarist DC were, along with Mark, previously playing in The Transients. In fact, if I think back to The Transients it's probably from their eclectic choice of cover versions that included The Nerves, Small Faces, Rupert's Children, Television, The Only Ones and Radio Birdman - that might give you some idea of where Thee Moot are coming from. If you throw in The Church and The Kinks and even a bit of Bowie, then you will see what a broad palette Thee Moot are painting from. My personal highlight, the fuzzed up funk of "Let Your Hair Down" rides in on a great bubbling bass line before DC's vicious guitar riff slashes through the speakers. It's a welcome moment when Thee Moot let loose a bit and (if you will excuse me...) actually do let their hair down, and they are all the better for it. "My Fixation", a live favourite of mine for some time now, also benefits from a more aggressive approach and this would have made a great choice to release as a single. "Peel It To Reveal It" ends on a real high with "Don't Be Afraid of The Dark" which sees Nick in mighty fine voice and it's a fitting and strong way to finish a thoroughly satisfying album. The band will be appearing at The Eel Pie Pub in Twickenham at around 5:15pm on Saturday 22nd June as part of the High Tide Festival which is curated by the excellent Eel Pie Record Store. Given the area's rich musical history and links to classic British Beat and R'n'B - I can't think of a more apt band to be appearing at the festival than Thee Moot!

Thee Moot at the legendary Hope & Anchor - photo Retro Man Blog

You can order both Thee Moot's releases from their Bandcamp site here. You can also hear a track from the "Peel It To Reveal It" album in our latest episode of Retrosonic Podcast which you can listen to below or download from our Soundcloud page below or you can subscribe at iTunes.

The Downliners Sect - Photos by Paul Slattery of the 60's R'n'B Legends Recording a Marc Riley BBC Radio Session

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

My Retro Man Blog and Retrosonic Podcast colleague the Rock Photographer, Paul Slattery was recently invited to the BBC studios in Maida Vale to witness The Downliners Sect recording a session for Marc Riley. He went along with fellow Sect fan Rob Symmons, once of Subway Sect and now The Fallen Leaves and kindly filed the following report and photos: "When you get a phone call from one of this country’s most singular guitar players then you know it’s important, and that guitarist happens to be Rob Symmons of the Fallen Leaves. I’ve been going to see the 'Leaves for some years now - they just get better and better. Their mantra is "Punk Rock for gentlemen" and, as I am of course a gent, their gigs are always absolutely perfect. Rob wanted to know if I was interested in going over to the BBC Maida Vale Studios to see a live recording by the doyens of the English 60's R'n'B music scene The Downliners Sect for a Marc Riley 6Music session. I’d only been there once before and was keen to go over and see this cavernous space again. It started life as an ice rink but the BBC took it over in 1933/34 and converted it into the studio that still exists today. 

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

Some of the studios are massive and are big enough to accomodate a complete orchestra. It’s like an iceberg as three quarters of the space is below ground but all the studios have natural light. Rob and I headed for Studio MV3 where we found the band getting in some rehearsal time before their live session on Mark Riley’s show on Radio 6. There is a plaque here commemorating Bing Crosby’s last recording session on 11 October 1977. MV3 had a fairly regular Peel session on Sundays and Peel kept this studio and the next door studio MV4 busy with live sessions for more than thirty years. I’ve always been fond of "Hatful of Hollow" by the Smiths which is mostly a Peel session recording, plus it does use my photo of The Smiths on the gatefold sleeve! 

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

You can’t help feeling the music history walking into this place and The Downliners Sect, contemporaries of The Rolling Stones and The Pretty Things are one of those bands who started the English Rock scene back in the early sixties. In this country though we have scant regard for such notables, in France such musicians would be lauded, have a state pension and be heroes of the Republic. I’d seen the band play at the 100 Club a couple of years before and was enthralled. 

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

It’s great chatting to Don and Keith, Don’s a West London lad like myself so there’s a common bond with the West London Rock scene and Eel Pie Island. This is a really class band, and while they are doing their live set they let me wander round and take photos in the studio. Their three numbers "Soup In A Basket", "Escape From Hong Kong" and "Let It Rock" are British Blues at its finest. I was brought up on this kind of music and it’s great to see it being played live. 

The Downliners Sect at BBC Studios Maida Vale - Photo by Paul Slattery

BBC Studios Maida Vale - Photo by Paul Slattery

Tireless drumming by Mark Freeman and fluent bass and vocals from Keith Grant anchor the set while Don’s vocals and guitar give us the soul. Del Dwyer adds more clever guitar and John O’Leary's harp is superb. This is a truly great band, one of the originators of British rock music and I'd recommend that you go see them play at the earliest opportunity."

Rob Symmons of The Fallen Leaves with The Downliners Sect at BBC Studios Maida Vale by Paul Slattery

Thanks to Paul Slattery for the report and photographs, to see Paul's pics of The Downliners Sect live at The 100 Club please check the feature in the Blog archive here. For more information on The Downliners Sect you can check out their official web-site here. The excellent Eel Pie Island Museum in Twickenham has a superb collection of display material on the history of the local music scene revolving around the Eel Pie Island Hotel. From the initial Jazz, Mod and Blues scene through to the raw R'n'B sound of the early Rolling Stones, The Others, The Pretty Things and of course The Downliners Sect. You can check out the archive for the feature on the pop-up British Beat Explosion exhibition that preceeded the opening of the Eel Pie Island Museum here. The Eel Pie Club at The Cabbage Patch in Twickenham puts on regular live events featuring some of the legends of the scene such as The Pretty Things and Geno Washington, check out their site here for information.

Photo Retro Man Blog

The Moot, Trees And The Slipway, Andy Hepburn and DJ Lambo at The Cabbage Patch Twickenham

The Moot at The Cabbage Patch Twickenham

The Cabbage Patch in Twickenham is a great little venue, there are drums hanging from the ceiling and the walls are plastered with posters and artwork that pays testament to the many luminaries of the local 1960's British Beat boom such as The Who, the Stones, The Yardbirds, Downliners Sect and the Artwoods. We are a mere (Rolling) stone's throw away from the legendary Eel Pie Island and it's a fitting location to see The Moot as they probably have a lot of these influences stored up in the locker. Although bassist Mark Leech and vocalist Nick Stone used to be in the 80's Paisley Psych band The Onlookers, they pretty much leave the the trippy stuff to one side with The Moot and concentrate on a sound as stripped down and back to basics as you can get. It's vocals, guitar, bass and drums and the songs are taut and short and owe as much to New Wave and Post-Punk acts such as The Flys, The Nerves and Subway Sect as they do to the 60's R'n'B bands that used to frequent the area. Tracks like "Reggie Bags" and "My Sister Brenda" are catchy as hell and my favourite "My Fixation" should be snapped by a record company with any sense and released as a single immediately. Drummer Philip Pinch keeps things ticking over nicely and singer Nick seems to be growing in confidence with each performance. He looks out into the audience and I don't take it personally when he announces "If you have hair, we say let it down" and then the drums kick in followed by a funky Mark Leech bass line and it's the extended intro to the brilliant "Let Your Hair Down" which highlights Dave Clark's guitar style perfectly. The Moot are going from strength to strength and hopefully they will be treating us to some new recorded music very soon!

The Moot at The Cabbage Patch Twickenham

It's not often that I like a band before I even hear them play a note but as soon as I saw that Trees And The Slipway's front-man Stephen Wood was wearing a Dukes of Stratosphear T-Shirt, I knew immediately I was going to be a big fan. Actually, there is something about XTC's mind expanding alter-ego running through T&TS's music, it's catchy but slightly discordant Psych Pop music that crosses continents and time zones. In fact in thirty minutes or so they take us on trip from the 60's West Coast with Stephen's impressive jangling 12-string guitar and some great three part harmonies from him, bassist Karl Sabino and guitarist and keyboard player Matthew Lees. Then "Psychedelic Evolution" clatters along at a fair pace and transports us to the Velvet Underground's downtown New York and then we're off on our magic carpet to Avebury and Stonehenge to wave hello to Julian Cope, in fact interestingly Julian's brother Joss once played bass in the band.

Trees & The Slipway at The Cabbage Patch Twickenham

Added into the mix is a healthy dose of challenging Lo-Fi Krautrock on "9:52 Thursday Morning" and the crunching heavy Blues riff intro to "I Need Her" grounds us firmly back in the local Twickenham and Eel Pie 1960's British Beat Boom. It's certainly an intriguing and highly original concoction. While I'm videoing a song someone nudges me and says "I hope you're filming the drummer..." Indeed Talya is our new favourite drummer, she certainly has an idiosyncratic style that appears to defy conventional timing but there's no doubting it is effective! Unfortunately, Trees And The Slipway don't have any records out yet, something I really hope they'll get round to rectifying as soon as possible. In the meantime I urge you to check out the band live as soon as possible.

Trees & The Slipway at The Cabbage Patch Twickenham

Andy Hepburn opened the night's proceedings, alone with an acoustic guitar he played a short but well received set of bittersweet songs crammed full of clever and witty lyrics. My personal highlight was the excellent "We Don't Talk" which you can hear a version of at his Soundcloud site here. I chatted to Andy afterwards and found out that he used to be in a Post-Punk band called Fractured with Dave and Philip from The Moot. He then moved to China where the sights, sounds and experiences inspired him to make Ambient and Trip-Hop music under the name An Di Yi.

Andy Hepburn at The Cabbage Patch Twickenham

So, a thoroughly enjoyable night of free music courtesy of The Moot made even better with the addition of DJ Lambo spinning an eclectic mix of vinyl. I sincerely hope that they can make these regular events and if so please try and make it along, they deserve supporting. For more info on all the featured artists please click on the highlighted links above. There are lots more photos over at the Retro Man Blog Facebook page here and videos up on our YouTube Channel here.

The Others: Veterans of the 1960's Richmond & Eel Pie Island R'n'B Scene at Sunbury-on-Thames

The Others photographed by Paul Slattery

The Others are veterans of the early British 1960’s R’n’B boom that sprung up in the lush suburban greenery of the affluent Thames Valley area to the South West of London. Based around many now legendary venues and club nights such as the Crawdaddy in Richmond, The Ealing Jazz Club, Eel Pie Island Hotel in Twickenham and the Ricky Tick in Windsor, the scene became a fertile breeding ground of talent, spawning many bands such as The Artwoods, The Birds, The Yardbirds and The Downliners Sect. These bands were influenced by their contemporaries such as the Rolling Stones and The Pretty Things along with more established acts such as Long John Baldry, Cyril Davies, and Alexis Korner who introduced the British youth to the original Chicago Blues sounds of artists such as Bo Diddley, Howlin’ Wolf, Jimmy Reed, Buddy Guy and Muddy Waters. 

The Others, Paul and Rob photographed by Paul Slattery

The Others were formed while they were still pupils at Hampton School which also included founder members of The Yardbirds and, a few years their junior, Paul Slattery, the legendary Rock Photographer (and my Retro Man Blog colleague…!). Paul kindly wrote a few words about his memories of the time and you can check them out at the end of the feature. The first line-up consisted of Paul Stewart on lead vocals, Rob Tolchard on rhythm guitar, Ian McLintock on bass, John Standley on lead guitar and Nigel Baldwin on drums. John and Nigel left before the release of their debut single “Oh Yeah” and were replaced by Pete Hammerton and Geoff Coxon. Another Hampton School student, Brian May was so influenced by Pete Hammerton’s guitar playing that he too started a band called Smile before going on to form Queen with Freddie Mercury. 

The Others, Pete Hammerton photographed by Paul Slattery

Fontana Records released “Oh Yeah” in 1964 and recently the influential California based musician and journalist Mike Stax declared in his excellent “Ugly Things” magazine that it was “one of the best records to have come out of the early British R’n’B scene”. It certainly made waves across the Atlantic, with Garage Punk legends The Shadows of Knight having a minor hit in the States with their own version of the single. However, The Others failed to capitalize on the promise of this debut release as they split soon after the single’s release. So, despite their impeccable credentials their short-lived career meant that they were quickly overshadowed by many of their contemporaries. In 2012 Paul, Pete, Rob and Geoff decided to re-form The Others but unfortunately it would be without the original bassist Ian McLintock who had sadly passed away. Rob moved from rhythm guitar to bass and they started to write new material as well as mixing in plenty of those classic Blues songs that had originally inspired them. They have recently released a live in the studio CD entitled “Gold” to celebrate 50 years of The Others but have announced that they will finally call it a day with a gig at the Crawdaddy Club in Richmond later this year. So, it’s quite appropriate that I see the band in Sunbury-on-Thames, right in the heart of that legendary R’n’B Scene, just steps away from the river. 

The Others, Rob Tolchard photographed by Paul Slattery

Before tonight’s gig Rob explained to me that they were just happy to be playing music again with no pressure. He insisted that they didn’t want to be thought of as purely a revival act and that they liked to inject some energy into their performances and make sure the songs sounded fresh and contemporary. He wasn’t wrong, as despite Paul’s banter about the advancing years of both band and audience alike, The Others played with an energy that would put most bands half their age to shame. Paul has an impressively raw and authentic Blues voice that sometimes veers into classic Soul and on some occasions even Gospel territory. He’s a great front-man, tall and charismatic with a nice line in self-deprecating chat between songs. Unfortunately he forgot to bring his harmonica. Paul Slattery saw him play harp when he joined Robert Hokum’s Great West Groove on stage in Brentford recently and he was mightily impressed so I was really looking forward to hearing him play. Let’s hope he doesn’t forget the harmonica next time we see them! 

The Others, Geoff Coxon photographed by Paul Slattery

Although, Rob plays bass with a nice laid back but funky style, he really immerses himself in the music, dancing about the stage, swaying along with the rhythm and taking lead vocals on his excellent self-penned number “Can’t Get You Outta My System”. Drummer Geoff holds it all together nicely in an understated and effective way. Pete Hammerton, with his dangling ear-ring, drain-pipe jeans and silk scarf, looks every inch the classic guitar hero. His superb guitar playing is something to behold, mostly playing without a plectrum, it’s difficult to take your eyes off his deft fret-work. Pete and Paul take the stage at the start of their second set armed with acoustic guitars and play an impressive flamenco number that proves the band are definitely far more than just an R’n’B tribute act. My personal highlights were versions of Al Green’s “Take Me To The River” which I got to love after seeing the Talking Heads play it in their “Stop Making Sense” movie and Allen Toussaint’s “Fortune Teller”. I first heard this via the blistering version on The Who’s “Live at Leeds” album and the excellent Freakbeat take on the song by the under-rated Tony Jackson Group. It was a great evening’s entertainment, so enjoyable in fact that I can only feel a bit disappointed that they will be calling it a day. However, it is fitting that their very last show will be at the new home of the legendary Crawdaddy Club in Richmond on Friday August 21st so keep an eye on their web-site for more news and try and catch them while you can. Now, over to Paul...

The Others photographed by Paul Slattery

"I was 14 in October 1964 when The Others released "Oh Yeah", their only recording on Fontana records. What made the record special for me was that the band were still students at Hampton Grammar School, the very school I was attending and for many of us the new sounds of Rock and Roll were having a huge effect on us. For the first time kids wanted to be different from their parents, they wanted to think differently, dress differently and grow their hair long, causing a massive social change. Many of our parents were horrified and the constant battles I and many other boys had with out parents and our teachers about our hair length and choice of music still remains with me. We knew who The Others were at school although we were far too young and insignificant to talk to them - we just admired them and wanted OUR hair that long too. They were three or four years older than us, the same age as Brian May, who also went to Hampton, and they were all following in the footsteps of Jim McCarty and Paul Samwell-Smith who had started The Yardbirds in the summer of ’63. We all went out and bought a copy of the record and played it to death, but I never managed to see The Others play live. In fact I had to wait over fifty years to see them play the gig at Sunbury Cricket Club last week,  and I was not disappointed as the gig was a scorcher. These guys all in their late sixties ooze rock and roll and show that half a century after they got together they can still rock with the best of them.

The Others photographed by Paul Slattery

The Others will be continuing to gig this year and will be playing at the Eel Pie Club this Thursday 30^th April. Check out their website for future gigs.  Their CD "Gold" is a real classic chock full of  R'n'B gems and  you can read a fantastic interview with The Others about life in a schoolboy rock band and the burgeoning Richmond music scene of the Crawdaddy Club and Eel Pie Island, in an article in "Ugly Things" which you can download from The Others website here."

Photo by Paul Slattery

With thanks to Paul for the words and photographs. All photos copyright Paul Slattery 2015.

Eel Pie Island "The British Beat Explosion" Exhibition

 

I went along to an excellent exhibition about the musical heritage of Eel Pie Island, at the Stables Gallery in Orleans House, Twickenham, and it turned out to be a fascinating look at the importance of this tiny Island in the River Thames, which along with Richmond's Crawdaddy and Windsor's Ricky-Tick Club, played a vital part in British Jazz, Rock 'n' Roll, Beat and Rhythm & Blues history. There are many interesting exhibits and displays of memorabilia, posters and photographs charting the various high profile acts associated with "Eelpiland" - as it was known - from George Melly, Alexis Korner and Chris Barber to the Rolling Stones, Yardbirds, Pink Floyd, Downliners Sect and many other acts. The Who were another band closely linked with the Island, so much so in fact that Pete Townshend named his publishing company and recording studio after the Island, and even his official web-site is entitled eelpie.com. The Eel Pie Hotel is long gone, burned down in a mysterious fire in 1971, only to be re-built as a block of apartments, and nowadays the Island itself is mainly home to a boat-yard and a slightly Bohemian collection of Artist's studios. However local Indie band The Mystery Jets do have their recording studio there, and local pub the Cabbage Patch hosts special Eel Pie Club nights, so the Island's connection with music still continues to this day.

I also picked up a really nice little book that has been published to coincide with the exhibition entitled "The British Beat Explosion: Rock 'n' Roll Island" and co-written by the excellent music journalist and biographer Zoe Howe (Wilko Johnson, The Slits, Jesus & Mary Chain etc) and Michele Whitby. The book tells the story of Eel Pie Island's musical heritage and features lots of great photos throughout.

The Eel Pie Island Exhibition is in Stables Gallery at Orleans House on Riverside, Twickenham TW1 3DY and runs until September 29th, so if you are in the area please do pop along to have a look, and check out the excellent web-site for details on how to get there and opening hours.

Here are some photographs of my visit to the exhibition.

 All Photos (except book cover) Copyright Retro Man Blog 2013.