The Prisoners at King's Hall Herne Bay, Saturday 28th February 2026

Band reunions can be hit and miss affairs – some acts resist the temptation all together in the hope of not tarnishing a legendary reputation such as The Clash, The Smiths and Talking Heads, for example. Some bands you think have reunited have never actually gone away, they just evolve over the years – dealing with various bust-ups, court cases, serious illnesses, and of course untimely deaths along the way by replacing key members. Kind of like a football team, you still support them despite them selling your star striker, sacking a favourite manager and dropping down to the lower leagues, occasionally to rise again like a phoenix. The Stranglers were totally reinvigorated when they reverted to the traditional four-piece and moved Baz Warne up front and are now selling out huge venues like the Royal Albert Hall again. The Undertones with Paul McLoone now fully grown into his role as frontman, are probably playing more gigs now than they have in years. Then at the other end of the spectrum are some bands who are more like Trigger’s broom and really should know better, somehow continuing without any original members in the line-up at all. Some misjudge it completely and get in totally inappropriate replacements so that you wonder who is actually advising them. There are some bands who tread the cabaret circuit, happy to get together for the occasional festival, play the hits and collect a big pay cheque. 

 

Then there’s the rare case where some reunions really work, such as Pixies – which hit to a completely new generation of kids and some like Wire, who still produce superb new and vital music. So, what happens when it’s one of your really ‘special’ favourite bands, and it’s no secret that The Prisoners are one of mine. Thankfully, like The Soundtrack of Our Lives, another act who mean so much to me that the announcement of a reunion a few years ago stirred up mixed emotions. On one hand it’s ‘please god, let it be good, don’t tarnish the many happy memories, don’t let yourselves down’ and on the other, there’s the excitement that you’d get to see them play again. Thankfully in both cases, neither band let me down in the end. Of course, The Prisoners did get back together for some shows and a so-so single “Shine On Me” in 1997, but that didn’t last long, it was over pretty soon. Once it was clear The Prisoners reunion wasn’t a long term prospect, Graham and Allan followed up on the Prime Movers with the superb Solarflares, a three-piece that  eventually reverted to the classic Prisoners style line-up by adding Parsley on the organ. Then Graham recruited The Woggles’ rhythm section for Graham Day & The Gaolers and released two brilliant albums with material that matched the quality of The Prisoners. After a hiatus, the news was out that Graham had got the three-piece Solarflares line-up back under the guise of Graham Day & The Forefathers - “we’re basically a tribute band to ourselves” he told me in our Retrosonic Podcast special. There was no talk of new material – just a set of stripped back versions of classics from the back catalogue – The Prisoners, Solarflares, Gaolers and Prime Movers. They went down a storm and released a raw, live in the studio album of choice cuts called “Good Things”. 

 

Fed up with the pressures of fronting a band, Graham then started The Senior Service where he could indulge in his love of Barry Gray’s wonderful themes to Gerry Anderson TV shows such as Thunderbirds and Fireball XL5 and John Barry and Ennio Morricone’s evocative Spaghetti Western and Spy movie theme tunes. Of course, this aspect was nothing new, The Prisoners and Solarflares in particular would often include at least one or two instrumentals on their albums and in their live shows. Graham seems to have a love/hate relationship with both singing and fronting a band and with the Hammond organ. He sometimes needs a break from both. He once told me his dream was to just play guitar in one of those groovy bands you saw in a 1960’s hippie exploitation movie, where assorted spaced out kids dance away under psychedelic liquid lights. Either that or just playing guitar in The Woggles, his favourite band, would have been cool. The opportunity for this wish did occur, although in rather sad circumstances, when The Woggles guitarist Jeff Walls passed away in 2019 and they needed a replacement. So, Graham ended up touring the States, Europe, the UK (you can see a feature on The Woggles brilliant 100 Club gig here) and even Japan, where Graham, that icon of cool, was enjoying himself so much that he even performed in fancy dress costumes such as lederhosen or karate monkey suits! But the pull of The Prisoners was strong, and circumstances conspired to facilitate the latest and long-awaited reunion. The Prisoners had that something special, that all important chemistry and a hugely dedicated fanbase, as shown in the brilliant book “A Taste of Ink! The Prisoners Sentenced By Their Fans”. Plus, they had James Taylor on the Hammond organ. James had gone onto forge a respected career in Jazz, Soul and Funk with The James Taylor Quartet and it didn’t seem likely that he would be interested in revisiting The Prisoners given his success. Wrong! The news filtered through that the original line-up was getting back together, initially incognito at a friend’s party at the Billabong Club in Rochester in 2021. 

 

Then came the announcement of a show at the Royal Function Rooms in Rochester (check out our feature here), in early December 2022 to celebrate the 40th anniversary of their debut album “A Taste of Pink”. Due to the demand, it ended up as a four-night stand from November 30th – 3rd December 2022 and it was also live streamed on-line. It was emotional, it couldn’t end there could it? Thankfully no, there were shows in Herne Bay in December 2023 and the fantastic news of a brand new album, “Morning Star” followed by a gig in May 2024 at the legendary Roundhouse in London’s Chalk Farm (read all about it here), actually the band’s biggest show to date. But “Morning Star” was superb, the sound of a band having fun, embracing their influences, although sometimes sailing a bit close to the wind in the shades of The Who, Ramones, Small Faces and Hendrix, which coloured the songs, but who cared. The quality of the songs was what mattered and there were some that easily stood up to the classics, in particular “Winter In June” and “Something Better”. Everyone was on top form, with James Taylor in particular shining out with some superb Hammond. Then came the feeling that was it, all over again. In some ways it would have been a fitting way to draw a line under it all, to go out on a high, but it seemed a fire had been lit. This year came the announcement of a new single “Autumn Skies” and live shows at King’s Hall in Herne Bay, an impressive Edwardian Pavillion on the sea front where they would celebrate three albums over three nights. On the Friday night it would be 1983’s “The Wisermiserdemelza” (and my entry point to the band back in the day), Saturday would be the classic “The Last Fourfathers” from 1985 and then Sunday it would be 1986’s “In From The Cold”, where they would be joined by the James Taylor Quartet’s sometime Brass section. 

The venue was great, and in some ways better than the Roundhouse, where the sound can sometimes get a bit lost in that cavernous building. It was packed out on the Saturday night, sadly the only night I could attend and there were so many eager, happy and familiar faces in attendance, many of whom I’d got to know through my Retro Man Blog  gigs with Graham Day & The Forefathers and The Solarflares. Kicking off proceedings were Lord Rochester, featuring Russ Wilkins, formerly of The Milkshakes, Saskia Holling on bass and vocals and Lois Tozer from The Embrooks on drums and maracas. Their Bo Diddley influenced rhythms went down really well and they were the perfect opening act. My personal favourite was the Crampsian rumble of “Transcontinental” and the insanely catchy “Chicken Salt” and Russ closed the set by announcing “This is for the Mods… and the Punks” and they launched into a cracking version of “What’cha Gonna Do About It”. Next up the always reliable Masonics, aided and abetted by Ludella Black, entertained the crowd and played my favourite track “Silently By Night”, so I was happy. DJ Wendy May was spinning some mighty fine tunes, putting everyone in an even better mood and you could feel the atmosphere start to build.

 

 

Then The Prisoners took to the stage, looking great and starting strongly with “I Am The Fisherman”, the crowd went mental, you can’t get much better than this. They play a good chunk of “The Last Fourfathers” including “The Drowning” and “Take You For a Ride”, ending the section with a powerful version of “Night of The Nazgul”, one of their best instrumentals. Then we get “This Road is Too Long” and “Save Me” from the current album and in between there’s the new single “Autumn Skies” before a nice surprise from their debut album, “Til The Morning Light”. They then flit between the “Last Fourfathers” and “Morning Star” albums including a great version of “Whenever I’m Gone” and I see that Eddie Piller, who released the single on his Countdown label back in 1986, is in the crowd. The James Taylor written and sung  “Go To Him” is a highlight as it channels the way the Ramones took those Phil Spector, Shangri-La’s melodies and married them with fast Rock ‘n’ Roll, plus it has a classic “Blitzkrieg Bop” style call and response section of “just go, just go, just go with him!” Considering Johnny Symons isn’t regularly playing like his bandmates, his drumming is superb throughout and Allan’s impressive bass riffs and backing vocals complement Graham perfectly, who is in mighty fine voice. When he’s not singing, Graham stalks the front of the stage, guitar pointing out to the adoring crowd. There’s a really nice chemistry fizzing between all four of them, from Allan with his deadpan between song banter to James’s cheerleading and encouraging the crowd to sing along, they look like they are having as much fun as we are. They always did carry a reputation for being ‘surly’ and ‘difficult’, but it’s certainly not been evident at any of the reunion shows. After all, all four members spent a long time afterwards signing the new single  and chatting to fans at the impressive merch table stocked by our favourite record label Spinout Nuggets and Sound Is Colour clothing.

Someone posted a nice photo in The Prisoners forum from one of the Herne Bay nights of Allan and Graham smiling at each other, one wag commented “must be A.I.” and Allan himself replied “Fake News!” The set draws to a close with the Prisoners very own Garage Rock classic “Melanie” and then “Reaching My Head” the song which started it all for me and quite obviously The Charlatans too as they nicked the bassline and made a career out of it. A stunningly emotional “Thinking Of You (Broken Pieces)” nearly has me welling up, something in my eye! Then “I Drink The Ocean” segues into a fantastic version of Deep Purple’s “Hush” and sadly, that’s it, all over. An absolutely momentous night, we got twenty three superb songs from a band that despite starting over forty years ago, strangely seem to be at the top of their game. Maybe it’s the impressive back catalogue, the lessons that have been learned, of getting older and wanting to do things right. Maybe it’s the huge wave of respect and affection that the crowd shows towards the band, that special bond, I don’t know what it is but all I do know is that I don’t want it to end, again. I’m hopeful that there will be more to come from The Prisoners in the future so let’s hope it becomes more permanent so that we can finally stop labelling it all as just another reunion.

 

You can read all about how I first got into the band and my experiences of putting on shows for the Forefathers, Solarflares and Senior Service, in my feature on The Prisoners Roundhouse gig here. Our thoroughly entertaining Forefathers Retrosonic Podcast with Graham, Allan and Wolf Howard is still available in our archive here. You can listen to them discussing and playing a pick of their favourite songs from all aspects of their musical careers. 

Retrosonic Podcast · Graham Day & The Forefathers

 

Unfortunately, the brilliant book “A Taste of Ink!” is now sold out, but if you are interested, then please contact them here and register your interest as I’m sure they will consider a re-print if there is a big enough demand. However, don’t despair if you did miss out on “A Taste of Ink!” as a new book has just been announced. “Graham Day - 45 Years of Music”, originally a limited edition book in Italian by Antonio Bacciocchi and Luca Frazzi, has now been translated, expanded and revised by Thomas Buch and Les O’Hare and will be available to order on 20th March. Please check out their Facebook page here for details on how to get hold of this promising looking book.

 

For more videos from the gig, please head on over to our Retro Man Blog YouTube channel and subscribe for free here. All Photos and Videos copyright Retro Man Blog 2026.

The Prisoners at The Royal Function Rooms Rochester Friday December 2nd 2022

Back in one of our earliest episodes of Retrosonic Podcast – myself, Rock photographer Paul Slattery and Adam from The Jetsonics all happened to choose a Graham Day related track for the playlist – in the end we decided on The Solarflares “Windsor Oval” and bemoaned the fact that Graham’s most recent outfit, The Gaolers had sadly called it a day after two blistering albums. There were rumours that Graham had packed in music all together and sold off all his guitars and we all mentioned how good it would be for him to play again. Well, not long afterwards we got our wish as Graham Day and The Forefathers emerged. This new band consisted of Graham, his former Prisoners colleague and bassist, Allan Crockford along with Wolf Howard on the drums and all three were bandmates in Graham’s other post-Prisoners bands, The Solarflares and The Prime Movers. Graham told me in a later Podcast that The Forefathers were “basically a tribute band to myself” – the band were to play the best tracks from The Solarflares, Prime Movers, The Gaolers and of course, The Prisoners too. I knew I just had to get involved and through my dealings with the Medway based band The Len Price 3, who we were championing at the time, managed to secure a show for The Forefathers at The Half Moon in Putney for one of our Retro Man Blog nights. So, despite warnings from more than one person that the band may be “difficult” to deal with I wasn’t to be deterred and the gig sold out pretty much immediately. In fact, I was to go on to promote more shows for The Forefathers along with The Solarflares reunion at the Water Rats in Kings Cross and The Senior Service album launch as well as various gigs with Allan’s own Galileo 7, so obviously I never got to experience their so-called difficult reputation. I must admit though, I was in awe to meet Graham, Allan and Wolf for the first time and it was a bit difficult to separate the fan from the promoter in me initially. Luckily, this is all just a hobby for me, I’m not a professional, so the fan easily won out and I made sure I was down the front among the “middle-aged mosh-pit” as Graham christened us from the stage – leaping about and singing along to all those classic songs. The Half Moon gigs seemed to go down a storm and thankfully the band enjoyed them too, so we did a few more shows together over the years. I’d told the band that the first time I ever became aware of The Prisoners was seeing them on CH4’s The Tube when they played “Reaching My Head” dressed in Star Trek outfits and then before one Forefathers show at The Half Moon, I went backstage to see Star Trek costumes hanging in the dressing room. I was almost moved to tears! It was great hearing The Forefathers play those Prisoners songs again even if they were stripped back and raw minus the Hammond organ. 

However, nothing quite beats the real thing and that’s what we got treated to courtesy of Lee Grimshaw and his team at the fabulous Spinout Nuggets, a Prisoners reunion to celebrate 40 years since the release of their classic debut album “A Taste of Pink” with the original line-up of Graham and Allan, James Taylor and Johnny Symons. The four of them had got together to play at a couple of benefit shows over the summer and I guess that’s where the idea for a full-scale reunion sprang from. So, some 37 years since I last saw The Prisoners, I was to get the dream opportunity to see them again at The Royal Function Rooms in Rochester, the jewel in their Medway home. The rush for tickets was phenomenal, the initial Friday night sold out in an instant and was soon followed by the announcement of further shows on the Saturday, then the Wednesday and Thursday were added too. Due to the demand, the Saturday was to be filmed for an on-line livestream which enabled even more eager fans around the world the chance to see their heroes in action. I must admit to being a bit concerned on how the shows would pan out and doubts were raised – would the band get along, Johnny doesn’t seem to have played drums regularly since The Prisoners, is James Taylor “too famous” nowadays? But as they took the stage to the strains of the theme from “The Sweeney” and Allan announced “track one, side one” and they powered into “Better In Black” and that crunching guitar riff hit everyone between the eyes, you could sense a huge tide of emotion spread through the crowd around me.

 

It was a real mixture of relief, disbelief and all those memories of being back at the Hammersmith Clarendon, the Star Trek outfits on The Tube flooded back. The band look great, sound great, turning back the clock – sounding as fresh, youthful and powerful as you could ever have wished for. For the first set, they play the whole of the debut album from the Garage Go-Go stompers like “Creepy Crawlies” and “Maybe I Was Wrong” to the emotional heartfelt numbers like “There Can’t  Be A Place” and my particular favourite “Til The Morning Light” which brings a lump to the throat – it’s a classic track that surely paved the way for The Charlatans and Inspiral Carpets to plunder and take to far more commercial success than the Prisoners ever achieved. It’s a travesty, but there you go – sadly, true originators often get overlooked. I mean, I can’t remember any other band on the scene at the time using a Hammond organ – The Fuzztones used a Farfisa to conjure up that authentic Nuggets sound but generally, keyboards and in particular the cumbersome Hammond, were a rarity. Of course, James Taylor has now become an internationally acclaimed Hammond maestro with his Quartet and it’s a truly wonderful experience to hear those swirling riffs again, in particular on “Say Your Prayers” which is a personal highlight.

There’s an interval and a chance to catch up with friends and exchange delighted chatter about just how bloody marvellous it all is and there was a real buzz of adrenaline coursing through the Royal Function Rooms. I bumped into a lot of people I’d got to know through our Retro Man Blog gigs over the years, many of whom are in their own bands including The Past Tense, Jetstream Pony, Thee Girl Fridays, The Beatpack, Of Arrowe Hill, The Len Price 3, The Dentists and everyone agreed we were experiencing something very special indeed. Thankfully, the band seemed to be enjoying themselves too – there’s lots of smiles and a nice chemistry between all four bandmates and in particular, between Johnny and James. One thing that hit me was to reminded just how good a drummer Johnny is, he’s lost none of the chops, powering away cheerfully through some quite complicated drum patterns and his performance gets a thumbs up from everyone I spoke to. “Hurricane” opens the second set and then follows most of the superb “The Last Fourfathers” album, although sadly no “I Am The Fisherman” which is saved for the very last number on the Saturday night Livestream. Of course, “Whenever I’m Gone” gets a huge cheer but for me it’s the “Thinking Of You (Broken Pieces)” that hits me right in the heart and I must admit to a tear in the eye as everyone sings along to the uplifting chorus. It would have been worth the entrance fee alone just to experience that one moment of magic. 

Retrosonic Podcast · Graham Day & The Forefathers

The set is punctuated by only two tracks from the “In From The Cold” album, luckily they are “Find And Seek” and the soulful strut of “Deceiving Eye” which has always been one of my favourite Prisoners songs. The band also play a fair selection of instrumentals including “Revenge of The Cybermen” and “Night of The Nazgul” – tracks that would lay the foundation for Graham’s current project The Senior Service and their Ennio Morricone, Barry Gray influenced tunes. The set closes with the classic “Melanie” which sparks off some frenetic dancing down the front and then sadly, it’s all over. But is it? Of course, there are encores, and the instrumental rarity “American Jingle” gets an airing along with “Reaching My Head” the very track that I first heard from The Prisoners and then finally it’s their cover of “Hush” and it really is all over. What can I say? Better than I could ever have hoped for – if it is to be The Prisoners last stand then I’m just thankful I was there to witness it. However, the reaction and demand was just too good to be ignored – and taking into account, the band seemed to be having fun too – I’m sincerely hoping that they will consider more gigs in the future. 

Sadly, just prior to the gigs the news filtered through that The Royal Function Rooms and worse still, the legendary Ranscombe Studios which is housed in the premises, are due to close soon. This is a nightmare and yet more damning evidence that cultural buildings have no protection in these relentless greed and profit driven times. How many great venues have we lost – not just the traditional down and dirty places such as the Marquee, The Fulham Greyhound, The Hammersmith Clarendon and the 12 Bar Club but historic buildings in their own right, like the Astoria and the Hammersmith Palais too. There is a fundraising concert at The St. George’s Hotel in Chatham on January 13th to help with the relocation of Ranscombe Studios that features a mouth-watering line-up of Medway talent including The Solarflares, The Len Price 3, The Galileo 7, The Masonics, Theatre Royal and more. Tickets and information can be found at this link. 

Huge credit to Lee and Dave Grimshaw at Spinout Nuggets and their team for organising the shows so brilliantly. Don't forget to check out the Retro Man Blog archive for loads of previous features on Medway related bands and music including reviews, videos and photos of all our shows with The Forefathers, Solarflares, The Galileo 7, The Len Price 3 and more. Also, all episodes of Retrosonic Podcast are available at our archives at Spotify, Apple Podcasts, iTunes or Soundcloud including interview specials with Graham, Allan & Wolf, The Len Price 3, Billy Childish, Ian Greensmith of The Dentists and much more besides. More videos from the Royal Function Rooms show can also be found at our Retromanblog65 YouTube channel, here's a taster...

The Prisoners: Your Stories and Memories Needed for New Book on the Medway Garage Psych Legends (feature includes rare Paul Slattery photos)

The Prisoners at The Hope & Anchor - Copyright Paul Slattery

A new book on Medway Garage Psych legends The Prisoners is currently being planned by an Anglo-German collective of fans and they are asking for your memories and contributions. They would like to hear what the band means to you, when you saw them, what records you bought and any memorabilia or photos you would like to share. The book has had the official blessing of the band and here's a few words from bassist Allan Crockford in support: 

"I thought I'd bring this to your attention, if anyone's missed it. My sister Elinor is teaming up with a couple of friends and fans in Germany to put together a book about the Prisoners. It will be from the perspective of fans of the band (and maybe people who hated us - that would be an interesting perspective!) who came to the gigs and bought the records. They want your stories and memories of the band and the times. Me, Graham, James and Johnny have given it our gracious blessing and look forward (with some trepidation) to reading your stories. At least we finally might find out what happened..."

The Prisoners at The Hope & Anchor - Copyright Paul Slattery

As regular readers to Retro Man Blog will know, The Prisoners and all their many and varied spin-offs are a huge inspiration on what we do so we'll also be keeping a close eye on the progress of the book. You can send in your contributions to be considered for publication via email to Atasteofpink9@gmail.com

Don't forget our thoroughly entertaining Graham Day & The Forefathers Retrosonic Podcast special with Graham Day, Allan Crockford & Wolf Howard on the complete story of The Prisoners, The Solarflares, The Prime Movers and all their other projects and bands over the years.

Retrosonic Podcast · Graham Day & The Forefathers

 

Photos of The Prisoners at The Hope & Anchor, London March 24th 1983 copyright Paul Slattery.

The Rise of Spinout Productions: Amy K-B catches up with Lee Grimshaw on his ever-expanding musical empire

Mr Grimshaw

There's been many exciting developments over at the Spinout Productions rapidly expanding empire recently so Amy decided it was time to catch up with boss man Lee Grimshaw for an update.

Q. Hi Lee, congratulations on the second birthday of Spinout Nuggets! It's been a busy couple of years for you, what do you feel have been the highlights for the label so far?

A. Thank you! And thanks for all the support throughout! Never did I imagine how or where it would go, but I'm really humbled at it all. Every single moment has been a highlight, starting with Sergeants Mess, pounding all the way through to release number seventeen, with many more already planned. Last year we tried to aim for one release a month and to continue the same this year, but it's now looking to be maybe two or three a month, as so many good things are coming through. This year has already seen releases from Bully Bones, Ye Ascoyne D'Ascoynes, The Claim/Jim Riley's Blues Foundation, The Hannah Barberas and The Veras. I've really enjoyed moving through the 'genres', although there's still a distinctive sound between them all. The label is all about the creators be it the writers, performers, producers, mastering boffs, graphic artists or creativity providers in any form. I feel very humbled to be working with them all, and a pleasure to share with those that are supporting.

 

Ye Ascoyne D'Ascoynes

Q. You've worked with a wide range of artists so far – can we expect to hear more from some of your favourites?

A. They are all my favourites! I've been very lucky, I admit, and there's much more in the pipeline. I would love to blurt them all out, but that wouldn't be fun. We're soon to see the first label release from Paul Groovy & the Pop Art Experience, a band we've been playing on The Spinout Show for some time now, so great to have a release from them on the label. We're also soon to be putting out the second label release from The Hurricanes, their second album full of many goodies - full-on Mod-Garage-Power-Pop. Then there'll be the second label release from The Voo-Dooms, a six-track Mini LP.  I was fortunate enough to be at Ranscombe Studios during the second day of the recording, which was ace. Nice to see it all coming together. Then there's a six-track Mini LP from Palooka 5, another band I've spent some time with, mainly through Tim's stomping Club Kongo events in Taunton, where a few of the label's bands have played too. This will be the second vinyl release from Palooka 5, and it's mighty fine! 

Palooka 5

After that, there's a follow up 7" release from The Treasures of Mexico, which I'm very pleased about. Another one that I managed to capture some of the recording during the studio time at Ranscombe Studios. Now with Nick Rice on bass, joining ex-members of The Dentists, Mark Matthews and Bob Collins, and Russ Baxter (he also of Secret Affair, and formerly Phaze, The Discords and so on). With some vocal help from Beth Arzy too. We're currently trying to decide which of the recorded tracks to put out first. Then, world meet The High Span! A fairly recent collaboration, with some known faces, another one I was lucky to catch during recording at Ranscombe Studios. I always try to get along and capture a little. The High Span are Kev Younger (Armitage Shanks, Ye Ascoyne D'Ascoynes, Subway Sect, The Speed of Sound and more), Mark Aitken, (Ye Ascoyne D'Ascoynes, These Guilty Men etc.) and Jimmy Moore (Moore more!). They've had a fair few gigs over the last year or so, and have attracted many ears. We're doing a four-track 7", and hoping to follow that up too. There's another project I've been working on that'll be out around the same time too, which will also be a milestone - there's quite a back-story to it too, and I'll save that for the next gathering. Oh, and another! Then more again! But as said before, they are all very special in their own way, and every single individual is a pleasure to work with. I think it's safe to say that the current global pandemic has changed some of the plans ahead, but we're doing as best we can to keep things going. The intention is for the label to always be an independent, DIY thing, but you must allow growth. We have recently set up distribution with Shellshock, in view of reaching out to some corners we haven't already, and we're still looking for someone to carry the distribution Stateside. Clear Spot have been covering mainland Europe for some time, and a pleasure to work with. We still do directs too, which is very important, and a pleasure. We've also dabbled in the dark world of digital for previous releases, due to getting requests for it, so we wanted full inclusion. 

The Spinout Show

Q. I believe you've got a date for our diaries for this September?

A. Yes, September 5th at the Royal Function Rooms in Rochester and we'd love to see you all there! Dave and I play at the annual Shiiine On Weekender at Minehead Butlins every November, and have been lucky to help with the line up over the years too. Last year we actually got to program a stage, where we had Graham Day & The Forefathers and Big Boss Man in, with us DJing around them too. It went very well, and was a most enjoyable night. Steve Lamacq was even in the crowd for GD&tF show, jumping around. Rod Spark, who played with The Prisoners during their last ever gigs, was there to play in one of his bands, so Graham invited him along to join them on organ for some of The Prisoners tracks, which was good to see/hear. A memorable night! The evening went so well, we thought we'd try and recreate it as best possible, this time in Medway at Graham, Allan and Wolf's local emporium the Royal Function Rooms, the same venue as the Medway Music and Beer Festival, Kent Soul Club and more. To this day, Big Boss Man haven't played in Medway, so it will be great to have them in. We wanted to add something else to the menu, and it made sense to pick The Hurricanes to start proceedings. Their second album should be out soon (on Spinout Nuggets), and it's sounding mighty fine!  In addition to the live events on the evening, we wanted to invite some DJs in to help keep the music going from the start till the end, so we've invited local top man Rob Flood, Kent Soul Club Promoter/DJ Richard Flack and Cookin' Catfish Club Promoter/DJ Russell Deal (who's club night takes place in The Billabong Club at the back of the same venue at various dates throughout the year), in addition to Dave and I. All we need now is a good crowd of people to fill it up.

Q. What comes next for the ever-expanding Spinout empire?

A. Ah! Well, the label has a fair few releases lined up for the year ahead, as already said. We are working on the next label compilation, Chapter 2 also, but no particular planned release date as yet. I'm hoping to do a Spinout Nuggets showcase or two at some point, as it would be great to get everyone together. In some ways, Mick and Dave's club night The Primitive Club has already been an accidental part of this, with The Voo-Dooms (house band), Thee Girl Fridays, The Hurricanes and more planned too. The Spinout Show continues to go out every Wednesday, 6-8pm on NCB Radio (www.ncbradio.co.uk). Only realised recently that it's been almost four and a half years since Episode 1! We're currently up to Episode 217 at the time of writing - we've missed the odd week or two. We love guests on the show (remember when you and Rick joined us?). Dave has been able to help with more shows recently which is perfect. The record shop is still on the planning, but with being away so much, it's a little tricky at the moment. So, I'm continuing to sell old/new records online. I've been pondering a book division for the last year or so, as I have a few ideas, but I need a helper with that one! The sky is the limit, unless your ambition is Space! I'd like to end things with another huge thanks to all that have helped in many ways. It's really nice to be able to share something good, and it's much appreciated. There's lots that goes on in the background too, and I really do appreciate their input. Please buy records and support live music, and check out Damaged Goods Records, State Records, Heavy Soul Records, Trouserphonic Records and all those doing good things, including Retro Man Blog of course. We appreciate your ears!

- AKB April 2020

 Many thanks to Lee and Amy - be sure to check out all the exciting happenings from Spinout at their web-site here, where you can also find out more details on all the label's featured bands and releases. More info on the Spinout Explosion event on September 5th can be found here.

Graham Day & The Gaolers with The Galileo 7 at Damaged Goods Records 30th Anniversary, The Lexington

Graham Day & The Gaolers - Photo copyight Retro Man Blog

In an early episode of Retrosonic Podcast, we were picking tracks by our favourite bands and artists and the question came up, whatever happened to Graham Day...? There had been no news on the former Prisoners singer/songwriter since Graham Day & The Gaolers had split up a few years earlier. Graham formed The Gaolers by recruiting drummer Dan Eletxro and bassist Buzz Hagstrom from The Woggles, one of his favourite bands and in 2007 they released a stunning debut album “Soundtrack To The Daily Grind”. Buzz was later replaced by Jon Barker from The Daggermen (currently with Graham in The Senior Service) and they released the superb follow up “Triple Distilled” a year later. “Triple Distilled” was one of those rare classic albums where everything just clicks. Right through from the stunning cover art to the blistering production to the mind-blowing collection of top quality songs within, it was faultless. Sadly, The Gaolers were a short-lived affair and things suddenly went very quiet. Then out of the blue came the announcement of a Prime Movers reunion when Graham, Allan Crockford and Wolf Howard were lured back to play some shows thanks to an offer from a German record label. This would eventually lead to Graham Day & The Forefathers when the trio had the idea to play a selection of ‘hits’ from all the Graham fronted bands, not only the Prime Movers but The Prisoners, The SolarFlares and The Gaolers too. They were a “tribute band to himself” as Graham told us in our Forefathers special Retrosonic Podcast. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog

Dan & Jon, The Gaolers - Photo copyight Retro Man Blog

When I heard the news about The Forefathers, I leapt at the chance to offer them a gig at one of my Retro Man Blog Nights at The Half Moon in Putney. The opportunity to work with one of my musical heroes and make our old Podcast wish to see Graham play live again come true, was too good to miss. We would go on to put on three memorable shows with The Forefathers, in particular one on Graham’s birthday, which included an extra special surprise when they dusted down the legendary Prisoners Star Trek stage outfits. I have to admit I had a lump in my throat when I went backstage before that show and saw the tunics hanging up behind the door as it took me back to the very first time I saw The Prisoners on CH4’s The Tube in 1984. Some of my personal highlights from The Forefathers set were actually tracks by The Gaolers and I had a cunning plan to see if Graham would consider re-forming the band. I knew he had a soft spot for them too and it was discussed in a roundabout way but the timings didn’t quite work out. It did however sow the seeds for our two sold-out SolarFlares reunion gigs at The Water Rats in Kings Cross - by coincidence, the same venue (although then known as The Pindar of Wakefield) where The Tube filmed The Prisoners in their Strar Trek outfits all those years ago. Then we also put on the debut single launch party by Graham’s instrumental outfit, The Senior Service at The Half Moon but deep down, I still harboured ambitions to put on a Gaolers reunion show one day. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog

Graham Day & The Gaolers - Photo copyight Retro Man Blog

So I must admit to having mixed emotions when it was announced earlier this year that The Gaolers would indeed be getting back but only for a one-off appearance as part of the Damaged Goods Records 30th anniversary celebrations at The Lexington. Part of me was disappointed but at least it meant I could be there, down the front, purely as a fan without all the pressure and responsibility of promoting the gig. Anyway, who can compete with or begrudge Damaged Goods Records, they did release The Gaolers albums after all and I knew label boss Ian was a huge fan, as he explained in our Damaged Goods Records special Podcast here. The band take the stage, looking good in their matching black military style tunics with red piping – Graham picks up his cool Gretsch guitar, Dan with his trademark cap is behind the drums and Jon Barker is on bass. There is a real sense of anticipation as they launch into the first number “Glad I’m Not Young” and the roof is nearly lifted off The Lexington with the sheer power of it. It really is a great song, with lyrics harking back to the violence between the youth cults that many of us had to deal with as teenagers and it is refreshing to hear something that’s not all rose-tinted nostalgia. Another plus side of getting older is finally being able to say what you mean and this is perfectly captured in the next song “Better Man”. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog

Of course, the negative experiences are also dealt with in the brutally frank “Part Time Dad” which is a loud and raucous stunner. Although Graham professes to dislike writing lyrics, I think his work with The Gaolers is up there with the best. Both Gaolers albums feature searingly honest songs touching on the issues of a man coming to terms with impending middle age. They are often shot through with a self-deprecating humour though, in particular “Something About You Girl” which is an evocative vignette of a guy getting slightly more than he bargained for from his date. However, I don’t want to look too deeply into the meaning of the lyrics, as Graham is on hand to admonish any such pretensions in the all too modest “Just a Song”. After all, as he sings, these are “not words to analyse or scrutinise”. Graham hands around a bottle of Jim Beam to his two colleagues and to his grateful mates standing side of stage before slamming into a great version of “Pass That Whiskey”. The swirling “Lost Without My Dignity” slows the pace a little and allows for a quick breather and chance to reflect that actually, I do wish I was young. We were treated to the added bonus of two excellent brand new songs “Just a Little” and “I’m Not The Only One” and they were both soulful with memorable catchy guitar riffs. The good news is that the band have recently been in Ranscombe Studios with Jim Riley and have recorded them for a future Damaged Goods Records single. It is a relief to those of us who have been patiently waiting for some new Graham Day material and I guess they might well find their way into a Forefathers set in the near future. 

Graham Day & The Gaolers - Photo copyight Retro Man Blog

Dan of The Gaolers - Photo copyight Retro Man Blog

An explosive “The Most Expensive Sleep” is followed by their classic debut single “Get Off My Track” which is a vitriolic burst of energy and the set draws to a close all too quickly. Of course, there are demands for an encore and “Wanna Smoke”, that fist waving singalong rant at political correctness goes down a storm. A Graham Day show would not be complete without an instrumental tune, after all The Gaolers were responsible for one of his best in “Sitar Spangled Banner”. Tonight though it’s a slight case of sitar-mangled banner and the three bandmates trade sheepish grins as they stumble a bit half way through. Anyway, we didn’t really care whether all the right notes were being played in the right order or not as we were having way too much fun to worry. The band are called back for a well-deserved second encore and play a crunching “Begging You” which ends the show perfectly and they lap up the heartfelt applause. With the new single coming out soon I’m sincerely hoping there may be the possibility of more Gaolers gigs to promote it next time Dan is over in the U.K. and I’m certainly going to be first in the queue with an offer!     

The Galileo 7 - Photo copyight Retro Man Blog

The Galileo 7 opened the show and put in one of their best performances to date. I mean, I was blown away by their set supporting Ebbot Lundberg at the Retro Man Blog Night back in October but this was even better. Allan Crockford certainly seems to have grown in confidence as both a frontman and vocalist, attacking his guitar and leaping around, trying to avoid being injured by Paul Moss, the bouncing bassist to his left, who only stands still when he has to deliver some backing vocals. They are becoming a great visual live act nowadays with Allan and Paul vying for space as drummer Mole kicks up a Tasmanian devil storm behind them. Then there is Viv swaying along behind her keyboard, managing to play with one hand whilst keeping the beat with her tambourine in the other. The band kick off with the powerful “One Lie at a Time” and tonight, the set concentrates on their current album “Tear Your Mind Wide Open”, taking in the superb title track and the melodic Power Pop of “Live For Yesterday”. 

The Galileo 7 - Photo copyight Retro Man Blog

However, it’s “The Mask” that is a real highlight, cramming mind-bending twists and turns into a song that some might call a mini-opera. It’s as if The Who had condensed the whole of “A Quick One” into a three and a half-minute masterpiece. The stunning quick-fire ending sees people standing there open-mouthed watching Mole in awe. He certainly rose to the added pressure of being watched by some mighty fine drummers as I spot Lois from The Embrooks, Wolf Howard and Johnny Symons from The Prisoners in the crowd enjoying a night off. There is a dip into the band’s debut album for the crowd favourite “Orangery Lane”, a classic piece of Syd Barrett inspired Psych Pop, which segued into a cracking version of Pink Floyd’s “Astronomy Domine”. At least they are not shy of acknowledging their influences. The band know how to plan a set-list too; the dynamics are always perfectly plotted and live, the vocal backing harmonies of Mole, Paul and Viv really lift the songs to another level. Viv handles lead vocals on a promising new unreleased track “Too Late” and despite “Tear Your Mind Wide Open” only being a year old, there is a good chunk of the new LP already written. The band seem to be fizzing with a creative energy and have been dropping in some more impressive teasers into their set recently, including the brilliant “Everything Is Everything Else”. This is a classic piece of melodic Garage Pop, which surely must be nailed on as a future 7” single release. 

The Galileo 7 - Photo copyight Retro Man Blog

I can feel there is an impatience to keep moving on, to keep improving and the new songs I have heard are catchy and concise and slot in perfectly among the more familiar material. Just like their gigs, the albums have been getting progressively better too so I am already impatient to hear what is coming next. They end the set with an oldie “Are We Having Fun Yet?” and when Allan sings those words in the chorus we all reply with the cynical response “no, I don’t think so”, but don’t worry, we certainly don’t mean it…! There was a real buzz in the crowd after their set and the talk centred on just how much The Galileo 7 are improving with each passing show. I am hoping that if they can get some more decent high profile gigs such as this one, they are sure to be converting a lot more people to the cause. The band are keen to play more shows so any promoters out there please do get in touch. I must also mention DJ Lee Grimshaw from the Spinout Show who was on hand to keep us entertained between the live music and as usual, his eclectic mix went down a storm. So, a great night out to celebrate Damaged Goods Records 30th birthday and long may they continue!

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