Of Arrowe Hill "Domestic Espionage” New Album Launch Gig at Oxymoron Lambeth 1st June 2018 - Review by David Leach

of Arrowe Hill held their new album launch at the Oxymoron Pub in Lambeth. This pub is the antithesis of the characterless chain pubs and the achingly cool minimalist bars that are taking over London. Although situated on Lambeth Walk (Oi!), even the local pearly kings and queens would have to put their shades on to avoid being dazzled by the random riot of colour that greets you when entering. A conspiracy of clocks in what appears to be Salvador Dali’s fireplace seems like a good place to start this review. 

Tonight consists of two sets; a solo half hour acoustic set with a short break, followed by an extended set from the band. First up, the band’s front man and songwriter Adam Easterbrook pulls up a chair in front of a sizeable audience of friends, fans, and pub locals and, without amplification, runs through a set of songs from the past and present of his considerable back catalogue. The melancholic wonder of "Whatever that Means" is starker and darker than its more luxurious recorded version and the lyrics; 'when wonderland is in full retreat...keep it together, whatever that means' gain extra resonance when performed with just voice and acoustic (and in such an Alice in Wonderland setting). This set also features stripped down renditions of new album tracks, including its opener "You’ve Changed" that, on first listen, deals with the paranoia induced reflections on a sudden rise in personal status and "This Girl", which gets a laugh when Adam dedicates it to Theresa May. The idea of playing an acoustic set without amplification really worked, unwittingly forcing the captivated audience to strain a little to listen to the lyrics, greatly enhancing the informal ‘campfire' atmosphere of the set. 

Of Arrowe Hill - photo by David Leach

After a short break, the three-piece line up appear. The band have set up at the rear of the pub and, despite relatively spartan amplification arrangements, provide the audience with a full-blooded rendition of eight songs from the album released this very day and, as I discover later, some tracks from the next album that is already a work in progress. Particular highlights are the melodic "You Wish (It Was This Easy)", a bruised love song suggesting that, despite all life’s challenges, the couple in question can put the world to rights over a bottle of wine (hence the somewhat sardonic song title). "Oh! Serendipity" appears already to be an audience favourite; it’s nagging, catchy melody recalls the golden era of the Beatles and the Kinks but, also very much rooted in ‘the now’ with its narrator wistfully reflecting on winning the lottery; and on what he would do with the winnings (and what he would say to his boss) while reflecting on societies obsession with ‘being someone’. Last year’s single "Keep on Sweet Talking" is a claustrophobic, tense affair that touches on seduction and insomnia, and the encore "She’s Gone off the Rails" a swirling, powerful ‘The Who’ like account of a life in descent and turmoil. 

Of Arrowe Hill - photo by David Leach

On tonight’s evidence, "Domestic Espionage" is a more expansive, hard hitting collection of full-bodied songs than its fine predecessor, "A Conspiracy of Clocks". It’s easy to go overboard about the profound and poetic joys of Adam Easterbrook’s lyrics, but these songs are able to shine in an even brighter light due to the contributions of bass player Jason Hobart, and drummer Ian O’Sullivan, who provide the musical punctuation to Adam's flowing prose. This rhythm section have played together for many years in their previous band The Aardvarks and, as a unit, they appear to naturally 'sing from the same song book'. Their contributions help keep the mood of the songs upbeat with a somewhat psychedelic pop edge. They also provide a great foil for lyrics that mine the darker aspects of life whilst searching for the shards of light that make it all worthwhile! A final word of thanks should go to the Oxymoron proprietors, Bill and Lisa whose rather fine and quirky pub provided the perfect setting for tonight’s proceedings. - David Leach June 2018

Of Arrowe Hill - photo by David Leach

You can order "Domestic Espionage" on 180mg vinyl or the digital version via the Of Arrowe Hill Bandcamp site here. It's also available from Rough Trade or Sister Ray Record stores. For more information on the band, including news and upcoming gigs, please check out their Facebook page here. With thanks to David for the excellent review.

An Xmas Gift...Retrosonic Podcast Episode 12 "But If It Thrills Me, Then That's Alright..." Free Download...

Welcome to Episode 12 of this bumper end of year Retrosonic Podcast! Over the two parts, Steve from Retro Man Blog, Adam from The Jetsonics and Rock Photographer Paul Slattery dig up some Psych, Garage Rock, Power Pop and Punk obscurities, favourites and other weird stuff. There’s an emphasis on French bands and artists, old and new, such as Marie Modiano, Stinky Toys, Little Bob Story, Metal Urbain, Les Kitschenettes and er…Julie Delpy. We uncover a one-off 1977 Punk rarity from The Rings and there’s Freakbeat from Fleur de Lys and Sharon Tandy. How about some overlooked Power Pop from The Incredible Kidda Band and The Modernettes or way-out Sixties Psych from The Outcasts, Simon Dupree & The Big Sound, The Haunted and The Tidal Wave. There’s a fine piece of contemporary Punk Rock from Cyanide Pills, a Garage Rock floor-shaker from The Woggles and some smooth Blues from the honey-voiced Slim Harpo. Then we pay tribute to our Gig Of The Year: Graham Day & The Forefathers at the Bethnal Green Working Men’s Club with tracks from The Solarflares, The Aardvarks and The Higher State. All this plus chat about The Jetsonics first venture outside the M25, nods to some of our other favourite gigs of 2013, Retro Man Blog’s trip to Paris and the usual waffle and rambling...

Episode 12 Part 1...


Episode 12 Part 2...


I'd like to take this opportunity to say Merry Xmas and Happy New Year to all the Retro Man Blog readers, Retrosonic Podcast listeners and all those that came along to our Retro Man Blog gigs at The Half Moon in Putney and The Railway in Southend-on-Sea. I really appreciate all the kind comments, support and feedback, it really does make it worthwhile. Huge thanks to my Blog colleagues Adam Donovan, Paul Slattery and Mayumi and all the contributors over the past year. Also, very best wishes to those that have helped me in promoting the gigs for The Len Price 3, The Fallen Leaves, Thee Spivs, TV Smith, Eight Rounds Rapid, The Past Tense and The Travellers. Special thanks to Alan May at Glory Boy Radio, Wayne Lundqvist-Ford at Ice Cream Man, Rob at Mister Suave, Warren Peace at We Are The Mods, Ian Pile and Dave Collins at Podrophenia, Steve Pegrum at Southend Punk, Fi and Dave at The Railway, Carrie at The Half Moon, Shindig! Magazine and Ian at Damaged Goods Records.

Retro Man Blog's Gig of The Year 2013: Graham Day & The Forefathers at
Bethnal Green Working Men's Club November 29th.

Of course this Blog is purely driven by a passion for music and it's great that there are so many fantastic bands out there who inspire us to keep on doing this, long may this continue into 2014 and beyond! Please do keep the comments, requests and contributions coming in. Many thanks and all the best! Graham Day & The Forefathers photos copyright Paul Slattery 2013.

Graham Day & The Forefathers at Bethnal Green Working Men's Club November 29th with The Aardvarks & Higher State

Graham Day & The Forefathers by Paul Slattery

Tonight's gig at the Bethnal Green Working Men's Club was promoted by Phil Moore from Shindig! Magazine and his Sweet But Deadly Promotions. Phil was also the DJ for the night and he played some cool sounds to get everyone in the mood for what would turn out to be the undoubted gig of the year. The opening act, The Aardvarks, were one of the leading lights of the mid to late Eighties London "Paisley Underground" scene along with The Onlookers and The Playn Jayn, and regulars at the sorely missed Hammersmith Clarendon. The band recently got back together to promote the release of an excellent anthology CD on Cherry Red Records called "Sinker, Line and Hook". The line-up of the Pietronave brothers, Gary on lead vocals and Mark on guitar, drummer Ian O'Sullivan (who, before this reunion was playing in Retro Man Blog favourite's The Fallen Leaves) and bassist Jason Hobart are augmented by ex-Solarflares keyboard player Parsley and they played a well received set of tracks from the album interspersed by some well chosen cover versions.

The Aardvarks by Paul Slattery

My highlights were "The Office Number 1", the powerful blast of "Buttermilk Boy" and the funky riffing of the Sharon Tandy/Fleur de Lys classic "Hold On". They have a sound more akin to the Bluesy Sixties sound of bands such as The Creation, The Yardbirds and The Sorrows and you can close your eyes and almost be transported back in time to Eel Pie Island. They close with covers of Wimple Winch's "Save My Soul" and The Easybeats "Sorry" and get a great round of applause. It's not clear yet how much longer the band are going to continue with their reunion but on tonight's evidence it would be a shame if they were to call it a day for a second time.

The Higher State by Paul Slattery

Next up are The Higher State, a band made up of members of some top quality outfits such as The Mystreated, The Embrooks and Groovy Uncle. There's also Paul Messis on bass, an accomplished singer songwriter in his own right (and another ex-member of those Fallen Leaves). They play an authentic brand of jangly Rickenbacker West Coast folk rock which has echoes of the Byrds and The Flamin' Groovies. Unfortunately the poor sound from the P.A. doesn't do the vocals or complexities of the songs justice and I don't really connect with the band until quite late in their set with the excellent "Know That You Know", which has a melody that has stuck in head for days. Still, I have since checked out some of the bands records which have really impressed me, and I will definitely try and get to see them play again as soon as possible.
 

Graham Day & The Forefathers by Paul Slattery

There's often a dilemma for prolific songwriters where they want their audience to appreciate their new music and not be distracted by past achievements, or maybe they just get sick and tired of playing the same songs over and over. I can sort of understand how a songwriter must feel if they are trying to promote something new that they are really passionate about, only to get constantly badgered about the past, it must grate somewhat. But of course, as a music fan I also want to hear all my old favourites at gigs and often the dreaded phrase "now for some new songs" is the chance to sneak off for a pee or get a pint. The music journalist Mark Ellen once told of his favourite audience heckle where a band (I can't remember which) were boring their audience rigid with a set of new material and someone right at the front kept shouting out loudly "Play some old!"

Graham Day by Paul Slattery

But tonight there were certainly no hang-ups about acknowledging former glories, far from it, the set list was a veritable fan's dream. After all, Graham Day's latest band The Forefathers, are basically set up, not just to celebrate and enjoy the past as much as to drag it screaming and brutally revitalized into the present. Seeing Graham Day take the stage to a packed-to-the-rafters Bethnal Green Working Men's Club and fire straight into The Prime Movers "The Good Things", with it's raw power down on the streets Stooges riff, it's hard to believe that he was rumoured to have sold off his guitars and packed in music all together. The Forefathers are a trio, with Graham joined by his long time colleagues Allan Crockford on bass and Wolf Howard on drums. Away from The Forefathers Allan takes centre stage in his own mighty fine Psychedelic Garage Rock band Galileo 7, where he is singer, songwriter and guitarist. Tonight, his fluid bass lines cover for the lack of familiar organ riffs and drummer Wolf propels the songs along at a breakneck pace.

Wolf Howard and Allan Crockford by Paul Slattery

I wasn't a huge fan of The Prime Movers and in fact "The Good Things" is the only track from that period, but for me (as any regular listeners to Retrosonic Podcast will know) the sheer quality of The Solarflares output  almost eclipsed The Prisoners in it's brilliance. So, it's no surprise that the majority of the set is crammed with Prisoners and Solarflares songs. In fact the mood in the crowd becomes almost transcendental as classic song after classic song is blasted out one after the other. "Better In Black" and "Creepy Crawlies" from The Prisoners debut album "A Taste of Pink!" get the crowd pumped up and then a crunching take of The Solarflares "You Want Blood" ratchets up the atmosphere even more. Things momentarily calm down for the excellent "You Always Find a Way To Hurt", before the classic "Whenever I'm Gone" is greeted by a huge cheer. The Small Faces influence shines through on "Be On Your Way" and then it's the mighty "Hurricane", the first track of the night from the faultless "The Wisermiserdemelza" album. But it's an adrenaline-fuelled fuzzed up "Sucking Out My Insides" that is one of my highlights of the set, quite brilliant.

Graham Day & The Forefathers by Paul Slattery

The set ends with an absolutely blazing "Get Off My Track" by The Gaolers, it's so powerful that it prompts Past Tense vocalist Andy to leap onto the stage and attempt, what must be the politest stage dive in history. I thought Graham might belt Andy with his guitar but instead a smile flickers across his face. Rock photographer, Paul Slattery who witnessed and photographed many early Prisoners gigs just looks amazed, shaking his head and mouthing "fantastic!" at me. Right through the set The Aardvark's organ remains tantalisingly untouched at the side of the stage until Parsley, now decked out in what looks like a bacofoil spacesuit, gets up and takes the controls for a blistering run through of The Gaolers instrumental "Sitar Spangled Banner".

Face In the Crowd - Graham Day by Paul Slattery

Hoping the organ will get a bit more use, people around me scream out for The Prisoners "Reaching My Head" but Graham shoots them down, "Just 'cos we got an organ on stage, don't get stupid" Parsley steps down and the trio slam into "Coming Home" which is followed by the wonderfully melodic "I Am The Fisherman". Then there is a nice off-the-cuff touch as Graham disregards the set-list and gives us "Reaching My Head" after all. The set is bought to a climatic end with a punked-up "Melanie" which lifts the roof off the BGWMC and as we sadly realize that's the lot, a sea of smiling satisfied faces make their way to the exit. There was quite a tangible buzz in the air as friends hug each other on the way out and strangers exchange glances and excited chatter about what a truly special gig they'd just witnessed.

Ian, Gary & Jason of The Aardarks by Paul Slattery

Parsley by Paul Slattery

Mark Pietronave of The Aardvarks by Paul Slattery

The Higher State by Paul Slattery

The Higher State by Paul Slattery

Graham Day & The Forefathers by Paul Slattery

All photos strictly copyright Paul Slattery 2013 and may not be shared or used without prior consent.

For more photos of the gig please head on over to the Retro Man Blog Facebook page and hit "Like" for access to the gig Photo Album. Here's a video of Graham Day & The Forefathers with "Get Off My Track", for lots more videos of the night check out the Retro Man Blog YouTube channel here.

We've also played lots of Graham Day tracks, along with The Aardvarks, Galileo 7 and loads more similar acts in various episodes of Retrosonic Podcast, they are free to download too...! Check out our Soundcloud site and have a trawl through the archives, hope you enjoy!