Showing posts with label The Senior Service. Show all posts
Showing posts with label The Senior Service. Show all posts

Thursday, 8 December 2022

The Prisoners at The Royal Function Rooms Rochester Friday December 2nd 2022


Back in one of our earliest episodes of Retrosonic Podcast – myself, Rock photographer Paul Slattery and Adam from The Jetsonics all happened to choose a Graham Day related track for the playlist – in the end we decided on The Solarflares “Windsor Oval” and bemoaned the fact that Graham’s most recent outfit, The Gaolers had sadly called it a day after two blistering albums. There were rumours that Graham had packed in music all together and sold off all his guitars and we all mentioned how good it would be for him to play again. Well, not long afterwards we got our wish as Graham Day and The Forefathers emerged. This new band consisted of Graham, his former Prisoners colleague and bassist, Allan Crockford along with Wolf Howard on the drums and all three were bandmates in Graham’s other post-Prisoners bands, The Solarflares and The Prime Movers. Graham told me in a later Podcast that The Forefathers were “basically a tribute band to myself” – the band were to play the best tracks from The Solarflares, Prime Movers, The Gaolers and of course, The Prisoners too. I knew I just had to get involved and through my dealings with the Medway based band The Len Price 3, who we were championing at the time, managed to secure a show for The Forefathers at The Half Moon in Putney for one of our Retro Man Blog nights. So, despite warnings from more than one person that the band may be “difficult” to deal with I wasn’t to be deterred and the gig sold out pretty much immediately. In fact, I was to go on to promote more shows for The Forefathers along with The Solarflares reunion at the Water Rats in Kings Cross and The Senior Service album launch as well as various gigs with Allan’s own Galileo 7, so obviously I never got to experience their so-called difficult reputation. I must admit though, I was in awe to meet Graham, Allan and Wolf for the first time and it was a bit difficult to separate the fan from the promoter in me initially. Luckily, this is all just a hobby for me, I’m not a professional, so the fan easily won out and I made sure I was down the front among the “middle-aged mosh-pit” as Graham christened us from the stage – leaping about and singing along to all those classic songs. The Half Moon gigs seemed to go down a storm and thankfully the band enjoyed them too, so we did a few more shows together over the years. I’d told the band that the first time I ever became aware of The Prisoners was seeing them on CH4’s The Tube when they played “Reaching My Head” dressed in Star Trek outfits and then before one Forefathers show at The Half Moon, I went backstage to see Star Trek costumes hanging in the dressing room. I was almost moved to tears! It was great hearing The Forefathers play those Prisoners songs again even if they were stripped back and raw minus the Hammond organ. 



However, nothing quite beats the real thing and that’s what we got treated to courtesy of Lee Grimshaw and his team at the fabulous Spinout Nuggets, a Prisoners reunion to celebrate 40 years since the release of their classic debut album “A Taste of Pink” with the original line-up of Graham and Allan, James Taylor and Johnny Symons. The four of them had got together to play at a couple of benefit shows over the summer and I guess that’s where the idea for a full-scale reunion sprang from. So, some 37 years since I last saw The Prisoners, I was to get the dream opportunity to see them again at The Royal Function Rooms in Rochester, the jewel in their Medway home. The rush for tickets was phenomenal, the initial Friday night sold out in an instant and was soon followed by the announcement of further shows on the Saturday, then the Wednesday and Thursday were added too. Due to the demand, the Saturday was to be filmed for an on-line livestream which enabled even more eager fans around the world the chance to see their heroes in action. I must admit to being a bit concerned on how the shows would pan out and doubts were raised – would the band get along, Johnny doesn’t seem to have played drums regularly since The Prisoners, is James Taylor “too famous” nowadays? But as they took the stage to the strains of the theme from “The Sweeney” and Allan announced “track one, side one” and they powered into “Better In Black” and that crunching guitar riff hit everyone between the eyes, you could sense a huge tide of emotion spread through the crowd around me.

 

It was a real mixture of relief, disbelief and all those memories of being back at the Hammersmith Clarendon, the Star Trek outfits on The Tube flooded back. The band look great, sound great, turning back the clock – sounding as fresh, youthful and powerful as you could ever have wished for. For the first set, they play the whole of the debut album from the Garage Go-Go stompers like “Creepy Crawlies” and “Maybe I Was Wrong” to the emotional heartfelt numbers like “There Can’t  Be A Place” and my particular favourite “Til The Morning Light” which brings a lump to the throat – it’s a classic track that surely paved the way for The Charlatans and Inspiral Carpets to plunder and take to far more commercial success than the Prisoners ever achieved. It’s a travesty, but there you go – sadly, true originators often get overlooked. I mean, I can’t remember any other band on the scene at the time using a Hammond organ – The Fuzztones used a Farfisa to conjure up that authentic Nuggets sound but generally, keyboards and in particular the cumbersome Hammond, were a rarity. Of course, James Taylor has now become an internationally acclaimed Hammond maestro with his Quartet and it’s a truly wonderful experience to hear those swirling riffs again, in particular on “Say Your Prayers” which is a personal highlight.



There’s an interval and a chance to catch up with friends and exchange delighted chatter about just how bloody marvellous it all is and there was a real buzz of adrenaline coursing through the Royal Function Rooms. I bumped into a lot of people I’d got to know through our Retro Man Blog gigs over the years, many of whom are in their own bands including The Past Tense, Jetstream Pony, Thee Girl Fridays, The Beatpack, Of Arrowe Hill, The Len Price 3, The Dentists and everyone agreed we were experiencing something very special indeed. Thankfully, the band seemed to be enjoying themselves too – there’s lots of smiles and a nice chemistry between all four bandmates and in particular, between Johnny and James. One thing that hit me was to reminded just how good a drummer Johnny is, he’s lost none of the chops, powering away cheerfully through some quite complicated drum patterns and his performance gets a thumbs up from everyone I spoke to. “Hurricane” opens the second set and then follows most of the superb “The Last Fourfathers” album, although sadly no “I Am The Fisherman” which is saved for the very last number on the Saturday night Livestream. Of course, “Whenever I’m Gone” gets a huge cheer but for me it’s the “Thinking Of You (Broken Pieces)” that hits me right in the heart and I must admit to a tear in the eye as everyone sings along to the uplifting chorus. It would have been worth the entrance fee alone just to experience that one moment of magic. 


The set is punctuated by only two tracks from the “In From The Cold” album, luckily they are “Find And Seek” and the soulful strut of “Deceiving Eye” which has always been one of my favourite Prisoners songs. The band also play a fair selection of instrumentals including “Revenge of The Cybermen” and “Night of The Nazgul” – tracks that would lay the foundation for Graham’s current project The Senior Service and their Ennio Morricone, Barry Gray influenced tunes. The set closes with the classic “Melanie” which sparks off some frenetic dancing down the front and then sadly, it’s all over. But is it? Of course, there are encores, and the instrumental rarity “American Jingle” gets an airing along with “Reaching My Head” the very track that I first heard from The Prisoners and then finally it’s their cover of “Hush” and it really is all over. What can I say? Better than I could ever have hoped for – if it is to be The Prisoners last stand then I’m just thankful I was there to witness it. However, the reaction and demand was just too good to be ignored – and taking into account, the band seemed to be having fun too – I’m sincerely hoping that they will consider more gigs in the future. 



Sadly, just prior to the gigs the news filtered through that The Royal Function Rooms and worse still, the legendary Ranscombe Studios which is housed in the premises, are due to close soon. This is a nightmare and yet more damning evidence that cultural buildings have no protection in these relentless greed and profit driven times. How many great venues have we lost – not just the traditional down and dirty places such as the Marquee, The Fulham Greyhound, The Hammersmith Clarendon and the 12 Bar Club but historic buildings in their own right, like the Astoria and the Hammersmith Palais too. There is a fundraising concert at The St. George’s Hotel in Chatham on January 13th to help with the relocation of Ranscombe Studios that features a mouth-watering line-up of Medway talent including The Solarflares, The Len Price 3, The Galileo 7, The Masonics, Theatre Royal and more. Tickets and information can be found at this link. 


Huge credit to Lee and Dave Grimshaw at Spinout Nuggets and their team for organising the shows so brilliantly. Don't forget to check out the Retro Man Blog archive for loads of previous features on Medway related bands and music including reviews, videos and photos of all our shows with The Forefathers, Solarflares, The Galileo 7, The Len Price 3 and more. Also, all episodes of Retrosonic Podcast are available at our archives at Spotify, Apple Podcasts, iTunes or Soundcloud including interview specials with Graham, Allan & Wolf, The Len Price 3, Billy Childish, Ian Greensmith of The Dentists and much more besides. More videos from the Royal Function Rooms show can also be found at our Retromanblog65 YouTube channel, here's a taster...



Wednesday, 12 January 2022

"A Little More Time With…The Senior Service" with guest vocalist Rachel Lowrie. Ms Sheringham-Boom reviews the new 10" Vinyl E.P. out now on Damaged Goods Records

"Instrumentalists find their voice" by Ms Sheringham-Boom (January 2022)

Happy 2022 anyone, anyone? This year has gotten off to a shaky start, and like everyone else, I am totally over this pandemic. It is however shaping up in one respect due to the release of some much-anticipated new music. Hopefully more widespread live events going ahead will follow across the UK and further afield in the not-too-distant future. Hat’s off to the fortunate ones who have managed to continue with their music throughout this time. There is a very welcome return to one band who managed to do just that at Ranscombe Studios in June last year. They are of course our favourite instrumentalists, The Senior Service (who feature Medway musicians Graham Day, Wolf Howard, Darryl Hartley and Jon Barker) whose much anticipated mini-LP is due for release on the Damaged Goods label this Friday 14th January. The band cordially invite us to spend "A Little More Time With…" Don’t mind if I do. But wait, there are vocals you say? 

The story goes that around year ago, The Senior Service (on a drunken night out) decided that they wanted to add a ‘little more’ to their instrumental sound. Enter Rachel Lowrie a local singer/songwriter who has previously recorded with a fair few fellow Medway stalwarts. Cited as their best work to date, four of the tracks on "A Little More Time With…" were written with Rachel in mind, and in a recent interview with Glenn Prangnell for the Groovy Uncle Podcast she declared that it’s ‘probably the best recording I’ve ever done.’ Who are we, readers, to argue with that? So, I put the question to Rachel about the collaboration 

Q: How did you feel about being approached by the band to sing vocals for them? 

Rachel: We were at Mr Unswitchable’s Open Mic night at Rochester Social Club in 2019 and I sang "24 Hours from Tulsa" (me and my ukulele) with some level of intensity. Jon Barker approached me about singing on their album that evening. I wasn’t sure the recording would happen until it had. And it’s a thing because they have made instrumental music and now vocals. I wondered what the songs would be like. I felt like I got a sneak preview.

Q: Were you familiar with the band’s sound, the individual band members, and their musical heritage?
Rachel: Yes of course, but I’m lazy with the details. I have grown up and lived in Medway most of my life, so I knew their names and band names. I’ve been to various gigs over the years, Graham Day & The Forefathers, The Daggermen, The Buff Medways, and The Senior Service etc.

Q: What was it like to be part of the recording process?
Rachel: I got the tracks and lyrics and turned up and sang to be honest, and it was all quite nice. As a bunch they were kind and welcoming and they laughed a lot - they have been mates for years so it felt like a relaxed space to come into. I was excited-nervous of course. I really like the songs they wrote. And I enjoy being at Jim’s studio (Jim Riley, Ranscombe Studios).

Q: What can we expect from you at the launch at the end of January, are you excited about it?
Rachel: I’m just looking forward to singing the songs live, should be fun.

Then there’s Darryl Hartley. As well as playing bass he also designed the fabulously evocative artwork for the cover sleeve. I asked him about his inspiration for this… 

Darryl: The sleeve artwork follows the previous designs we’ve had. I really like the Saul Bass posters of the sixties, so we’ve adopted that look as we believe it suits the music. I think with this record we were going for a jazz/lounge type feel to the whole package, so it ties in nicely with that too. It’s important that the artwork compliments the music and the 10" format also helps with this.

…and whilst he was there, I asked him about his song, the cool and collected "Just A Little Time".

Darryl: "Just A Little Time’ was written some years ago when I was going through a bit of a Bacharach phase or at least trying to go a bit Bacharach (I’d never claim that I’d ever reach those lofty heights). Years later when we decided we were going to do this record I remembered the song and thought it would work well with a female vocal. I had in my head a Dusty Springfield big ballad type of thing, a bit of brass, a dramatic chorus. It has come out pretty successfully. There are some unintentionally Carole King elements to it, which I’m not going to complain about!

Indeed. In fact, each band member has contributed to the writing of the songs on this EP, and it is difficult to choose a favourite, so I won’t. As well as the originals the band have included two covers of more obscure instrumentals: John Schroeder’s "Lovin' You Girl" and "Mysterious Land" by The Chris Lamb Orchestra. With this mini-LP you can expect the sublime, the nonchalant, and music of cinematic proportions; Hammond draped around brass, a sometimes-explosive guitar complimented by a driving rhythm section, and the stirring voice of a cool chanteuse.

You can hear a song from the new E.P. in our latest episode of Retrosonic Podcast.

"A Little More Time With…The Senior Service" the new 10" Vinyl E.P. with guest vocalist Rachel Lowrie is available to order from Damaged Goods Records here. For more info on The Senior Service please check out their Facebook page here. With thanks to Ms Sheringham-Boom. Ms Sheringham-Boom is the bassist in Edinburgh's premier purveyors of Garage Rock, Thee Girl Fridays.

Thursday, 23 December 2021

Retrosonic Podcast Episode 45 "Waking Up The Band" New Release Special with Wet Leg, The Bug Club, Jamie Perrett, Monkey, The Senior Service and More...

Podcover Photo by Roger Degerman

Happy Xmas and a big thank you to all Retro Man Blog and Retrosonic Podcast subscribers and listeners, we really do appreciate the support. After all, this is just a hobby to promote some of the fantastic bands, artists and independent record labels that are keeping us all entertained in these difficult times so your continued support is what makes it all worthwhile. Anyway, I sincerely hope you've enjoyed the music and hopefully you've discovered some new favourite bands along the way! So here's a little Xmas gift to say "thank you" - our latest Retrosonic Podcast which features 21 superb brand new and recent international releases from Brazil, Sweden, Wales, USA, Canada, Taiwan, UK, France and Japan with some previously unreleased exclusive songs as a little bonus especially for you. So pour yourself a drink, crank up the volume, sit back and enjoy some quality sounds from The Senior Service (feat. Rachel Lowrie), Wet Leg, The Bug Club, Jamie Perrett, Yufu, Les Envahisseurs, Howlin' Jaws, Los Pepes, The Galileo 7, Jetstream Pony, Stupidity (feat. Keith Streng of The Fleshtones), The Most, Cat & The Underdogs, Autoramas, Monkey (The Adicts frontman's solo project), Suzi Moon, The Heat Inc, Kuunatic, Keller Machine, AlterModerns and Sounds Incarcerated.

 Here's the full tracklisting - please click on the highlighted links to investigate further...

The Bug Club - "My Baby Loves Rock & Roll Music"

Yufu - "Bad Intentions" (Coral Collective/Sunset Rollercoaster)

Les Envahisseurs - "Invisible" (Exclusive unreleased track)

Jamie Perrett - "Angel of Santiago"

Howlin' Jaws - "Love Makes The World Go Round"

Wet Leg - "Wet Dream"

Los Pepes - "I Want You Back" (Black Wax Records)

The Senior Service (feat. Rachel Lowrie) - "If You're Not There" 

(Exclusive unreleased track courtesy Damaged Goods)

The Galileo 7 - "Ella" (Spinout Nuggets Records)

Jetstream Pony - "Seven Days" (Spinout Nuggets Records)

Stupidity (feat. Keith Streng of The Fleshtones) - "Waking Up The Band"

The Most - "Fighting Man" (Exclusive unreleased track)

Cat & The Underdogs - "Positive I.D."

Autoramas - "Dia Da Marmota"

Monkey (The Adicts frontman's debut solo record) - "Sharkbite" (Dr. Strange Records)

Suzi Moon - "I'm Not A Man"

The Heat Inc. - "Down In The City"

KUUNATIC - "Full Moon Spree" (Glitterbeat Records)

AlterModerns - "She's Not Yours"

Keller Machine - "(I'm In Love With A) Monster"

Sounds Incarcerated - "Space Xmas" 

Proceeds from Sounds Incarcerated's "Space Xmas" on Bandcamp go to Shelter U.K.

Additional Links:

Write Wyatt Blog (Beth from Jetstream Pony interview)

Monk's Junk (Monkey's Art web-site)

Nymphet Noodlers - The Story of one of Sweden's most influential yet underrated bands

This Episode's Cover Stars The Most photographed by Roger Degerman. Retrosonic Theme by Adam Donovan. Retrosonic Podcast has a valid PRS Licence. You can subscribe to Retrosonic Podcast for free at Spotify, Soundcloud, iTunes, Apple Podcasts, Amazon Music or Mixcloud.

Sunday, 23 September 2018

Groovy Uncle "Meanwhile Back In Medieval Britain" - Amy K-B reviews Glenn Prangnell's Collective's latest Album


"Meanwhile Back in Medieval Britain" is the 7th studio album from singer and songwriter Glenn Prangnell's musical collective Groovy Uncle. Recorded at Ranscombe Studios and released on Glenn's own label Trouserphonic Records, MBIMB (bit of a mouthful but there you go) is unique in Groovy Uncle releases in that it includes tracks written by people other than Glenn, and as well as featuring GU favourites Suzi Chunk and Miss Modus it also showcases the vocal talents of Ani Graves and Rachel Lowrie. Arriving scarcely a year after "A Clip Round the Ear", the cartoon cover (artwork by Darryl Hartley) hints of the whimsical humour we've come to expect from Groovy Uncle, but that's only the tip of the iceberg. "A Clip Round The Ear" was very much a nostalgic album, but MBIMB is firmly in the present and full of current references; Brexit, #metoo and the rather Donald Trump-esque Howard Eno ('got the greatest, biggest button in his tiny hands') and whilst a lot of the songs have a very sixties flavour to them there is a striking originality and freshness to the album; clearly there is no danger of Groovy Uncle running out of material any time soon. There is little continuity of style between tracks, but who wants that? If you don't like one song (and I can't imagine that you wouldn't) there's another one along in a minute to grab you by the collar and ensure your full attention. I asked Glenn how the idea of a more collaborative album came about, and he told me that it was something he'd already been considering when he was approached separately by Jon Barker (The Senior Service), Darryl Hartley (The Senior Service) and Andy Morten (Bronco Bullfrog) with the idea of using songs they'd written. Although the five non-Glenn penned tracks do stand out as being different (as indeed they should), they fit beautifully into the overall feel of the album, particularly the title track (by Darryl Hartley) with its mixture of snippy political commentary and sunny optimism. "Astronauts" (also by Darryl) is a Divine Comedy-esque epic, laden with strings and unapologetically theatrical. I was unfamiliar with Bronco Bullfrog until I started doing the research for this review (yes, I do research) and it's a band I'm delighted to have found; "She'll Never Be Mine" by Andy Morten puts a Groovy Uncle spin on the Bronco Bullfrog brand of 'sunshine pop'. Witty, wistful and 'poptimistic' (apologies to Andy for stealing that), its a great track.

Glenn with Suzi Chunk
I'm more familiar with Jon Barker's instrumental writings with The Senior Service but his contributions "Days Like This" and "You Think Too Much of Me" prove that he's an incredibly versatile songwriter. "Days Like This" (featuring Graham Day on guitar) is an immediate stand out track, and the Hammond led "You Think Too Much of Me" is unbelievably catchy. Glenn told me that he prefers writing for other singers than for himself, and MBIMB showcases some great examples of his long term collaboration with Suzi Chunk; "20/20 Hindsight" and "Reading Between the Lines" are classic Suzi songs, showing off her amazingly powerful and passionate voice, and "Lie to You" is drowsily gorgeous and proves that the inimitable Ms Chunk can indeed do both. Many Groovy Uncle fans will have been eagerly awaiting the return of Miss Modus, and her blistering rendition of "Good Child" is a definite high point. GU newcomers Ani Graves and Rachel Lowrie are sweetly haunting on the folky "It Wasn't Me It Was Yesterday", and their voices are a beautiful compliment to each other despite them not having met until the day of recording. As always Glenn is accompanied by a supporting cast of amazing musicians, this time including Mole, Wolf Howard, Nick Rice and Anna and Paul Jordanous. Most Groovy Uncle articles and interviews tend to touch on the subject of whether these are songs we will ever heard played live, something that Glenn has always said is very unlikely, due to the numbers of people involved, and the geographical difficulties, but wonderful though I'm sure a live Groovy Uncle gig would be, there is something special about the little bubble of perfection that this recording project has become. MBIMB is a perfectly polished wall of sound; in short, flipping excellent.
- AKB, September 2018

Thanks to Amy for the great review. MBIMB will be released on October 1st and is available on 180g Vinyl with download code, numbered lyric sheet and sticker and it will also be released as a Digipack CD. You can order from the band's web-site here and also hear a track from the album in our latest episode of Retrosonic Podcast which can streamed/downloaded for free below:



Monday, 3 October 2016

Graham Day & The Forefathers & The Len Price 3 at Retro Man Blog Night - Exclusive Paul Slattery Photos

Graham Day & The Forefathers photographed by Paul Slattery
I'd like to take the opportunity to say a huge 'thank you' to all those who came along to our sold out Retro Man Blog Night with Graham Day & The Forefathers, The Len Price 3 and DJ Lee Grimshaw from the Spin-out Show, especially those of you that travelled some distance to be there. I'm sure all of you would agree that all the bands and Lee really put on a superb night's entertainment. Thanks to the Half Moon staff and to Eric from King Salami & The Cumberland 3 for the excellent gig poster and Glen Jordan for the superb video of the whole set which you can check out on YouTube here. When I went backstage before the show to see the Star Trek tunics hanging up I knew we were in for something special. The first time I saw The Prisoners was on the great Channel 4 music show The Tube way back in 1984 as part of a feature on the underground Garage Rock scene of the time along with The Milkshakes, The Tall Boys and The Sting Rays.

The Len Price 3 photographed by Paul Slattery
The Len Price 3 photographed by Paul Slattery
DJ Lee Grimshaw set the scene with a selection of great vinyl and got everyone warmed up for The Len Price 3 who put in another classic display with a set crammed with some rarely played oldies such as "Lai Ha Lam" and "Sailor's Sweetheart" along with some very promising new and unreleased numbers from their forthcoming album. The band are currently in the studio working on the album and of course we'll keep you updated on news of the planned release date as soon as possible.

The Len Price 3 photographed by Paul Slattery
It was Graham's birthday and as such The Forefathers had a few surprises up the sleeves of their Star Trek tunics. Jon Barker of The Senior Service, The Gaolers and The Daggermen was in the line-up and it was the first time The Forefathers had played with a Hammond organ. That meant we got treated to a lot of old Prisoners classics that rarely get played live by the band these days. Kicking off with the instrumental "Come To The Mushroom" from The Prisoners' debut album we then got served up a superb version of "The Drowning" followed by "Nobody Wants Your Love" both from the classic "Last Fourfathers" album. There was just the one Solarflares track tonight, the scorching instrumental "Lunar Girl", but The Forefathers have tended to concentrate more on the Solarflares material so I wasn't too disappointed especially with the treats that were coming up.

Graham Day & The Forefathers photographed by Paul Slattery
Wolf Howard of Graham Day & The Forefathers photographed by Paul Slattery
There was a brief pause when I presented Graham with a bottle of Jameson's and the crowd joined in an impromptu chorus of 'happy birthday to you' and the band slammed into The Gaolers "Pass That Whiskey" (not stage managed in the slightest...!) and "Just A Song". Then we got some prime Prisoners favourites including a stunning "Thinking of You (Broken Pieces)", "Whenever I'm Gone" and a mind-blowing version of "Hurricane" from "The WiserMizerDemelza" album.

Graham Day photographed by Paul Slattery

Allan Crockford photographed by Paul Slattery
Then we had a special guest appearance from The Senior Service, Darryl getting on stage to take over bass duties from Allan and they played "Bone Jacked" and the single "Depth Charge" to an eager and pleasantly surprised audience. Then there was another swift line-up change, Darryl passing the bass to Jon and we had a little tribute to The Daggermen with Allan taking over Dave Taylor's place on guitar and vocals. They played three tracks, two from the album "Dagger In My Mind" (which is surely due for a reissue) and "One More Letter" from their debut E.P. "Introducing The Daggermen".

Tribute to The Daggermen photographed by Paul Slattery
Darryl Hartley and Jon Barker from The Senior Service photographed by Paul Slattery
Graham was down the front enjoying the short blast of The Daggermen's Garage Rock songs, singing along but was soon back on stage. to run through yet more great tracks from The Prisoners faultless back catalogue including rare outings for "Till The Morning Light" and "Far Away". There was a raucous run through of The Gaolers "Begging You" which sparked a one man stage diving (well stage jumping...) invasion by Andy from The Past Tense and the set wound up with a viciously powerful "Melanie". For the encore the band came back and played a brilliant "Reaching My Head" - the track that they famously played back on The Tube in those Star Trek outfits - and a medley of "I Drink The Ocean" and "Hush" and I'm sure I wasn't the only one in the crowd with a lump in my throat.

Jon Barker photographed by Paul Slattery
Photo by Paul Slattery
Here's a video of "Melanie" from the night, please check out our Retro Man YouTube channel for more original "up close and personal" videos from this and many other gigs.


Our next Retro Man Blog Night at The Half Moon Putney will be on Friday November 18th and we are very pleased to announce that it will be the showcase/launch party for The Masonics new album "Obermann Rides Again". We've sorted another superb supporting line-up of The Baron Four and The Beatpack and tickets are available to order in advance now for the bargain price of £11.50 from the Half Moon, either on-line here or by phone on 0208 780 9383. You can hear an exclusive track from The Masonics new album in Episode 25 of Retrosonic Podcast along with chat about the Forefathers gig and songs by The Senior Service, The Daggermen and The Dentists among others. Subscribe for free at iTunes or listen/download for free from our Soundcloud site.



Thanks to Paul Slattery for the excellent photos as always, for more pics check out the Retro Man Blog Facebook page here, hit "Like" and "Get Notifications" to keep up to date on future gig news.

Graham Day photographed by Paul Slattery

Tuesday, 9 February 2016

Retrosonic Podcast Episode 21 "Can't Help Thinking About Me"

Lemmy, Copenhagen 1987 photographed by Paul Slattery
In Episode 21 of Retrosonic Podcast, Steve & Adam are joined by Rock Photographer Paul Slattery to spin and chat about a mix of oldies, new releases and exclusive tracks. Paul explains how Lemmy influenced his choice of career in music photography and he picks his favourite Motörhead track. One of Paul's photos graces the cover of the brand new single from Billy Childish & CTMF so we give that a play and talk about Paul's work with Billy over the years. Staying in the Medway there's the debut single from Graham Day's new outfit The Senior Service and we're still recovering from our sold-out launch party with the band at the Half Moon Putney. Of course we can't avoid the untimely death of David Bowie and we pick a Mod classic from his time with The Lower Third. Along the way we chat about some upcoming gigs by some influential and legendary British R'n'B bands The Pretty Things and The Downliners Sect plus there's the long-awaited return of The Long Ryders. There's a cracking new track from The Rezillos and a classic from That Petrol Emotion. We go all International with The Stompin' Riff Raffs and The Mayflowers from Japan, there's some raw R'n'B from the Loire Valley and Sharpers and an exclusive unreleased track from Brazil's brilliant Autoramas! Oh, and there's a brand new slice of Psycho Rock 'n' Roll from Dick Venom & The Terrortones! Here's the play-list, if you liked the music we played we'd really be pleased if you could take the time to click on the highlighted links to check out more information on the featured bands.

The Senior Service "Depth Charge"

The Senior Service photographed by Paul Slattery
The Downliners Sect "Glendora" 

David Bowie & The Lower Third "Can't Help Thinking About Me"

The Pretty Things "Don't Bring Me Down"

Dick Venom & The Terrortones "Gun of A Tongue"

Billy Childish & CTMF "A Glimpse of Another Time"

Cover Photo of Thee Headcoats by Paul Slattery

The Mayflowers "Good Times Bad Times"

The Long Ryders "10-5-60"


The Rezillos "Animal"

The Rezillos photographed by Paul Slattery
Autoramas "Quando A Polícia Chegar" 

Sharpers "Hurt By Love"

Motörhead "Leaving Here"

You can now download and/or listen to the episode free of charge from our Retrosonic Podcast Soundcloud site here, subscribe at iTunes or stream at Mixcloud. Otherwise just check this out...



All Photographs Copyright Paul Slattery.

Saturday, 6 February 2016

The Senior Service "Depth Charge" Launch Party with French Boutik and Of Arrowe Hill at The Half Moon January 30th - Paul Slattery Photos

The Senior Service photographed by Paul Slattery
Well, I'd just like to start off by saying a huge thank you to the fantastic crowd that turned up on Saturday to witness the first ever live performance of The Senior Service, the gig completely sold out over a week in advance so I, and of course all three bands, really appreciate your superb support. The evening started off with a short sharp set from Of Arrowe Hill whose spiky melodic tunes really went down well. Of Arrowe Hill are a difficult band to categorize but with those insistent melodies, dry Scouse humour and his ever-present Ringo Starr hat, it's not hard to see where singer songwriter (and Rickenbacker guitarist) Adam Easterbrook draws a lot of his influences from. In fact "She Said She Said" from "Revolver" springs to mind as their songs have dreamy harmonies floating over spindly razor sharp guitar riffs. The rhythm section comprises ex-Aardvarks drummer Ian O'Sullivan and bassist Jason Hobart, who both quietly and unobtrusively go about their business, with simple but mightily effective arrangements that allow the songs to shine.

Of Arrowe Hill photographed by Paul Slattery
Easterbrook has quite a bit in common with fellow Liverpudlians The Coral and Michael Head from Shack as it is all about the tunes even though they are sometimes half-cloaked in mystery and off-set against some jarring guitar work or the odd Psychedelic passage. Having said that, on "She's Leaving? (No, She's Gone)" it's all thrown into one glorious headlong rush of a Pop song that Chris Difford & Glenn Tilbrook would be proud to call their own. I must confess that I sometimes get a bit frustrated though, as rather like Robert Pollard from Guided By Voices, Adam's songs can sometimes appear to be more like an Artist's preliminary sketch rather than the finished masterpiece that they promise to be. You see, there are very few Of Arrowe Hill songs that even reach the three minute mark. Just when you get a hold of that catchy riff or ear-worm melody the song can sometimes end abrubtly and you just want to hear more of it or see how it will develop. It's not necessarily a bad thing though and I guess that's part of Of Arrowe Hill's quirky but undoubted charm, they cram more into those short precious minutes than most bands manage in an entire career!

French Boutik by Paul Slattery
When I was thinking about suitable support acts to complement The Senior Service everything drew me towards French Boutik. The only stumbling block was that the band are based in Paris but I took a chance and offered them the slot knowing that they did play in the UK quite regularly and hoping it might coincide with something else over here. Unfortunately at first the date didn't fit but the band made a quick decision to just go for it anyway and I got my wish! The band are currently working on their debut album following a fine run of excellent vinyl E.P.s and are trying to raise funds for the release via a crowd-funding campaign here. I'd urge you to get involved as, judging by the selection of new tracks they played tonight, the album is going to be something special.

French Boutik photographed by Paul Slattery
I think the new tracks like "Le Mac", "Je Louche" and "Le Casse" fitted in seamlessly alongside their more familiar favourites such as "Les Chats De Gouttiere" and "Ici Paris". The usual band line-up of Gabriela on vocals, Serge on guitar, Zelda on drums and Jean-Marc on bass was tonight augmented by Olivier (Popincourt) on the Hammond organ and surprise guest Graham Lentz on bongos and huge smile! Their Pop Moderniste sound was soulful and rich with Serge's superb Rickenbacker guitar work adding a welcome edge to proceedings. Gabriela is an engaging vocalist and backed up by the impressive harmonies of drummer Zelda the songs really took on a life of their own over the Half Moon's excellent sound-system. A sparkling version of "Tiptoes" by Madness was a highlight and the band seemed to be enjoying themselves as much as we were. French Boutik went down a storm with the crowd and I was really pleased for them, they also charmed everyone they met with their easy going nature and I really would like to thank them again for coming over.

Graham Day of The Senior Service photographed by Paul Slattery
So after the great warm up provided by both support acts, the sense of anticipation for The Senior Service was building and I must admit there was a bit of trepidation too. How would an all-instrumental band go down live? Would the crowd be open minded and go with it or would they start shouting out for "Melanie" after ten minutes! Thankfully it all went rather well indeed - songs from the forthcoming debut album "The Girl In The Glass Case" were all short and punchy and had enough variety and groove to keep the audience extremely satisfied throughout. Of course all of the band's instrumental influences were touched on - whether it was John Barry's Bond themes such as their cover of "On Her Majesty's 'Senior' Service" or the Spaghetti Western Ennio Morricone twang of "Caballo Sin Nombre" with the addition of a trumpet player adding that authentic Tex-Mex feel.

Wolf of The Senior Service (and Sophia...) photographed by Paul Slattery
The Booker T & The MG's groove of opening number "Abandoned" got everyone's toes tapping before the crunching single "Depth Charge" blew our minds with it's scorching guitar riff. Along the way we are treated to a dazzling backdrop of movie projections taking in classic TV shows, Psychedelic movie interludes and even a stripping Sophia Loren, during which the band can't help sneaking furtive looks back towards the screen! Tonight Gerry Anderson, Captain Scarlet, Lalo Schifrin, Bullit and Barry Gray are the order of the day, replacing the more familiar Rock 'n' Roll references. There was so much crammed into the perfectly crafted tunes all driven along by Wolf's pin-point drumming and Darryl's inventive bass lines, all underpinning some great guitar work from Graham and of course topped off by Jon Barker's surging Hammond organ runs.

Jon Barker of The Senior Service photographed by Paul Slattery
Each Graham Day line-up has always included a few excellent instrumentals in their repertoire and tonight we get "Come To The Mushroom" and "Explosion on Uranus" from The Prisoners and my personal favourite "South Avenue" by The Gaolers, which was an absolute cracker. The set comes to a close with The Prisoners classic "Find & Seek", Graham knows what we are thinking and approaches the microphone "I'm not bloody singing it! You'll have to sing it yourselves!" And we do!

Darryl Hartley of The Senior Service photographed by Paul Slattery
I'd like to thank the following people for their much appreciated help: Carrie and Staff at The Half Moon, Ian at Damaged Goods Records, Debbie at Muso's Guide, Mark Raison at Monkey Picks Blog, Alan Powell at Down In The Basement Radio Show, Ged Babey and John Robb of Louder Than War, Wayne Lundqvist-Ford at The Ice Cream Man Show on Radio Andra, Alan May at The Glory Boy Radio Show, PJ & Paul at Dirty Water Records and their excellent Gig listings, Artrocker Podcast, Gideon Coe and Mark Radcliffe at BBC Radio 6 Music. Please do take the time to check out the highlighted links if you can, these people deserve your support too, after all they obviously have great taste in music! There's already a great (and impartial...) review by Debbie at the Muso's Guide web-site which you can check out at this link here, she says it much better than I can!

Graham Day of The Senior Service photographed by Paul Slattery
I'd also like to say how much I appreciate the support of the Retro Man Blog regulars and subscribers, especially those that travelled to attend the show...and a very special mention to the Breakfast Club! Of course thanks to my Retro Man Blog & Retrosonic Podcast colleagues Adam and Paul Slattery, especially to Paul for contributing the superb photos, here are some more...

French Boutik
French Boutik
French Boutik
The Senior Service
For more photos of The Senior Service Launch Party please head on over to the Retro Man Blog Facebook page and if you are not already following, hit "Like" for access to the Photo Album. There are videos from the show at the Retro Man Blog YouTube channel at this link here.

Monday, 18 January 2016

The Senior Service, French Boutik & Of Arrowe Hill at The Half Moon Putney January 30th - Update


I'd just like to say thanks to everyone that has helped promote The Senior Service launch party at the Half Moon Putney on January 30th. We've had some great support including being part of the Independent Venue Week campaign. There's a real buzz about the gig as it will see the next chapter in Graham Day's illustrious music career and what with the news about the Billy Childish gigs and the Medway Legends Weekender in San Sebastian, this is a great time to experience some of that Medway magic! But don't just take my word for it, check these great comments out...

"Looking at that line-up of Medway magnificence it doesn’t require me to say much more than they sound exactly how you would hope and expect: bespectacled spy walks into a nightclub as a swingin’ 60s go-go soundtrack is played by musicians with a long streaks of ash hanging from their Players No. 6 as half-drunk jugs of Watney’s Red Barrel sit on their amps. If that doesn’t sell it, nothing will". - Mark Raison, Monkey Picks Blog.

"Citing influences of high calibre - Barry Gray, John Barry, Ennio Morricone and Booker T & The MG’s, you can certainly catch glimpses of them all here. 'Depth Charge' could have been lifted straight from of an episode of UFO or Space 1999, or incidental party music from a late ‘60s Hammer film. Opening with phasing that puts the Electric Prunes to shame; It’s groovy, sexy, psychedelic, distinctly British, unmistakably Day, and perfectly paced for a shimmy around the floor." - Debbie Sheringham, Muso's Guide Web-site.

With many thanks for the much appreciated support goes to Mark and Debbie for the above feaures, Carrie at The Half Moon, Ged Babey and John Robb of Louder Than War, Wayne Lundqvist-Ford at The Ice Cream Man Show on Radio Andra, Alan May at The Glory Boy Radio Show, PJ & Paul at Dirty Water Records and their excellent Gig listings, Artrocker Podcast, Gideon Coe and Mark Radcliffe at BBC Radio 6 Music. Please do take the time to check out the highlighted links if you can, these people deserve your support too, after all they obviously have great taste in music!


The Senior Service debut single "Depth Charge" is now available from Damaged Goods Records on-line store here, or if you prefer the good old fashioned way, you can pick up a copy at the gig. For more information, news, announcements, details of our flyer competition not to mention lots of videos and tracks from all three bands in the build up to the gig, please join in our Facebook Event Page here. Advance tickets for the gig at a bargain £11.00 can be ordered from the Half Moon here.


Joining The Senior Service on the night we are very pleased to have special guests French Boutik and Of Arrowe Hill - Venue doors open at 7:30pm and the live music curfew is 11pm but the bar will be open for dancing and drinking until 1am.