Showing posts with label Billy Doherty. Show all posts
Showing posts with label Billy Doherty. Show all posts

Friday, 8 July 2022

Baby Shakes, Duncan Reid & The Big Heads, Smalltown Tigers at the Pump It Up Power Pop Weekender, The Lexington July 3rd 2022


One of the joys of live music is that you never know what special moment you could be there to witness. Tonight at the climax of the Pump It Up Power Pop Weekender at a packed out Lexington, that special moment was to see Damian O’Neill and Billy Doherty from The Undertones take the stage with New York’s finest Power Pop Punks, Baby Shakes to deliver an ecstatic run through of “Teenage Kicks”. It was a sheer delight, both Billy and Damian looked as youthful as they did performing the classic on Top of The Pops back in the day, they have hardly changed and I am extremely jealous! I’m not sure who was the happier, Damian and Billy both grinning ear-to-ear and lapping up the affection, Baby Shakes who looked chuffed to bits to be sharing the stage with two of their musical heroes or us in the crowd, singing along at the top of our lungs. Of course, there is history between Baby Shakes and The Undertones as you can discover in our thoroughly entertaining Retrosonic Podcast with Mary, Claudia and Judy, where they not only talk us through the band’s history and influences, but also explain how they got to know The Undertones. This mutual appreciation culminated in the superb Dimple Discs Records 7” single on which the band covered “Sweet 'n' Sour”, the suitably Glamtastic song from Damian’s solo album “Refit Revise Reprise” along with Billy’s Undertones B-Side “Really Really”. It was our single of the year and quite rightly so. 


It was the first time to meet Baby Shakes in person since our comprehensive interview for Retrosonic Podcast, which I had enjoyed immensely. The band’s glowing enthusiasm and love of music totally won me over as we discussed their influences including some unlikely mutual favourites such as The Gymslips, Chron-Gen and the Incredible Kidda Band. I was even more delighted to finally get to see the band play as circumstances always conspired against me on their previous visits to the U.K. They certainly didn’t disappoint, as their perfectly-crafted good time Rock ‘n’ Roll songs lit a fuse among the adoring crowd. Right from the start of the brilliant opener “Do What You Want” the energy zapped around the room and there were smiles all around me. None more so than from the band themselves as the chemistry between vocalist and rhythm guitarist Mary, bassist Claudia, lead guitarist Judy and drummer Ryan was a joy to see. It’s always nice to see a band enjoy playing as much as we enjoy watching them. Just like The Undertones, Baby Shakes also have a summer anthem of their own, the high voltage “Summer Sun”, which is received with a huge cheer. The great songs keep on coming, my personal favourite “Cause A Scene” starts off with a Sweet-style drum intro before changing gear into a Glam-tinged tale of life on the road. 



As we covered in our Podcast, Baby Shakes also have a conscientious side as is apparent in their benefit shows and the good-cause supporting record releases and they hint at the unrest in their home country with a blistering version of MC5’s “American Ruse”. They hit us with another great cover version, Claudia plays a superb bass intro that evolves into an instrumental take on Radio Birdman’s “Hand of Law”. It really works, sounding almost like a Spy movie theme tune, a great and unexpected treat. “Another Place” and “Cruisin’” crank up the good vibes even more and next to me, Sophie from The Big Heads can hardly control herself, hollering at the top of her voice and dancing with Duncan Reid and Mauro from The Speedways. Then after a brilliant “Love Song In Reverse”, Mary introduces Damian and Billy for “Teenage Kicks” and Sophie can’t resist leaping on stage in her excitement to add backing vocals. It’s fantastic to be able to get that cathartic thrill from live music again after all the trials and tribulations of two and a half years of the pandemic. “Stuck On Blue” closes a quite exceptional set that I really didn’t want to end. I just hope that Baby Shakes come back for a full U.K. tour very soon, although in the meantime they are now off to the Continent for shows in France, Spain, Italy and Germany – those lucky Europeans! 



Baby Shakes set was the culmination of the Pump It Up Power Pop Weekender run by the Some Weird Sin club night gang that includes Mauro of The Speedways and Simon from Desperate Journalist, both former bandmates in Jonny Cola & The A-Grades. They invite a pick of International Power Pop bands which over this weekend included The Yum-Yums, Alvilda, Radio Days and Caroline and The Treats. Unfortunately, the Saturday night clashed with The Gruesomes first ever U.K. show so I only made it along on the Sunday evening in time to catch a brilliant set by Smalltown Tigers. The Italian all-girl trio took the stage dressed in black and white asymmetrical 60’s style outfits and I was expecting a lighter Mod Pop sound. However, appearances can certainly be deceptive. 



I should have noticed their big Dr Martens boots as they kicked my preconceptions into touch with a sound that was far more powerful and raw than I was expecting. It certainly shook the Lexington to the rafters. The band played a superb set of pumped-up Punk Rock ‘n’ Roll featuring songs off their current 8-song mini album “Five Things” of which the ominous Cramps style riffing of “Darling Please” was a personal highlight. Monty’s crushingly powerful chords and the excellent pounding drums from Serena are topped off by bassist and lead vocalist Valli, who has an awesome voice. Valli has a wonderfully raw growl that reminds of Kim Shattuck of The Muffs, apt then that the band are called Smalltown Tigers. There are shades of L7 and the Runaways in the band’s sound but they stand out on their own with the melodic attack of songs like “Just Friends” and the album title track “Five Things”. Oh, and they end with a blistering thrash through the Ramones/Motorhead classic "R.A.M.O.N.E.S." I bought a copy of the album on vinyl at the show and saw Damian O’Neill also clutching a copy as he had his photo taken with the clearly awestruck band. The good news is that I will get to see them again as they are supporting the original Damned line-up at the Hammersmith Apollo in October, I'm looking forward to that very much.



Duncan Reid and The Big Heads were next up and the purple clad former bassist with The Boys was a perfect choice to follow Smalltown Tigers and warm us up nicely for Baby Shakes. The melodic immediately memorable tunes and Duncan, the human dynamo himself, bouncing all around the stage left us all breathless, not just from singing along but with the sheer energy of it all. Duncan has assembled a superb band around him and he allows them to shine, each one a character in their own right. Guitarists Sophie K Powers and Nick Hughes on either side and behind them the excellent drummer Karen Jones who slams around the drum kit with impressive power. Duncan and his three Big Heads have a great chemistry between them and the all-action dynamics of their performance are mightily impressive, they must be one of the best live acts around. My highlights included the superb “Bombs Away” and “C’est La Vie” and of course they end a brilliant set with probably one of Power Pop’s most enduring anthems, The Boys “First Time”. I need a sit down after all that!

 

Please click on the highlighted links throughout the feature to discover more information along the way. Our Retrosonic Podcast specials with Baby Shakes, Damian O'Neill and Duncan Reid are still available at our archives - you can subscribe for free at Spotify, iTunes, Soundcloud, Apple Podcasts and Amazon Music. Videos of all three bands on the night can be found at our Retro Man Blog YouTube channel here. All photos and videos copyright Retro Man Blog. 

Sunday, 10 April 2022

The Undertones Live at The Electric Ballroom, the new compilation "Dig What You Need" and other personal ramblings on the importance of the band and their related offspring...

The Undertones at Camden Electric Ballroom - Photo Retro Man Blog

The Undertones have always held a special place in my heart ever since I first saw them on Top of The Pops as an impressionable 13-year-old back in 1979. I was too young to fully appreciate the initial Punk Rock explosion – the Sex Pistols had already split up and their record company were releasing cash-in singles such as “Silly Thing” and “C’mon Everybody”. Punk was already pretty mainstream, New Wave I guess it was called then, but it did mean that some superb singles were gate-crashing the Top 40 and we got to see loads of exciting bands on TOTP every Thursday evening. The Undertones might not have had the surly aggression of The Stranglers nor the spikey peroxide cool of Generation X and they certainly didn’t have the sharp black and white Mod stylings of The Jam or the theatrical fantasy look of Adam & The Ants but they really struck a chord with me and my pals. The band members were cheeky, smiling and clearly enjoying themselves on the tele and with their snorkel parkas, V-necked jumpers, floppy fringes and questionable complexions we could really relate to them. Most importantly, especially in guitarist Damian O’Neill’s case, they didn’t look much older than we did. So, in 1980 when we started up our very first band in the school music room, our guitarist Jeff copied the guitar swinging style of Damian rather than the high-octane leaps and poses of Mick Jones and Paul Weller. We also butchered “Teenage Kicks” as an encore at our very first gig in the school gym, a C-90 cassette tape of which still exists under lock and key somewhere in the attic. To cap it all, soon after that gig The Undertones released a superb new single about a cousin called Kevin. Hey, I even had a cousin called Kevin! 

The Undertones, Belfast 1978 - Photo by Paul Slattery

John & Damian O'Neill at Camden Electric Ballroom - Photo Retro Man Blog

The band’s second album “Hypnotised” became a firm favourite and even to this day, remains in my “all-time top 10 albums of all time” (as Smashey and Nicey would say). After The Undertones split, the O’Neill brothers were to have a similarly invigorating impact on my life with their new outfit That Petrol Emotion and the blistering 1985 singles “Keen” and “V2”. These were followed a year later by their debut album “Manic Pop Thrill”, the title of which summed up their sound better than anything I could ever think up. On their release, I wrote about these records in my old D.I.Y. cut ‘n’ paste fanzine “Out of Step” – the records were ahead of their time, something that could be said for That Petrol Emotion’s career as a whole I guess. So, let’s fast forward to 2014 and Damian was involved in another pivotal musical moment in my life with the release of "Anima Rising" by a new band called The Everlasting Yeah - who just so happened to be the last line-up of That Petrol Emotion minus singer Steve Mack, who had moved back to the States and now fronts the excellent band Stag. "Anima Rising" must surely rank among the greatest debut albums of all time and I was thrilled to get to meet Damian, along with Raymond Gorman and Ciaran McLaughlin from the band around this time to record our comprehensive and thoroughly entertaining Retrosonic Podcast special about TEY and TPE (as they can handily be abbreviated). 

Steve, Raymond, Brendan & Damian (That Petrol Emotion) at Stag gig, Islngton

The Everlasting Yeah, Half Moon Putney - Photo Retro Man Blog
This led to me putting on a show for The Everlasting Yeah at one of my Retro Man Blog nights at The Half Moon in Putney, a wonderful night that will live long in the memory. I also then did two more Podcast episodes with Damian about his career in music, including his superb solo album “Refit, Revise, Reprise” and contributions to 5 Billion in Diamonds, a kind of super-group project created by Garbage drummer and producer Butch Vig, James Grillo and Andy Jenks and also featuring our mutual acquaintance Ebbot Lundberg of The Soundtrack of Our Lives. Damian also discusses how he and Billy Doherty got to produce the excellent New York based Power Pop band Baby Shakes. All throughout these encounters, I think I did a reasonable job of holding myself together and not collapsing to the floor in a blubbering fan-boy wreck. At least I hope I did. In the meantime, hopping back to 2003, I’d seen The Undertones at the Brighton Concorde 2 for the first time since the band had got back together with vocalist Paul McLoone stepping in to fill the shoes of Feargal Sharkey and I was blown away. They’d just released a superb album of all new material called “Get What You Need” and yes, this really was just what I needed. 

The Undertones in Brighton, 2003 - Photo Retro Man Blog

The lead single “Thrill Me” gave me goose bumps – it had all the unmistakeable melodies of the classic Undertones with the edgy sonic thrill of That Petrol Emotion. The Undertones were back in my life. They released another mighty fine album called “Dig Yourself Deep” in 2007 that again highlighted the fact that the band were very much of the here and now. Damian and Brian O’Neill’s excellent label Dimple Discs Records have just released “Dig What You Need”, a new compilation of the best of these two albums, re-mixed by Paul Tipler and sequenced by Damian. It also marks the first time on vinyl for the featured tracks and is packed full of great numbers such as “Enough”, “She’s So Sweet” and the brooding “Fight My Corner”, which I always thought sounded like a long lost That Petrol Emotion track. The compilation is not only perfect for those that might have overlooked the Undertones ‘Mark 2’ material but is a must-have for the die-hard fan too. It all sounds so fresh and exciting in a different context, especially when played extremely loud on vinyl. 


Soundcheck at Camden Electric Ballroom - Photo Retro Man Blog
And now, rather like one of those annoying backwards and forwards time-travelling dramas, (insert wavy lines and psychedelic music) I find myself in the present day, standing on the side of the stage at the Electric Ballroom in Camden watching The Undertones sound-check. It’s hard not to avoid the lump in the throat, as I think back to myself as that 13-year-old boy transfixed by seeing the band on Top of The Pops. It’s a dream come true to be standing so close to the band that has meant so much to me over the years. The venue starts to fill up and is soon packed to the rafters and there’s barely room to move as the band take the stage and blast straight into “Family Entertainment”. The atmosphere is amazing – there’s such a wonderful vibe as the band speed their way through a career spanning set of almost thirty songs. Paul pulls out all the stops with his high kicks, jumps and Elvis moves – he’s an engaging frontman that has built up a real rapport with the crowd and live, his voice is really something special. Rather like Baz Warne in The Stranglers, Paul has made the position his own on merit – keeping the integrity of the original delivery intact while retaining his own personality. There’s the usual witty on stage banter, mainly from bassist Mickey Bradley as he reads out requests and dedications between songs. 

The Undertones at Camden Electric Ballroom - Photo Retro Man Blog
Damian and John’s guitars are immensely powerful, swapping rhythm and lead parts effortlessly and Billy’s drums propel everything along at breakneck speed. Mickey jokes, “that’s a record, the quickest we’ve ever played that” after one song. “Hypnotised” and “Tearproof” are personal favourites and of course, the pick of faultless singles such as “Here Comes The Summer”, “You’ve Got My Number”, ”Jimmy Jimmy” and the inevitable “Teenage Kicks” are certainly hard to beat. It’s not just about the singles though, they treat us to a plethora of excellent album cuts and B-Sides like “I Gotta Getta”, “Jump Boys”, “True Confessions” and of course “Male Model”. The Paul McLoone era songs featured on “Dig What You Need” such as “Thrill Me”, “Oh Please” and “Dig Yourself Deep”, sit perfectly alongside all the familiar classics and I particularly enjoyed “Here Comes The Rain”, which sounded superb tonight.

The Undertones at Camden Electric Ballroom - Photo Retro Man Blog

I think it’s rare to see such a band where the only disappointment is that they don’t include more “new” material in the set. Given the quality of the songs highlighted on “Dig What You Need”, it’s a bit of a shame that they haven’t released any new material since the 2013 Record Store Day single “Much Too Late”. The band seem content to spend more time touring rather than being cooped up in a studio these days and I suppose you can’t blame them. When you get the chance to play live in front of frenzied, adoring crowds around the world, you’re not going to turn down the opportunity I guess. Anyway, after such an abysmal couple of years, it’s hard to put into words how wonderful tonight’s show was. It was so great to experience once again the sheer joy and life-affirming power of timeless music played by a band that still clearly enjoy themselves as much as we, the fans do. The crowd - from the very front of the stage to the bars at the back and to the balconies above - all singing along together, almost drowning out the band…bloody marvellous!

At the time of writing, it was announced that drummer Billy Doherty unfortunately had a medical emergency, which meant a show had to be cancelled at the last minute. However, the band have recruited Kevin Sharkey as a deputy and the rest of the advertised dates should be going ahead as advertised, but please double check with the venues. Our very best wishes to Billy for a speedy recovery. “Dig What You Need” is available now from Dimple Discs Records.

Please check out the following highlighted links...

The Undertones - official web-site

Damian O'Neill - official web-site

Retrosonic Podcast - From The Undertones to The Monotones with Damian O'Neill
 
Michael Bradley Radio Show - BBC Radio Ulster

Paul McLoone Show- Spotify Show/Playlists

Dimple Discs Records - official Bandcamp site

 The Rocking Humdingers Club - The Undertones Fan's Facebook page

That Petrol Emotion - official Facebook page 

 The Everlasting Yeah - official Facebook page

 King Afonso Radio Hour - Raymond Gorman's Podcast

Stag (Steve Mack) - official Facebook page

Baby Shakes - official Facebook page

5 Billion in Diamonds - official Facebook page

Retrosonic Podcast - That Petrol Emotion & The Everlasting Yeah special 
(with Damian O'Neill, Raymond Gorman & Ciaran McLaughlin)

Retrosonic Podcast - with special guest Raymond Gorman
 
Retrosonic Podcast - with special guests Baby Shakes 
 
Retrosonic Podcast - with special guests 5 Billion in Diamonds

Retro Man Blog - feature on The Everlasting Yeah at The Half Moon Putney

Retro Man Blog - Good Vibrations movie feature with photos by Paul Slattery
 
Write Wyatt - Malcolm Wyatt's excellent Blog with lots of Undertones related features

For videos of The Undertones at the Camden Electric Ballroom and more...please check out the Retro Man Blog YouTube channel. Here's a little taster for you...enjoy!
 

Sunday, 8 November 2020

Retrosonic Podcast Lockdown Lowdown Episode 7 with Damian O'Neill

Photo by Rosa O'Neill

As we once again return to an unwelcome period of lockdown it's time to invite another very special guest into the Retrosonic Podcast 'virtual studio'. So, for Episode 7 of our Lockdown Lowdown series I am delighted to welcome Damian O'Neill, guitarist with The Undertones, That Petrol Emotion, The Everlasting Yeah and (as Damian confesses) "guitar gunslinger for hire"! I wanted to find out more information about his recent collaboration with the excellent New York based Power Pop band Baby Shakes and their brand new single "Sweet 'n' Sour", a stomping version of a track from Damian's own solo album "Refit Revise Reprise". Damian and his Undertones colleague, drummer Billy Doherty produce and play on the single which also features a cover of the Undertones "Really Really". We talk about his involvement with Dimple Discs Records, the label he runs with good friend Brian O'Neill who have released "Sweet & Sour" as a stunning 7" single on coloured vinyl. We also discuss and play a track from another excellent Dimple Discs release from Eileen Gogan & The Instructions album "Under Moving Skies" and catch up with news on Damian's latest projects including new music from 5 Billion in Diamonds. Finally, we get a long-awaited update on what's been happening with The Everlasting Yeah. You can download/listen to the episode directly from the Retrosonic Podcast Soundcloud site below or subscribe for free at Spotify, iTunes, Apple Podcasts and Mixcloud.

Track-listing

Retrosonic Theme by Adam Donovan

Eileen Gogan & The Instructions "Echo"

Baby Shakes "Really Really"

The Undertones "Billy's Third"

Incidental music: The Everlasting Yeah "Hoodlum Angels"

Incidental music: Damian O'Neill & The Monotones "Mundanian Dream"

5 Billion in Diamonds "Weight of The World" featuring Ebbot Lundberg

Baby Shakes "Sweet 'n' Sour"

Useful Links - (please click on the highlighted links below to investigate further)

Baby Shakes 

Dimple Discs Records

Damian O'Neill & The Monotones 

The Undertones

The Everlasting Yeah

 5 Billion in Diamonds

Eileen Gogan & The Instructions 

Retrosonic Podcast special "From The Undertones to The Monotones" (with Damian O'Neill)

(with Damian, Raymond Gorman & Ciaran McLaughlin)

Baby Shakes interview at WriteWyatt Blog

Here's the great new video of "Sweet 'n' Sour" by Baby Shakes - enjoy!