Ruts DC & TV Smith at Sub89 Reading, May 17th 2023

Ruts DC take the stage of Reading's SUB89 to a Reggae version of "Love Will Tear Us Apart" and launch into "Faces In The Sky" from the excellent new album "CounterCulture?" It's a slow-burning paranoid number with a throbbing undertow and a snaking Middle-Eastern guitar riff. A brilliant start to a blistering set from Ruts DC as they continued on part two of their "CounterCulture?/Faces In The Sky" U.K. tour. The band are looking very cool, Dave Ruffy in particular is looking in great shape. Then there's Segs in fedora and shades underpining everything with his superb bass playing and excellent voice. Guitarist Leigh Heggarty in black and white polka dot shirt, waistcoat, trilby and round shades is every inch the guitar hero and there's a great chemistry and interplay between the three of them. Next up it's "S.U.S.", "You're Just A..." and "It Was Cold", a triple hit of tracks from their classic album "The Crack" and you realise, probably a little sadly, that the topics The Ruts tackled at the time of recording the album are unfortunately, still all too prevalent today. Certainly, "S.U.S." seems as relevant now as it did 40 years ago and of course "Jah War" too and the haunting line "when the truncheon came down and knocked him to the ground" could be a line from the brand new record.

 

Dave Ruffy jokingly comments after "No Time To Kill" from 1981's "Animal Now" that when they wrote the song they thought it would end all war and they thought Rock Against Racism would end racism. Sadly, some forty years later nothing much has changed but Ruts DC certainly haven't given up on trying and their protest songs that are packed full of social conscience are needed now more than ever. The new album "CounterCulture?" is probably more musically diverse and adds more Reggae and Dub elements to the intense sonic attack of the last album "Music Must Destroy" and this mix of new material perfectly complements the old classics so that the set-list is a seamless non-stop delight of musical gems one after another. I was really pleased they included "Poison Games", one of my favourites from the new album and "Kill The Pain" in particular is a masterclass in anthemic songwriting. Segs and Leigh swapped instruments for a rare run through of "Despondency" from "Animal Now", Leigh proving that he's a pretty damn good bassist too.

 

Of course, I've waxed lyrical many times in these pages of how impressive I think Leigh's guitar work is - not just in replicating Paul Fox's iconic sound on the older nunbers but in the way he's stamped his own identity on the current Ruts DC. I noted a nifty bit of Wilko Johnson style simultaneous rhythm and lead riffing on "Jah War" that was pretty special. The great thing about live music is that it's sometimes the unexpected and out of the blue moments that really hit you and tonight it's "Pretty Lunatics", the low key campfire singalong from the new album. Kind of like The Soundtrack of Our Lives "The Passover" or Pixies "Where Is My Mind?" which on record might seem pleasant and unassuming songs but become transformed into mightily effective and emotional crowd favourites when played live. Of course, we do get the run of classic Ruts singles "Babylon's Burning", "Staring At The Rude Boys", "Something That I Said" and "West One (Shine On Me)" which go down a storm with the adoring crowd as you would expect, but it's the strenght of the new material that really impresses. Certainly, Ruts DC are going from strength to strength and are as vital and relevant today as they have ever been.

 

Don't forget our two special Retrosonic Podcast specials with Leigh Heggarty are still available, always a thoroughly entertaining guest, you can listen/stream download from Spotify or our Soundcloud archive here. For more information on Ruts DC and how to order "CounterCulture?" please check out their official web-site here. Before the show, Leigh introduced me to Roland Link author of the definitive story of The Ruts and Ruts DC "Love In Vain" which is a must-have for any Ruts fan - check it out here if you haven't already got a copy. You can hear Dennis Lyxzén from The (International) Noise Conspiracy and Refused on his new Wingmen style 'supergroup' Fake Names (which features members of Minor Threat, Bad Religion and Fugazi) talking about the impact that The Ruts had on their new band and the 80's Washington DC Hardcore Punk scene in our recent Retrosonic Podcast here. You can see more videos from the show by subscribing to our Retromanblog65 YouTube channel here

Retrosonic Podcast · Lockdown Lowdown Episode 2: Leigh Heggarty of Ruts DC

It was great to see TV Smith again too - I enjoyed his set with a full band supporting the original line-up of The Damned at Hammersmith Apollo but now he's back solo, just him and his acoustic guitar opening up on a few few dates during the tour. It was a great set that included the best of his solo career including "Expensive Being Poor", "Generation Y", "Immortal Rich" and one of my personal favourites, "You Saved My Life Then Ruined It" and included some promising new songs, with one in particular going down well called "One Minute To Midnight". Despite the quailty of the solo material, inevitably it's The Adverts classics that get the best reaction and the timeless appeal of "Gary Gilmore's Eyes", "One Chord Wonders", "Safety In Numbers" and "No Time To Be 21" prove what an underated band The Adverts were. Like Ruts DC, TV Smith's politically charged protest songs are needed now more than ever and it's refreshing and inspiring to know that the fire still burns bright in both. You can listen to our Retrosonic Podcast special with TV Smith in our archive here.

You can see more videos from the show by subscribing to our Retromanblog65 YouTube channel here.

Those 12 Bar Nights - New Book by Mark 'Barnet' Webster with memories from Staff, Performers and Customers of the much-missed 12 Bar Club

"Those 12 Bar Nights" is a suberb, beautifully presented new book by Mark 'Barnet' Webster that features memories, photos and stories from Staff, Performers and Customers of London's much-missed 12 Bar Club. I've heard the 12 Bar described as the best ever dive bar, a Punk Rock Heaven (and haven) and London's answer to CBGB's and it's loss to heartless property developers and culturally clueless money-grabbing local council and Government is still keenly felt. I haven't missed a venue so much since the Hammersmith Clarendon was similarly bulldozed to make way for a monstrosity of a shopping mall. Sure, I also mourn the loss of the Astoria, The Hammersmith Palais, The Old Trout in Windsor, The Marquee and many more - but the 12 Bar was so much more than just another venue. It was the social aspect too, a place where lasting friendships and memories were formed, all right in the heart of London's most famous and historic musical street, Tin Pan Alley or Denmark Street to give it it's rightful name. The book is beautifully illustrated and includes hundreds of photographs of not only some of the bands and people that appeared, but of the character-packed venue itself. Initial copies of the book were individually credited on the cover, signed and included prints, stickers and postcards of various flyers, posters and superb cartoon artwork, the whole package is an absolute delight. Credit to Mark for the painstaking work in compiling the many contributions into a fascinating and nostalgic look back at the 12 Bar Club's history - including my own, as you can see reproduced below...

"I first went to the 12 Bar Club when The Fallen Leaves started their Minimum R'n'B Club nights on a Wednesday and straight away I was hooked. I was so happy to find a spiritual Rock 'n' Roll home right in the heart of London but also angry with myself that I hadn't discovered it sooner. I rarely missed any of the Leaves' residencies, not only were they one of the best live acts I'd seen but they had the habit of choosing excellent support acts and DJ's to make them nights to remember. The only downside was the Wednesday night... as I had to travel into London from out in the sticks and the nights were long and late, I found myself transported back to my youth - rushing out to race across town to catch the last fast train home. As I soon made many good friends and gig acquaintances at the 12 Bar Club, I learned to sneak out secretly as saying goodbye to everyone could take quite a while and the trains would not wait just for me! This soon went by the wayside and I would usually be late and have to cadge a lift back or wait at the station for the bone-shaker slow train. It was always worth it.

It was the friends I made at the 12 Bar that would be equally, if not more important than the great bands I would see there and this will always make it a hugely important part of my life. It also kept me busy with loads of content for Retro Man Blog and Retrosonic Podcast and myself and my colleague, Rock Photographer Paul Slattery, filed loads of reports from memorable gigs at the 12 Bar. There are too many great nights to mention them all, just check out the Blog and you can see what I mean - but I would say one particularly memorable night was Crash '74 who were a one-off band featuring Harley Feinstein, the original drummer of one of my favourite bands Sparks and his wife Michelle on vocals. They were joined by Nicky Forbes from The Revillos, Stevie Savage and friends to deliver a fun-packed singalong of some of their greatest hits and a selection of cover versions. So, I owe the 12 Bar a hell of a lot and I was gutted when I heard it was going to close down. Hopefully, one day in the future we'll see a new 12 Bar appear - we can but dream!"

You can buy the book from the London Callin' web-site here and there's also a Facebook Group with more information here. There may be plans to release a second edition, so if you have any memories, photos or stories from the 12 Bar Club but missed out contributing to this book, then please contact Mark at the Facebook Group. 

The Damned "The Captain's Birthday" with Ruts DC & TV Smith at The Forum Kentish Town

Captain Sensible and Dave Vanian - Photo by Paul Slattery

I first saw The Damned at The Lyceum in 1981, my second ever gig, and it is etched forever in my memory as being one of the best shows I have ever been to. Mind you, at the time I would not have imagined that over 30 years later I'd still be going to see them play and ironically enough the set-list was pretty similar too, with most tracks being taken from "The Black Album" and "Machine Gun Etiquette", so no complaints from me. Tonight's show was a very special celebration of Captain Sensible's 60th birthday along with guests TV Smith, Tenpole Tudor, Johnny Moped and Ruts DC.

Captain Sensible introduces TV Smith - Photo by Steve Worrall

I made it just in time to see the Captain introduce TV Smith, who for the first time in the U.K. was joined by Vom from Dr. & The Medics and Die Toten Hosen on drums. I have only ever seen TV perform alone with an acoustic guitar so Vom added a totally different dimension, a powerful backing to TV's heartfelt songs and it suited the large auditorium of The Forum. We were treated to a selection of his solo songs like "Immortal Rich" and "It's Expensive Being Poor" along with some choice cuts by The Adverts such as "No Time To Be 21" and "Gary Gilmore's Eyes". I missed Tenpole Tudor and Johnny Moped but it was time for The Damned and they opened up with "Wait For The Blackout" and "Lively Arts" and proceeded to play some of my favorites such as "Stranger on The Town", "Disco Man" and "I Just Can't Be Happy Today". Captain introduced "Happy Talk", "well it's my birthday!" and they play a Punked-up version of his biggest hit. "New Rose" brings the house down and "Neat Neat Neat" closes the main set to wild applause. The encore starts off with "Glad It's All Over" and then at the shout of "Smash It Up" balloons and confetti rain down on the crowd. It was a great set by The Damned and nice to hear a few less well known numbers thrown in. Ruts DC played a really impressive set too, a mixture of their dub reggae tracks and excellent newer material such as "Mighty Soldier" which was one of my highlights. The band build up to a crowd pleasing selection of Ruts classics such as "Staring At The Rude Boys", "Babylon's Burning" and "In A Rut" and leave the crowd wanting more. Paul Slattery was in the photographers pit and now he has finally cleaned all the confetti from his lens has kindly contributed these great photos...

The Damned by Paul Slattery

The Damned by Paul Slattery

The Damned by Paul Slattery

The Damned by Paul Slattery

The Damned by Paul Slattery

The Damned by Paul Slattery

Ruts DC by Paul Slattery

Ruts DC by Paul Slattery

Ruts DC by Paul Slattery

With thanks to Leigh Heggarty and to Paul Slattery.

For our very special Retrosonic Podcast with TV Smith, which features an exclusive acoustic session, please check out the Retrosonic Soundcloud page or listen/download below...

TV Smith and Eight Rounds Rapid at The Railway Hotel Southend-on-Sea December 07th

TV Smith and admirer - Photo by Paul Hughes

It’s no wonder that TV Smith has gone on record as saying Southend-on-Sea’s Railway Hotel is one of his favourite venues in the U.K. to play. They are a great match, both without huge (if any) financial backing but both tirelessly fighting their respective creative corners as true individuals in a sea of soulless branded chain venues and an equally soulless music industry. The Railway’s managers, Fi and Dave, put on a bewildering array of eclectic musical acts of all genres, along with film screenings and parties, often free or with a minimal cover-the-costs entrance fee such as this gig’s bargain ticket price of just £3.00. Tonight is a perfect example of what they offer, downstairs in the bar, Steve Hooker is entertaining the drinkers with his raw Rockabilly songs, augmented by a snare drummer, double bass and harmonica, it creates a lively buzz and is a perfect warm up for the night’s main event. This event is actually another joint get together with Retro Man Blog, Podrophenia DJ’s Piley & Mondo and Steve Pegrum’s excellent Southend Punk web-site for a night of great live music, DJ sets and of course a severe bout of boozing and socialising. 

Eight Rounds Rapid by Paul Hughes

I was really pleased that we could get local band Eight Rounds Rapid to open the show, I have been really impressed with what I have heard from them, and we received quite a few glowing comments after we played their last single “Channel Swimmer” in Retrosonic Podcast Episode 7. They have also started to get much wider recognition from respected BBC DJ’s Gideon Coe, Steve Lamacq and also David Quantick amongst others as well as some high profile shows supporting Wilko Johnson at London’s Koko. Now, here’s the thing. It’s very difficult to talk about Eight Rounds Rapid without mentioning Wilko Johnson, not just because they are both based in Southend but mainly due to the fact that guitarist Simon is Wilko’ s son. It might not be so apparent when listening to their recorded work, but live, Simon’s hugely impressive staccato guitar playing and his onstage mannerisms, although not quite as wired as Wilko’s, are cut from the same black-suited cloth. 

Eight Rounds Rapid by Paul Hughes

It’s also nice to see Wilko in the crowd tonight and he catches up with TV Smith and Steve Hooker, who he has recorded with in the past, as well as politely and patiently chatting to lots of awestruck punters. But despite that, Eight Rounds Rapid have forged their own idiosyncratic sound and are refreshingly very difficult to pin down – it’s a style that I guess could be said to almost divide opinion. With front man David’s deadpan delivery and half-spoken vocals, which are firmly rooted in A-House, Art Brut, Blue Aeroplanes territory, they challenge the expected norms of what a “Rock” band should be. They also occasionally remind me of Wire’s art project approach to being in a band, where they push the boundaries and limits between melody and noise, of what’s pleasantly catchy and what can grate and challenge the listener. It’s not to be filed under easy listening that’s for sure. But live they truly excel tonight, and Eight Rounds Rapid conjure up a powerfully hypnotic force on their slightly sinister little gems such as “Dostoevsky”, “Steve” and “Channel Swimmer”. 

Wilko Johnson and son Simon from Eight Rounds Rapid by Paul Hughes

The superb rhythm section of drummer Lee and bassist Jules lock in together perfectly and it’s nice to see a real onstage chemistry. It’s only on the swaggering bluesy beast of "My Mate" and a new song “I Want a Drink”, where that legendary rough Thames Estuary R’n’B sound comes to the fore and bassist Jules’ fluid runs bring to mind Norman Watt-Roy. They are called back for a well deserved encore and power through the new single “Writeabout” which was very generously part funded by tonight’s Radio Podrophenia DJ team of Dave Collins and Ian Pile, long-time staunch supporters of the band and evidently men of great taste! 

TV Smith by Paul Hughes

And then it’s time for TV Smith to take the stage to a warm reception from his loyal Southend fans. Armed only with his acoustic guitar he has emerged as a kind of Punk Rock folk troubadour in the grand tradition. He is a globe-trotting story-teller with topical protest songs full of a barbed yet humorous satire on modern life. It’s a life fraught with the issues of Globalisation, Surveillance, Corruption, Capitalism and well…the perils of Xmas…! For TV Smith’s sometime cynical and world-weary tales are not just aimless diatribes against “the Man” but often moving and perfectly drawn personal observations that many people can easily relate to. It’s politics of the individual, he’s not bashing you around the head with a “down with this sort of thing” placard, but he is opening eyes and ears to various issues that mean a lot to him. 

There are various dimensions to his approach too, he can use humour in different guises to make his point, whether it’s the less-than-subtle laugh out loud attack on festive consumerism in “Xmas Bloody Xmas” or on the clever wordplay of “It’s Expensive Being Poor”. On songs like “The Day We Caught the Big Fish” and “Generation Y” subjects such as nuclear submarines accidently sinking fishing vessels and the recent trend for youthful apathy towards politics, are  wrapped up in sublime melancholic songs that force you to think as you sing along. There’s Punky aggression on “Coming Into Land” and of course a rich back catalogue of songs to be plundered such as “We Who Wait”, “New Church” and “No Time To Be 21”. Promising new songs from the next album are also aired, and these include tonight’s set opener “The First One To Sign Up", "Replay" and a song that turns out to be one of my highlights of the set and a sure-fire future classic called “I Delete”. 

TV Smith at The Railway by Paul Hughes

We get the hilarious “Complaints Department”, the moving “The Lion and The Lamb” and a superb version of one of my favourite songs “You Saved My Life Then Ruined It” and it just goes to show the depth of TV Smith's song-writing. At one point he snaps a string on his guitar and then launches into an off-the-cuff performance of Cheap's “My String Will Snap" which goes down really well. For the encore we are treated to three classic Adverts songs “Gary Gilmore’s Eyes”, “Bored Teenagers” and a raucous “One Chord Wonders” – where TV invites The Railway’s soundman Duncan up on stage to join him on vocals. Duncan sings in local band Swindle and although he looks a bit bashful for, oh all of 10 seconds, he soon throws himself into the task with a huge grin while the now traditional Railway stage invasion takes place around him. It’s all over and time for TV to relax and chat to fans by his merchandise stall, a time that he always seems to relish. Then we retire back down to the bar to enjoy DJ’s Piley and Mondo’s excellent music and soak up the atmosphere of another great night at The Railway. I’d like to thank Tim, Eight Rounds Rapid, Fi, Dave, Heather, Duncan and the staff at The Railway, Steve Pegrum from Southend Punk, Dave and Ian from Podrophenia and to Paul Hughes for the excellent photos. Of course a huge “thank you” to all who came along and for all the encouragement and support. Cheers! 

Soundman Duncan with TV Smith by Paul Hughes

TV Smith has a brand new album “The Acoustic Sessions Volume 1” out now along with volume four of his highly entertaining Tour Diaries  entitled “To Heligoland and Beyond”. Eight Rounds Rapid new single “Writeabout” is available on Podrophenia Records as a limited edition 7” vinyl. Check out Podrophenia for their regular radio shows and Podcasts. Southend Punk is an excellent archive and resource and forthcoming events at The Railway Hotel can be found here. 

TV Smith and Wilko Johnson by Paul Hughes

Podrophenia DJ Mondo entertains the packed Railway bar by Paul Hughes

Eight Rounds Rapid by Paul Hughes

Piley in the pulpit - DJ Ian Pile by Steve Worrall

The customary Railway stage invasion - Photp by Paul Hughes

More of Paul Hughes’ excellent photos can be found at his Flickr site. More videos of Eight Rounds Rapid and TV Smith from the night are up on the Retro Man Blog You Tube channel now. 

Finally, don't forget our Retrosonic Podcast special edition with TV Smith which includes an in-depth interview and exclusive acoustic session featuring four classic songs.

TV Smith: Punk Rock Tour Diaries Volume 4: "To Heligoland and Beyond!"

TV Smith has just released the fourth volume of his Punk Rock Tour Diaries via Arima Publishing. It's another amusing and entertaining travelog in the company of the inspirational and likeable ex-Adverts vocalist. This is a world of Rock 'n' Roll that is as far away from huge tour buses and luxury hotels as you can get. It's a world of sleeping on floors in damp and freezing cold back rooms of venues. Relying on lifts, local buses and ferry boats where ice strewn footpaths can wreak havoc on your luggage and your timetables. There is the poignantly named Old Punks Festival in the Czech Republic and a gig among the sand dunes in the remote island of Heligoland. There are encounters with hi-tech Japanese toilets in Tokyo and dangerous crack alleys in Brazil. There are battles with unmanned budget hotels and their baffling entry codes, and with mosquitoes in Finland. Along the way we meet some characters that keep it all rolling along, Vom from Die Toten Hosen, The Tokyo Adverts and Jay Reatard amongst many others. So, grab a copy of this highly entertaining book, buy it for a loved one for Xmas and follow TV as he travels the world, armed only with his guitar, a bag of clothes, a bundle of CD's and an emergency sandwich. The book is available through the TV Smith official web-site here. Otherwise you will be able to get a copy at our gig for TV Smith at the Railway Hotel in Southend-on-Sea on Saturday December 07th. I am sure TV will be happy to sign a copy too. For more details on the gig please check out this link here.

You can hear TV Smith talking to us about his on-the-road experiences, along with an in-depth look back over his musical career, in our very special Retrosonic Podcast. This episode is soundtracked with many pivotal songs from The Adverts, Cheap, The Explorers and of course his extensive solo back catalogue. It also includes an exclusive acoustic session live from the Retrosonic HQ!

TV Smith returns to The Railway, Southend-on-Sea December 07th with Eight Rounds Rapid & DJ's Mondo & Piley

TV Smith, the legendary voice of The Adverts, returns to one of his favourite U.K. venues, The Railway Hotel in Southend-on-Sea on Saturday December 07th. This will be our third joint promotion at The Railway with Retro Man Blog, Podrophenia and the Southend Punk Web-site, and is promising to be another great night as we are very pleased to announce that support comes from the excellent Eight Rounds Rapid. After the live music, Podrophenia DJ's Mondo & Piley will be playing their usual eclectic mix of Psych, Punk, Soul and unexpectedly funky TV themes. The Railway Hotel is located at Clifftown Road, Southend-on-Sea, Essex SS1 1AJ. For more info call 01702 343 194.

Photo by Paul Hughes

You can check out a review of our first gig with TV Smith at The Railway back in June 2012 on the Blog here, and the second one in November last year here. Both reviews feature excellent photographs from Paul Slattery, Paul Hughes, Sophie Lo and Eric Waring.

Don't forget our very special Retrosonic Podcast with TV Smith which features an exclusive four song acoustic session live in the Retrosonic Studio.

"TV Smith, the legendary voice of The Adverts and hugely respected solo performer, joins us (Steve from Retro Man Blog, Rock photographer Paul Slattery and Adam from The Jetsonics) in the Pod to discuss his influential career and play an exclusive four song acoustic session. From early gigs on the edge of Dartmoor with his first band Sleaze to playing the Roxy with The Adverts at the very beginning of the Punk Rock explosion. From appearing on Top of The Pops, the end of The Adverts and his following bands Cheap and The Explorers, to his reinvention as an acoustic Punk Rock troubadour, TV brings us right up to date to the release of his latest album “Coming Into Land” and the publication of his excellent “Punk Rock Tour Diaries”, which cover his adventures as a travelling solo performer armed only with a guitar, a suitcase and an emergency sandwich".

Thanks to Fi and Dave at The Railway, Dave and Ian, Steve Pegrum and Paul Hughes.

TV Smith + Louise Distras at The 12 Bar Club June 07th

TV Smith and Louise Distras at the 12 Bar Club - Photo by Steve Worrall

It's the 12 Bar again and the 12th anniversary of Barnet Mark's London Callin' club night. TV Smith is standing behind his merchandise table, a table that's almost groaning under the weight of over thirty years experience in music. From a rare recording of his pre-Punk band Sleaze, to albums by The Adverts, TV Smith's Explorers, Cheap and of course his many and varied solo records, an impressive back catalogue lay in front of him. Behind him were hanging T-Shirts for sale, some showing extensive dates from his relentless touring schedule. 

TV Smith at The 12 Bar Club - Photo by Zig Criscuolo

Then there are the three volumes of his autobiography, or "Punk Rock Tour Diaries" as they are titled, which are a must-read for any self-respecting music fan, as they document warts and all, the truth about trying to get along as a self-sufficient Musician. There is no place for Rock Star excess in these books, no Limos or Lear jets - just the bus or the tube to the airport or train station. Travelling, not with record company finance but with a support network of independent promoters, bands or friends and often with only a bag of clothes, a box of CDs, a guitar and an emergency sandwich for company. All for the chance to perform to an audience, whether it is in an arena supporting Die Toten Hosen or a decent venue to a derelict squat or a tent in the middle of a forest, it's all worth it just to get on stage and play. 

Louise Distras by Paul Osborn

Next to TV Smith is another merchandise table, not quite as laden with goods, but impressive nevertheless with an array of T-Shirts, Badges and CD's. Behind this table stands Louise Distras, the Wakefield based singer songwriter. Louise is probably not quite ready to write her autobiography yet, but these are early days, she's due to release her Pat Collier produced debut album "Tales From The Factory Floor" very soon and people are starting to take notice of her raw and uncompromising protest songs. Seeing both Louise and TV Smith standing there chatting to fans, I'm struck by the similarities in their approach and I wonder if Louise has read any of TV's books. They are both steeped in that D.I.Y. spirit of trying to be as self-sufficient as possible, music is their life and their livelihood and those merchandise tables are an important part of their set up, and not just for helping to bring in important revenue but as a way of building a strong relationship between themselves and their fan-base.  It's obvious they take great pride in the quality and design of the goods on display, not to mention the reasonable pricing for fans.

TV Smith by Zig Criscuolo

Their accessibility and friendliness to all who wish to chat is apparent, both are song-writers with strong ideals and values and this is a great chance to communicate. I talked to Louise after her excellent set where she stunned the crowd with her raw, powerful voice and the quality of her songs. I noticed she was wearing a "Strummerville" badge, which I felt was quite apt. I think there is a lot in common with what Joe Strummer believed in and where Louise is coming from. She sings about the effects of social injustice in modern Britain, the aftermath of bullying and hate crimes, in fact her single "Standing Strong Together" was a fundraiser for the Sophie Lancaster Foundation, the charity set up in memory of the Lancashire student murdered by two teenagers for no more reason that she was a Goth and looked different. Louise is sticking up for the underdog, promoting individualism, another single "The Hand You Hold" was released to help promote International Women's Day, and I can see why Joe Strummer might be such an influence. Louise Distras is cool and charming with a friendly down-to-earth character, "I felt shy and a bit nervous tonight", she told me, "I'm not used to playing to so many smiling faces..!" At first I found this comment a bit strange and I worried about what sort of audiences she has been performing to! But then I could kind of understand where she is coming from. Again, like TV Smith, she has important things to say, and I suppose it's probably just as rewarding to play to a hostile or inquisitive crowd and at the end have at least a few people going away saying "you know, I never never thought of it like that..." than it is to have a room full of people cheering and clapping without even considering the subject matter of the songs themselves. But it's also about that balance between entertainment and getting a message across, and Louise and TV both have a humour and self-effacing quality that means you don't get the feeling you are just being preached at. But most importantly they have the songs, both are playing it as stripped back and as honest as you can get, just vocals and guitar, nothing to hide behind, so the songs have to work and they certainly do. Of course TV Smith has a great back catalogue of classic songs in his armoury, and despite having to miss half his set to catch my last train home, I manage to hear a superb, passionate performance including "The Lion and The Lamb", "No Time To Be 21", "Complaints Department", "Coming Into Land" and "It's Expensive Being Poor". TV also plays two brand new numbers, "Replay" and "Long Gone", which were both excellent and promise good things for his next album which will be released sometime in 2014. 

Louise Distras - Photo by Steve Worrall

Oh yes, I mentioned his humour. TV notices me checking my watch as I consider if I have just enough time to hear one more last song before shooting off in the dash for my last train. "I usually save this song for the encores", TV says, "but I can see Steve has to rush off..." and he slams into "Runaway Train Driver", thanks Tim, very funny! So feeling honoured to have a song dedication but slightly embarrassed about the circumstances, I make my excuses and leave, very quickly!

Don't forget our TV Smith Retrosonic Podcast special Edition which features TV talking us through his career and picking out some important songs along the way. We were also treated to an exclusive acoustic session so we hope you enjoy it! 

Here's a video of TV Smith performing The Adverts classic "No Time To Be 21" on the night. For a bonus video of Louise Distras playing "The Hand You Hold" please check out the Retro Man Blog YouTube Channel here.

With many thanks to Zig Criscuolo from The WitchDoktors and Paul Osborn from The SuperMinx '70 for allowing me to use their photos. Both are not only great photographers but also in excellent bands, so please check them out. Thanks also to Barnet Mark, TV Smith and Louise Distras. You can check out more photos at the Retro Man Blog Facebook page, please head on over and "Like" for access to the Photo Album.

TV Smith to Play Live at the May 17th Opening of "Location" Art Exhibition featuring David Apps, Gaye Black (Advert), Lynne Blackburn and Ian Bailey

TV Smith the legendary front-man of The Adverts, will perform a short live acoustic set at the opening night party of "Location" Art Exhibition at Red Door Studios, East Ham on May 17th. The Exhibition features Photography, Screen-printing, Collage and Design from David Apps at Artificial Designs, Gaye Black (formerly Gaye Advert) and Lynne Blackburn & Ian Bailey from Hippo Screenprinters. We have already featured reports and photographs from some of Gaye's excellent Exhibitions on the Blog, you can check out "Punk and Beyond" and "Black Xmas". Also, David Apps talks about his Art and Photography in this special Episode of Retrosonic Podcast which also features his long time pal Dick York from Cryssis .

Don't forget that you can still listen to, and download for free, our TV Smith Special Edition Retrosonic Podcast where we talk to TV about his inspiring career in music and writing. The Episode is soundtracked with many great songs from all stages of TV Smith's musical journey and we are proud to present an exclusive acoustic session live from the Retrosonic HQ.

Gaye Black with some examples of her Art - Photo by Steve Worrall

We shall be sure to report back from the "Locations" Exhibition with more information on the Artists and the work that they have chosen to exhibit. Please check out the Red Door Studios site for more information and details on opening times and how to get there.

 

TV Smith at The Railway Hotel Southend-on-Sea Nov 23rd a Retro Man Blog/Podrophenia/Southend Punk night

TV Smith - Photo by Paul Slattery

TV Smith's return to The Railway in Southend-on-Sea turned out to be another wonderful experience at what is fast becoming one of my all time favourite venues. As TV Smith said after our last gig there together back in June, "The Railway is a music venue run by music lovers for music lovers and that's a rare thing in the U.K.". He enjoyed it so much that the very next day he asked to do it all again. And so, here we were back again, and thanks to my joint promoters Dave Collins and Ian Pile from Podrophenia and Steve Pegrum from the Southend Punk web-site, we were greeted by another capacity crowd packed out with what must be the friendliest bunch of locals a venue could wish for. Fi and Dave Dulake have done wonders at The Railway and are transforming the upstairs venue, installing a new P.A. system and extending the stage since I was last there.

The Tuppenny Bunters - Photo by Steve Worrall

As well as doing a fantastic job running the place, and serving some amazing vegetarian food too, they also have time to perform in their own drum and organ duo, The Tuppenny Bunters, who opened tonight's show. Swapping instruments and vocals as they went along, they played a mind spinning set of crashing jazz punk featuring unusual cover versions and cheesy theme tunes ramped up to 100 miles per hour.
 

Dick York - Photo by Paul Slattery

Next up was Cryssis front man and singer-songwriter Dick York, who played an acoustic run through of some catchy numbers from his repertoire. Dick used to play in local Mod Revival band Sta-Prest so the set was interspersed by local references and heavy on the audience participation. He has written a true classic in "Could It Be", and I'm sure I could hear people humming the tune the next day all over Southend. Dick's wife Christine joined him on stage at the end to run through some poems including the amusing "Punk Rock Gran".

TV Smith - Photo by TheDimLocator

Then TV Smith took to the stage to rapturous applause, the Railway crowd seem to have really embraced him and the reaction was really heart-warming. TV ran through a perfectly balanced set of songs from throughout his career such as "It's Expensive Being Poor", "Lord's Prayer", the song he wrote for The Lords of The New Church and my personal favourite, "You Saved My Life Then Ruined It". There are calls for "Tomahawk Cruise" the classic single he released with his first post-Adverts band TV Smith's Explorers, and he duly obliges to everyone's delight. "The Lion and The Lamb", "The Day I Caught The Big Fish", are also played with utter conviction. He then kindly complied to my shout for "Complaints Department" from his latest album "Coming Into Land", although ironically not until after a little complaint. "I'm not a Punk Rock Jukebox you know...", he tells me... "but TV, it wasn't as if I requested "Bored Teenagers", just a track from your new record...!". You can hear a hilarious version of "Complaints Department" in our exclusive Retrosonic Podcast live session. Throughout the show he talks about his views on the corporate world and mass consumer obsessions that are blighting our society, he's inspiring and honest, but also humorous with it.

 

TV Smith - Photo by Paul Slattery

He even throws in his amusing but cynical take on the ubiquitous seasonal Christmas song, "Xmas Bloody Xmas". What is evident every time you see TV Smith perform is that he cares, he wants to do right, to play his music on his terms to anyone that will listen. And if that means lugging his guitar, suitcase and emergency sandwich to sub-zero temperatures in Norway or Finland, or playing a festival in the middle of a forest in Eastern Europe with no guarantee of a place to sleep, then he will do it. It's inspirational, and his between song monologues get a great reaction. We are treated to the moving "Generation Y" and "In The Arms Of My Enemy" and then the raucous sing-along of "Only One Flavour".

TV Smith - Photo by Paul Slattery

Of course the set builds towards some of the classics from The Adverts days, but the good thing is you don't get a feeling of nostalgia, his solo material is as well received as the old numbers, but there's no doubting the place does go wild to "One Chord Wonders" and "Gary Gilmore's Eyes". As the set draws to a close the atmosphere builds and as he plays "Good Times Are Back", there is a stage invasion. TV is swamped by people all trying to shake his hand, slap his back and join in on backing vocals, it's chaotic but good natured. Unfortunately due to things over-running, the set had to finish there and we did not get to enjoy Piley and Mondo's superb DJ'ing, but the crowd were thoroughly exhausted and seemed very satisfied, so it was probably a fitting time to call it a night. Well, that was Retro Man Blog's third joint promotion gig at The Railway and I sincerely hope there will be more to come!

Here are some more photographs from the night, and you can also see a full set of superb photos by the extremely talented photographer Paul Hughes on his Flickr site.

Fi from The Tuppenny Bunters - Photo by Jim McManus

Fi from The Tuppenny Bunters - by Paul Hughes

Dave from The Tuppenny Bunters by TheDimLocator

TV Smith by Paul Slattery

TV Smith by TheDimLocator

TV Smith by Jim McManus

TV Smith by Paul Hughes

"Coppo" by Paul Slattery

Stage Invasion! by Jim McManus

Dick York, Dave Collins and TV Smith by Paul Hughes

TV Smith by Paul Slattery

There is another review of the gig up on the excellent Planet Mondo Blog and you can see more photos and a great selection of videos at the Southend Punk web-site Gallery too. Then you can still listen or download for free, our fantastic Retrosonic Podcast TV Smith Special Edition, in which TV talks us through his fascinating and inspiring history and plays an exclusive acoustic live session.

I'd like to thank TV Smith, Fi and Dave at The Railway, Dave Collins and Ian Pile from Podrophenia, Steve Pegrum from Southend Punk, Dick York & Christine York. Many thanks also to photographers Paul Slattery, Paul Hughes, Jim McManus and TheDimLocator for contributing the excellent pics, not forgetting the great Railway crowd that turned up to make this another memorable night!