The Damned 50th Anniversary Show at Wembley Arena with The Loveless, Peter Hook & The Light and The Courettes

My first introduction to The Damned was watching them play "Love Song" on Top of The Pops as a kid back in 1979 and the first thing that hit me was that immense blast of a bass riff by Algy Ward. I got the album from where it came, “Machine Gun Etiquette”, and it still stands out as one of the very best Punk Rock LPs of all-time, certainly one of my favourites too. However, what came next was a big departure, not just with the line-up as Paul Gray from Eddie & The Hot Rods replaced Algy on the bass, but in the sheer scope of the songs on their next release, an ambitious double album entitled “The Black Album” which included the 17 minute Gothic masterpiece “Curtain Call”. I finally got to see them play live in 1981 at the Lyceum in London on the tour promoting the album, and I was totally blown away. I still think of that fantastic line-up of Dave Vanian, Captain Sensible, Rat Scabies and Paul Gray as 'my' Damned and "The Black Album", "Strawberries" and "The Friday 13th E.P." from that era are absolute classics. So, it was quite emotional to see that very same line-up on stage at the Wembley Arena to celebrate the band's 50th Anniversary with a setlist that featured many of the songs they played back at my first ever Damned gig! When the gig was announced I must admit to being disappointed to see they had chosen such an awful venue, I am not a big fan of such large soulless places, and I was in two minds whether to go or not. However, I didn’t want to regret missing out on such a special occasion and when I saw the superb support acts lined up, I snapped up a ticket. I must admit I was very pleased and relieved that I did, in the end it was a triumphant and hugely successful show despite my initial misgivings about the venue. At least I wasn’t the only one to dislike the place, even Captain Sensible held the same view, “I prefer the Hope & Anchor” he announced, “Wembley Arena is a big concrete shithole, but at least tonight it’s our big concrete shithole!” 

 

Dwarfed by a huge backdrop and screens showing some fantastic spooky graphics, the band opened with “Street of Dreams” from the “Phantasmagoria” album, (which ironically didn’t feature the Captain or Paul Gray) and then treated us to a first set that was an absolute treat for us “Black Album”/”Strawberries” generation of fans. The brilliant “Wait For The Blackout” was one of the highlights of the night for me and this was followed by the epic “History of The World (Part 1)” and an atmospheric “Dr Jekyll & Mr Hyde” complete with old horror movie back projections. It’s a song that highlights Paul Gray’s immense bass playing, and the sound is spot on tonight so you can really appreciate his talents and wonder why he is such an underrated bassist. Maybe it’s because his playing didn’t define The Damned in the way that maybe JJ Burnel, Peter Hook (more on him later) and Jah Wobble did on their respective bands. Captain Sensible in his trademark beret, black and red stripey jumper (with the addition of an oversized ‘50’ badge) and Gibson SG guitar, looks as good as he sounds, defying the years, it’s hard to believe the band are celebrating their 50th year as he’s barely changed since that first time I saw him. We then get two tracks from “Strawberries”, the brilliant, soulful “Stranger On The Town” is an absolute delight that gets the crowd moving and the Psychedelic Pop strains of “Under The Floor Again” is an unexpected gem. Dave moans about Su Pollard keeping “Eloise” off the top of the charts, I’m not a big fan of the song but I guess it has to be included as it was their biggest hit, and I guess an entry point for a lot of new fans at the time. 

The band remind us that it’s not all about nostalgia and that they are still releasing new material with “Wake The Dead” from the 2023 “Darkedelic” album. Personally, I think the band were rejuvenated when Paul Gray re-joined and they released the brilliant “Rockfield Files” E.P. and it got me interested in their new material again. It was a similar situation when Baz Warne took on lead vocals with The Stranglers and the quality of their music and live performances shot up to another level and seemed to re-energize the band, and their fans. Captain takes over on lead vocals for the whimsical “Life Goes On” underpinned by another superb Paul Gray bassline that I’m sure Nirvana pilfered for “Come As You Are” and the pure pop of “Is It A Dream?” are pointers that The Damned weren’t always just about Anarchy, Chaos and Destruction, we’ll save those traits for the second set. My love of “Machine Gun Etiquette” is rewarded by “I Just Can’t Be Happy Today” which highlights the skills of keyboard player Monty Oxymoron who has now become an integral part of the band, “Hurry up Beethoven”, Dave jokes with him at one point. The first set draws to a close with the classic “Smash It Up Parts 1 & 2” after which the band retire for a short interval, and we are kept entertained while we wait by the Pearl and Dean music and loads of old nostalgic TV adverts.

 

The band return for a second set and take no prisoners with a far Punkier selection of songs, the back projection shows a clip of the band’s appearance on the classic comedy show The Young Ones and we get the rush of “Nasty”, which is a fantastic and unexpected surprise. That awesome bass intro of “Love Song” is like a rush of adrenaline and that’s followed by the blistering “Machine Gun Etiquette/Second Time Around” which almost careers off the rails. Despite missing his cue on occasion and some dodgy Elvis style hip swings, Dave Vanian is in fine form, starting off in trilby, black mask and long black coat, there must be a Dorian Gray style portrait hanging up in his loft, as he is defying the years like his bandmates. Rat Scabies proves that he is one of the best drummers to have come out of the Punk explosion and it’s so great that he is back in the line-up where he belongs. Dave pays tribute to Brian James and also to Algy Ward and Bryn Merrick which is a nice touch, and they slam into “Fan Club” from the debut album. 

I’m over the moon as next up they play what could well be my all-time favourite Damned track, “Disco Man” from what must be the best ever 4-song E.P. of all time “The Friday 13th E.P.” and I can feel a lump in my throat and a tear in my eye. It’s impossible for a band to satisfy everyone, especially one that’s been going for 50 years with such an immense back catalogue, but I think they got the setlist just about right. After all, if every fan submitted their ideal setlist, I’m sure every single one would be different! Also, we already had the special treat of the original line-up reunion with Brian James at the Hammersmith Apollo, so they could be forgiven for missing a lot of the early material. Personally, as it was their 50th anniversary, I would have liked to have heard “Problem Child” or “Stretcher Case”, but I was happy that I got a fair few of my favourite songs. Talking of favourite songs, “Ignite”, the opening track from “Strawberries” was incendiary, if you pardon the pun, and it turned into an immense call and response singalong with the crowd. The classic “Neat, Neat, Neat” sparked off some mosh pit action but then the mood changed for the epic, cinematic classic “Curtain Call”, a duo of songs that couldn’t highlight the scope of The Damned’s musically ambitious eclecticism any better. Of course, the set closes with “New Rose”, that very first Punk single released in 1976, fifty years ago. I’ll say that again, fifty bloody years ago, hard to believe it when the band you are watching are looking and sounding as fresh, energetic and vital as ever. Let’s hope for a few more birthday celebrations to come.

I mentioned earlier that one of the reasons I decided to go was the great line-up that didn’t just consist of the usual Punk bands that I was expecting. The Loveless is Marc Almond’s fun Rock ‘n’ Roll side project and they played a great set mainly consisting of covers with a couple of originals thrown in. They had that down and dirty sound down to a tee and some highlights included takes on 13th Floor Elevators “You’re Gonna Miss Me” and a rousing, Glamtastic “Hell Raiser” by The Sweet. Guitarist Neal X was in top form and the version of his old band Sigue Sigue Sputnik’s “Love Missile F1-11” really worked. As did, Soft Cell’s classic cover “Tainted Love” which was out of this world played in the Rock ‘n’ Roll format. Marc Almond’s voice was fantastic, and he really seemed to enjoy fronting this excellent band.

 

Peter Hook & The Light also delighted the crowd with their set of Joy Division numbers that all sounded immense. The band were formed out of the ashes of Hook’s own Monaco with the addition of his son Jack on second bass, in fact Jack seemed to carry most of the burden, playing more than his Dad, who concentrates on singing, legs wide in familiar pose. Hooky, who’s wearing an Oasis T-Shirt featuring one of my Retro Man Blog colleague Paul Slattery’s photos, has such charisma that he seems to shrink the size of Wembley Arena, and Joy Division’s icy songs flourished in the environment. Talking of T-Shirts, guitarist David Potts is wearing one featuring the cover of The Damned’s “Friday The 13th EP” and he said he was chuffed to bits to be on the same bill as one of his favourite bands, it was a nice touch. We get a superb selection of songs such as “Transmission”, “Disorder”, “Shadowplay” and “Ceremony”, which was the Joy Division song that crossed over to New Order and inevitably, the set closed with “Love Will Tear Us Apart” and the crowd sang their hearts out.

 

Opening up the night were one of our Blog favourites, the Brazilian/Danish duo The Courettes, and I must admit I was a little worried about how they would fare in the cavernous Arena. But I needn’t have been concerned, and I was so pleased for Martin and Flavia that they went down so well despite the extremely early start. In the end they owned the huge stage of the Arena, it was certainly a far cry from the first time I saw them at the Fiddlers Elbow in Camden, but Flavia’s electric presence and Martin’s dynamic drumming style, more than compensated for the huge empty space around them. Of course, having such memorable and timeless songs helps and their trademark wall of sound, bubble-gum harmonies and fuzzed up riffs really endeared them to the thankfully, quite large crowd that were there early enough to see them play. “Boom! Dynamite!” was a real highlight with Flavia machine-gunning the crowd with her vintage guitar and “Hop The Twig” with its Cramps style intro went down a storm and I’m sure they gained a whole bunch of new fans. So, overall it was a superb night and I must admit that the sound and lighting at the venue were excellent, it was loud and powerful even from where I was sitting at the side of the stage, but I don’t think I will attend many more Arena sized shows, as just like the Captain, my heart is at The Hope & Anchor.

 

You can see more videos from the show at our Retromanblog65 YouTube channel here. Also, don't forget our thoroughly entertaining Retrosonic Podcast with Flavia and Martin from The Courettes, which can be found at our Soundcloud archive here.

Retrosonic Podcast · Presenting the fabulous Courettes

Retro Man Blog & Retrosonic Podcast's Favourite LP's of 2024

Here's a selection of 24 of Retro Man Blog and Retrosonic Podcast's favourite albums released in 2024, we hope you like our choices and I'm sure you'll have your own favourites too. Please click on the highlighted band names below to access their official web-sites or social media pages for details and more information, please support the featured Bands, Artists and Record labels.

1. The Everlasting Yeah - "Staying Cool Free Staying Free" (Hear a track in Retrosonic 54)

2. The Prisoners - "Morning Star" (Hear a track in Retrosonic 54)

3. Bill Ryder-Jones - "Iechyd Da"

4. The Courettes - "The Soul of The Fabulous Courettes" (Hear a track in Retrosonic 54)

5. Michael Head & The Red Elastic Band - "Loophole"

6. Peter Perrett - "The Cleansing" (Hear a track in Retrosonic 54)

7. X - "Smoke & Fiction"

8. The Woggles - "Time Has Come" (Hear a track in Retrosonic 54)

9. Elephant Stone - "Back Into The Dream" (Hear a track in Retrosonic 53)

10. Kit Sebastian - "New Internationale"

11. Ruts DC - "ElectrAcoustic Vol. 3"

12. Julian Cope - "Friar Tuck"

13. The Galileo 7 - "You, Me & Reality"

14. BMX Bandits - "Dreamers On The Run"

15. The Jackets - "Intuition" (Hear a track in Retrosonic 54)

16. Pixies - "The Night The Zombies Came"

17. Deadly Spirits - "Shadows & Serenades of The Deadly Spirits" (Hear a track in Retrosonic 54)

18. Def.fo - "Music For Dinosaurs"

19. Indochine - "Babel Babel"

20. Wine Lips - "Super Mega Ultra"

Live Album of The Year: 

The Stranglers - "Fifty Years In Black, The Anniversary Tour 2024"

Reissue of The Year:  

Shack - "H.M.S. Fable"

Compilation Album of The Year: 

"Roots Rock Rebels, When Punk Met Reggae 1975-82"

From The Vaults (Previously Unreleased Album of The Year):  

Flesh For Lulu - "Cosmic Mind Fuck" (Hear a track in Retrosonic 54)

Thanks and seasonal greetings to all subscribers and supporters of Retro Man Blog and Retrosonic Podcast. Don't forget to check out our Retromanblog65 YouTube channel for all original videos of most of the gigs and events we've attended this year.

Retrosonic Podcast Episode 54 "Keep Dancing" with The Courettes, Peter Perrett, The Prisoners, The Jackets, The Everlasting Yeah and more...

Welcome to Retrosonic Podcast Episode 54 "Keep Dancing" which features just a small selection of some of the great new music that's found it's way to us this year including The Courettes, Peter Perrett, The Prisoners, The Jackets, The Everlasting Yeah, The Guy Hamper Trio, The Woggles, Flesh For Lulu and more... You can listen and download direct from our SoundCloud site below or subscribe for free at Spotify, iTunes, YouTube, Apple Music or Amazon Music.

 

Retrosonic Podcast · Retrosonic Podcast Episode 54 "Keep Dancing"

Click on the highlighted links below for more information, please kindly check out our featured Bands, Artists and Record Labels - buy their records, see them play live, support Independent music!

Tracklisting and Links

The Guy Hamper Trio "Dog Jaw Woman" on Spinout Nuggets

The Courettes "Keep Dancing" on Damaged Goods Records

The Everlasting Yeah "Dylan '65"

The Prisoners "Something Better"

The Woggles "Telling Me Lies"

Thee Strawberry Mynde "Reflections"

Peter Perrett "Disinfectant"

Flesh For Lulu "Temptation" on Time & Matter Recordings

Les Envahisseurs "Milleniale"

Dot Dash "TV Radio"

The Jackets "Gambling Town" on Chaputa Records

GOLD "Psychedelic Days"

Deadly Spirits "Why Did You Do (Things You Did)"

Stupidity (featuring Keith Streng) "Monkey In A Suit"

IDestroy "100 Sounds"

The Beatpack "Wednesday's Calling" on Spinout Nuggets

Shadow Show "Baba Yaga" on Disques Rogue Records

Neil Sturgeon & The Infomaniacs "The Mistake"

The In-Fuzzed "Je Ne Comprends Pas"

Samya O'Grady (featuring Mick Head) "Perception"

Featured Record Labels

Damaged Goods Records

Spinout Nuggets

Disques Rogue Records

Time & Matter Recordings

Chaputa Records

Other Links...

A Taste of Ink: The Prisoners Sentenced by their Fans' book - Official FB page here

The Prisoners at The Roundhouse - Review, Photos & Videos here

The Woggles at The 100 Club - Review, Photos & Videos here

The Blue Aeroplanes at Lafayette London - Review, Photos & Videos here

The Everlasting Yeah "Staying Cool Staying Free" Album Launch Party - Feature by Buddy Ascott here

Cover Star: Flavia of The Courettes, photo by Lennon Couri. Retrosonic Theme by Adam Donovan. Retrosonic Podcast has a valid PRS Licence. All episodes are available for free at our archives at SoundCloud, Spotify, iTunes, Apple Podcasts and Amazon Music, please subscribe for free so you don't miss out on any future episodes.

Retro Man Blog & Retrosonic Podcast's Favourite Gigs of 2023

Here are some of our favourite gigs from 2023 - another great year for superb live music which included the long-awaited reunion of The Soundtrack of Our Lives and an emotional return to Japan for former Shack and Pale Fountains Mick Head with his new band, The Red Elastic Band. Please check out and subscribe to our Retromanblog65 YouTube channel for lots more original live videos from the featured shows below.

1. The Soundtrack of Our Lives - Way Out West Festival, Gothenburg, Sweden - August 10th

2. Michael Head & The Red Elastic Band - Shangri-La Shimokitazawa, Tokyo, Japan - May 30th

3. Gaye Su Akyol - King's Place, London - May 20th

4. Iggy Pop, Blondie, Generation Sex & Stiff Little Fingers - Crystal Palace Park, London - July 1st

5. Indochine - The Roundhouse, London - June 11th

6. Black Angels - Shepherd's Bush Empire, London - March 3rd

7. Lalalar - The Jazz Cafe, London - September 9th

8. Viagra Boys - Troxy, London - January 25th

9. The Undertones - Electric Ballroom, London - October 5th

10. The Courettes, Oh! Gunquit, Paul Groovy Pop Art Experience - Wedgewood Rooms, Portsmouth 

- April 6th

11. Wingmen - Islington Academy, London - January 21st 

12. Killing Joke - Royal Albert Hall, London - March 12th

13. The Blue Aeroplanes - Electric Ballroom, London - September 29th

14. Ruts DC - SUB89, Reading - May 17th

15. The Brian Jonestown Massacre - Koko, London - February 15th 

16. Shonen Knife - SUB89, Reading - April 13th

17. WitchDoktors & Seeds of 77 - The Half Moon Putney, London - March 5th

18. Duncan Reid & The Big Heads - The Lexington, London - October 7th

19. Thee Moot - High Tide Festival, Twickenham - July 30th

All Photos & Videos Copyright Retro Man Blog. Please support live music and venues.

The Courettes, Oh! Gunquit & DJ Scratchy at The 100 Club, September 10th 2023 - Photos and Videos

It doesn't seem like five minutes since we last saw The Courettes and Oh! Gunquit put on a blistering show together at the Wedgewood Rooms in Portsmouth - a perfect combination of two of Retro Man Blog's long-standing favourite bands - it was a match made in heaven. But not only are The Courettes now affectionately known as the 'fabulous' Courettes, they are also known as the hardest working band in showbusiness and for good reason, yes they are back in the U.K. once again and they picked Oh! Gunquit to join them at the legendary 100 Club on London's Oxford Street for the very last night of their latest tour. Tonight we are also treated to the added bonus of DJ Barry "Scratchy" Myers spinning some superb tunes to get everyone in the mood so we certainly got great value for our ticket money. Resident DJ at Dingwalls just as Punk Rock hit London, Scratchy did shows with Ramones and Flamin' Groovies before being spirited away by The Clash as their tour DJ from 1978-80. I love the fact that his eclectic choices of International roots music not only gets you dancing but also takes you on a whirlwind tour of the World's many and varied musical landscapes. I can see why he has struck up friendships with Joe Strummer in the past and with contemporary mixed-nationality bands such as Oh! Gunquit and King Salami & The Cumberland 3, as they, like Scratchy himself, sum up the best of multicultural London. 

It was one of the hottest days of the year but luckily the 100 Club now seems to have working air-con which was bloody good news as Oh! Gunquit and The Courettes certainly raised the temperature with their full-on, no holds barred Rock 'n' Roll assault, just what you expect from two of the most energetic and visually arresting live acts around. Gunquit were so good and everyone got so carried away that there was genuine surprise when the 100 Club turned off the lights and power due to them over-running their set. We wanted more, the band wanted more but the 100 Club said no. It's one of the downsides of Sunday night shows or at venues where they have night clubs after the live music - the curfews are so strict that there's not much chance of squeezing in extra songs or encores despite the crowd reaction. I've lost count of the amount times I've seen Oh! Gunquit play and they never disappoint. They have the originality, the songs, the look, the sound and the unpredictability to make each and every show a unique event that will leave you smiling for days after. 

There aren't many bands who would be able to follow Oh! Gunquit, it must be a daunting task - but of course The Courettes are one band who rise to any challenge, and its hard to believe the visual impact this Brazilian/Danish duo can have, especially as one of them is sitting behind a drum-kit for the duration! But Martin Couri is no typical drummer, first of all his kit is positioned at the front of the stage and he's a constant blur of energy, spitting water on his cymbals so that each hit sends a spray out over the audience. Then there's his call and response vocals with Flavia and his badgering of the crowd to join in the singing and chanting and to push themselves to match the band's energy. 

When Flavia is not singing she's zooming about the stage leaping on the speakers one minute and then down into the crowd the next, machine gunning us with blistering, instantly memorable riffs. She also sings "Daydream" in fluent Japanese and we are honoured to get a dedication for our help in the special 7" single released to coincide with their Japanese tour by Damaged Goods Records. Their last album "Back In Mono" and the companion "B-Sides and Outtakes" showed a band perfecting their own version of the Phil Spector layered "Wall of Sound" in the studio but live, stripped back to the raw elements of just drums, guitar and vocals, the quality of the song-writing still shines through loud and clear. Talking of quality song-writing, they played two excellent new numbers "Keep Dancing" and "Shake" which promise even better things are still to come from The Courettes - and knowing the 'hardest working band in show business' as I do, I can bet we won't have to wait too long for those good things to come!   

All photos copyright Retro Man Blog 2023. Here's the video to their latest single "Tough Like That"...

More of our live videos from the show can be found at our Retromanblog65 YouTube channel here, and don't forget our very special Retrosonic Podcast episode "Presenting the fabulous Courettes" is still available at Spotify, iTunes, Apple Podcasts or direct from our SoundCloud site below.

Retrosonic Podcast · Presenting the fabulous Courettes

Retrosonic Podcast Episode 52 "It's Clappin' Time" with The Courettes, Sensation Seekers, Jack Cades, Vannas Kasino, Jim Jones All Stars, Ian Person, The Priscillas, The Masonics and much more...

Cover Star: Elsa of The Jack Cades. Photo by Jeff Pitcher

Welcome to Episode 52 of Retrosonic Podcast, a Brexit-busting selection of 22 superb new International releases from as far afield as America, Denmark, Scotland, Sweden, Canada, England, France and Japan - strictly minimum chat and maximum Rock 'n' Roll! Please support the bands, musicians and artists by clicking on the highlighted links in the tracklisting below for further information and details on how to buy the music featured in this show. So pour yourself a drink, crank up the volume, sit back and be prepared to be blown away! Subscribe for free at Spotify, iTunes, Amazon Music, Apple Podcasts or listen/download direct from our SoundCloud site below.

Retrosonic Podcast · Episode 52 "It's Clappin' Time!"

Tracklisting & Links

The Sensation Seekers "It's Clappin' Time"

Ian Kay "Love Wasn't Built In A Year"

The Jack Cades "Chasing You"

Jim Jones All Stars "I Want You (Anyway I Can)"

The Jukeez "Too Late"

Vännäs Kasino "Savage" 

Gatuplan "Kidsen Från Provinsen"

Per Svensson Psychedelic Sounds "Born To Go"

Ian Person "Waltz of Love & War"

Stupidity "Fortune Teller"

Råttanson "My Head Is A Troubled Region"

The Priscillas "Angela"

The Routes "No Good"

French Boutik "Devant Moi"

Popincourt "Love On The Barricades"

Chris Casey "A Bit Better"

The Courettes "Night Time (The Boy of Mine)"

The Jackal IV "Live It"

The Voo-Dooms "Don't Drag Me Down"

The Sleazoids "VHS Death"

The Masonics "Somebody Stole The Heat From My Fire"

The Guy Hamper Trio "All The Poisons In The Mud"

Featured Record Labels

Spinout Nuggets

Damaged Goods

Beluga

Static Wax

Clouds Hill

Milano

Discos Antifaz

Sound Pollution

 Sounds of The Suburbs Record Store, Ruislip

Thanks to all featured bands and record labels. This episode's cover star is Elsa from The Jack Cades, photo by Jeff Pitcher, please check out more of Jeff's excellent photos here. Please subscribe to Retrosonic Podcast at SoundCloud, iTunes/Apple Podcasts or Spotify - all for free - so you don't miss an episode.

 

The Courettes, Oh! Gunquit and The Paul Groovy Pop Art Experience at the Wedgewood Rooms Portsmouth, April 6th 2023

The Courettes, living up to their reputation as the hardest working Garage Rock 'n' Roll band in showbiz, were back in the U.K. again for a short headline tour. These gigs were sandwiched between their first ever visit to America and their appearance at the Roskilde Festival which then leads onto a full Danish tour. There really is no rest for the wicked as yet more tour dates have been pencilled into Martin and Flavia's diary so it won't be long before you get the chance to see the band play again, no matter where in the world you are. They were so busy that I didn't even have chance to arrange an interview with the duo at their stunning Portsmouth show. I wanted to discuss their acclaimed mini-tour of Japan in the Autumn of last year but hopefully, we can speak to them soon about their experiences for a future Retrosonic Podcast. We decided to go down to Portsmouth to see the band, mainly as they have often claimed that they get the best crowd reaction there and also, another of Retro Man Blog's favourite bands Oh! Gunquit were supporting. 

Opening up proceedings on the night were local band Paul Groovy & The Pop Art Experience, who we have played on Retrosonic Podcast before but never managed to see play live. I'm glad we did in the end though as they proved to be the perfect appetiser on a tasty looking bill promoted by the enthusiastic Chris Abbott and his team at Pompey Punk N' Roll. The Groovies, led by the charismatic and energetic frontman Mr Groovy himself, treated us to some impressive original songs and a selection of cover versions of a few Nuggets classics that went down well with the crowd and really set the tone nicely. Their "He's a Liar" single is a big favourite here, more so as it was released by our good friends at Spinout Nuggets, I'm looking forward to some more records soon.

Of course, Oh! Gunquit never let you down with their nice 'n' sleazy Bop, Rock & Soul, guaranteed to put a smile on your face and a bounce in your step. Their voodoo infused swampy gumbo sound blends a mix of influences into their very own unique style. Vocalist Tina is wearing a rather risqué outfit that might need a bit of photo-shopping to pass the social media censors and is her usual live-wire self. Juggling the trumpet, hula-hoop, maracas and for "Whiplash" a scary looking cat o' nine tails that she brandishes at bandmates and audience alike, she is a constant blur of high-kicking knee-dropping energy. Tina spends a lot of time down among the crowd and if she's not literally whipping them into shape, then she is crawling between their legs or encouraging them to "Dance Like F*ck". Someone really should make a Monkees style cartoon series about Oh! Gunquit as all the band members are charismatic characters in their own right. There's the sultry Veronica on bass, Erg powering away behind the drums, Luciano straddling the barrier between stage and audience as he adds some soulful sax to the mix and of course there's Simon Wild, who must be one of the most innovative guitarists on the scene right now. Their distinct and individual personalities really do add to the colourful eye-popping explosion of an Oh! Gunquit live show. The band have been in the studio working on new material, so that's certainly something to look forward to.

Then, it's the turn of The Courettes and they are probably one of the very few bands who could follow on from Oh! Gunquit - surely a daunting task. But, follow on they do and considering there is just the two of them, husband and wife Martin Couri on drums and Flavia on guitar and lead vocals - they do indeed raise the ante and treat the packed out Wedgewood Rooms to a visceral wall of sound and vision. Despite the recent critically acclaimed album "Back In Mono" concentrating more on the Phil Spector/Beach Boys harmonies and layered production - live, on stage, The Courettes have lost none of their original energy and fuzzed-up Garage Rock  assault on the senses. It's great to see a band on the up, from the first time I saw them at a Weirdsville Club Night at the Fiddlers Elbow in Camden, to the Louisiana in Bristol, a matinee at The Prince Albert in Brighton - then their biggest London show at the Lexington but now they are packing out the 400 capacity Wedgewood Rooms - it'll be interesting to see where they will play next time they are over here.

The set is packed full of great tunes, Martin is a phenomenal drummer - a non-stop blur of energy, managing to provide impressive backing vocals even if the non-stop touring is messing with his timing, although luckily not the drumming kind - "It's Friday night, let's go crazy Pompey!" he keeps shouting, until the crowd and Flavia remind him politely that it's actually Thursday night. Flavia hops, skips and jumps about the stage in between singing and peeling off some blistering guitar. ""R.I.N.G.O.", "Edge of My Nerves" and "Night Time" are stand-out tracks and they only slow the pace for "Daydream", which Flavia sings in faultless Japanese. Yes, Damaged Goods Records released the Japanese version on 7" vinyl especially for the band's Japan tour dates and we were honoured to get a dedication on the night for our help with the cover art, translation and hooking the band up with friends in Tokyo, not forgetting recommending Poor Cow, run by Fifi of Teengenerate and easily the best Punk Rock 'n' Roll bar ever. During the last song "All About You", Flavia leaps over the barrier to crowd-surf while impressively still managing to play guitar, it's a great moment. Then finally for the encore The Courettes are joined onstage by all the bands, promoter Chris Abbott and the irrepressible driver, roadie and cheerleader Patrice, for a great run through of "Hop The Twig".  It was a thoroughly entertaining time - great venue, great crowd and of course great bands - all in all just what a perfect night of live music should be all about.

All photos copyright Retro Man Blog 2023. You can check out more videos from the night by subscribing to our Retromanblog65 YouTube channel. Don't forget our Retrosonic Podcast interview special with The Courettes is still available in our archives at Spotify, iTunes, Amazon Music, Apple Podcasts or direct from Soundcloud below.

Retrosonic Podcast · Presenting the fabulous Courettes

Please check out the following links for further information. 

The Courettes

Damaged Goods Records

Oh! Gunquit

Paul Groovy & The Pop Art Experience

Paul Groovy Radio Show

Spinout Nuggets Records

Pompey Punk N' Roll Promotions

Wedgewood Rooms Portsmouth 

Retro Man Blog YouTube channel

Retrosonic Podcast