|Ebbot Lundberg by Anders Magnusson|
When The Soundtrack of Our Lives
split up, one of the things I would come to miss the most of all would be the annual trips to the beautiful Slussens Pensionat
on the island of Orust. These nights became legendary; a chance to see the band up close and personal, often playing up to three hour shows which started off as laid back semi-acoustic takes on a wealth of rarely played album tracks and B-sides from throughout their career. The band would also try out new unreleased material as well as showcasing whole albums in their entirety. The Slussens shows were unpredictable and exciting and often ended up in complete mayhem as the initial laid back approach would quickly turn into a full-on Rock ‘n’ Roll freak out with Ebbot
climbing on tables, bottles, glasses and bodies flying in all directions. These were great social occasion too, a chance to chat to the band, drink rather too much and meet other fans, some travelling from as far afield as America, Scotland, England, Norway and even Chile to sample the unique Slussens atmosphere. You can see a great example of the Slussens experience in the trailer to the superb "Ebbot the Movie" here
|Joacim of The Indigo Children by Anders Magnusson|
So, when I heard the news that Ebbot
was going to play a show at Slussens Pensionat
it was a dream come true to have a reason to return to my all time favourite venue. Ebbot has certainly been busy working on a wide selection of eclectic projects since TSOOL split. From the ambient art Psychedelia of The New Alchemy to solo acoustic performances and Johnny Cash tributes to the blistering, relentless Kingdom of Evol
along with the legendary Freddie Wadling, artist and musician Per Svensson
(who designed the iconic 'death masks' album cover for "Behind The Music") and his ex-Union Carbide Productions
colleagues Henrik Rylander and Adam Wladis. Then there was a cameo role in the Swedish TV drama “Viva Hate” which featured music by Ian Person
and not to mention Ebbot's appearance in the hugely popular music reality TV show "Så Mycket Bättre" which has elevated him to household name celebrity status in Sweden, "I’m a lot more known, I'm suddenly doing a lot more selfies..." he told me in our Retrosonic
Podcast interview. Then there was the news that Ebbot was working on new material with the excellent Stockholm based band Side Effects
and ex-Broder Daniel member Daniel Gilbert
backing him under the name The Indigo Children. Things were looking promising and we went to see them play a tremendous show at Gothenburg’s Stora Teatern back in March. I think seeing him perform that night with The Indigo Children was the closest he has come to capturing the energy and excitement of The Soundtrack of Our Lives live.
|Hugo of The Indigo Children by Anders Magnusson|
The set that night was crammed full of rare treats harking back to Union Carbide Productions and some unusual Soundtrack of Our Lives
songs too. This time round unfortunately Daniel Gilbert couldn’t make the Slussens show so Rebekah from Those Dancing Days was drafted in on rhythm guitar – she was certainly thrown in the deep end, evident by the pages of notes with guitar chords scrawled on them strewn on the floor at her feet. But she did a really great job especially as working with Ebbot
involves a fair bit of musical flexibility; you never quite know where he is going to lead you. So, the remainder of the band is, as mentioned earlier, Side Effects
, who were named (like this Blog...) after a TSOOL song. In fact guitarist Billy Cervin is no stranger to Ebbot’s musical demands, he has already played live with The Soundtrack of Our Lives during Mattias Bärjed’s paternity leave, indeed he was taught guitar by Mattias. You can read all about Billy's experiences in the Blog feature "How To Join Your Favourite Band" here
. The band are all in their early 20’s and their talents are quite extraordinary, they started off as kind of school project in Stockholm and have already signed to a major label for their last album release, the stunning "A Walk In The Space Between Us", which I can't recommend highly enough. At Stora Teatern I was amazed at the likeness of their mentors, a kind of "mini-TSOOL", complete with all the moves and confidence.
|Billy of The Indigo Children by Anders Magnusson|
They are all great musicians and tonight as I am quite literally sitting on the stage (well floor as is the case with Slussens Pensionat...) with them, it’s certainly fascinating to watch them so close. Billy is an excellent guitarist and all smiles under his mop of hair, wind-milling his Gibson SG just like his mentor. Bassist Joacim is the quiet one of the band on stage, just letting his understated but impressive bass playing do all the talking. Keyboard player Elias plays standing up, adding backing vocals and bringing an additional visual element very much like Martin Hederos did. However, it’s drummer Hugo who gets most of the crowd’s plaudits and on an extended and wired version of TSOOL’s classic "Grand Canaria" he really comes into his own. Fredrik Sandsten himself would have been very impressed with the way Hugo tackled his mind-blowing drum fills. Then of course we get to Ebbot, invigorated by the energy of his young backing band he is in good humour and in mighty fine voice. He takes the stage alone at first and treats us to a "little appetizer" which turns out to be a superb acoustic version of Union Carbide's "Down on The Farm" which goes down a storm. Then he introduces The Indigo Children one-by-one and we are off and away on a perfectly compiled set-list that begins with "You Are The Beginning", one of the highlights of TSOOL's final album. "Killing My Darlings" from the new Indigo Children "Homo Futurus" E.P. is a sort of whimsical, almost Country, song which lyrically could well allude to the decision to call time on The Soundtrack of Our Lives. While we're on the whimsical theme this leads into the early Pink Floyd Psychedelic fairy-tale "The Gnome", it's the sort of off-the-wall humorous track that Ebbot delights in.
|Elias of The Indigo Children by Anders Magnusson|
Three brand new tracks follow, "For the Ages to Come", "Beneath The Winding Waterway" and "In Subliminal Clouds", demo versions of which can be heard on the "Immaculate Concept" album. All three sound superb played by the band tonight and I am really looking forward to hearing them in all their recorded glory on the next album. What I thought was the intro to TSOOL's "Lone Summer Dream" turns out to be "Royals", not a tribute to my favourite football team unfortunately, but an unexpected cover version of New Zealand pop star Lorde's international hit. Somewhat surrealistically this is quickly followed by one of Union Carbide's most uncompromising tracks "Glad to Have You Back", which is brilliantly played by The Indigo Children, and really raises the roof of Slussens Pensionat. Another unusual cover is next, "Cerca de las Estrellas" by the 1960's Spanish band Los Pekenikes with lyrics changed to English and re-named as "Calling From Heaven". It's a brilliant Love style piece of obscure Psychedelia that apparently Ebbot has recorded with The Indigo Children for inclusion on the new album. There's a nice touch when they let an excitable Spanish fan introduce the song and join in on backing vocals. The Soundtrack of Our Lives rarity "Room Without a View" is a nice surprise, originally this was released as a fan club only web-single before being included on the B-Sides and rarities compilation "A Present From The Past", it's a beautiful song that deserves to be tracked down. The first set ends with a raucous take on Pink Floyd's "Arnold Layne" and we get to catch our breath and re-charge our batteries for the next part of the show.
|Ebbot Lundberg by Anders Magnusson|
For the second set Ebbot
is joined by the solo artist Martin McFaul
(whose superb album "Pop Mansion" I would really like to take the opportunity to recommend) and they play a version of Simon & Garfunkel's "April Come She Will". Martin has played quite a few acoustic shows with Ebbot over the past few years, especially at his Club Revolution No. 9 which was started up by Ebbot with help from Hans Selander
the bassist from early 80’s Gothenburg Punk band Tre Muskler, a band that also included Per Svensson. There was a nice surprise to see Martin's friend, Wallander actor Lars Melin
, in the crowd and I’d like to think he wasn’t too freaked out to be accosted by a couple of strange and excited foreigners telling him he was their “favourite ever Martinsson!” He’s even cooler now after discovering he has quite an impressive musical pedigree himself. I would have liked to have heard a few songs by Ebbot and Martin but that's all we get and Ebbot plays another rarity "Swim Like a Bird" before the Indigo Children return and slam into the tremendous "To Be Continued" from the new E.P. which segues into an extended version of the classic "Grand Canaria". This in turn leads quickly into another Soundtrack of Our Lives classic, "Instant Repeater '99", or “Sweden's unofficial national anthem” as I have heard it described. "Backdrop People”, the lead track from the "Homo Futurus E.P." must be one of the best songs that Ebbot has ever written; it certainly ranks up there amongst the very best of his impressive back catalogue. At the sinewy slow intro of Union Carbide's "Chameleon Ride" you can sense the crowd drawing a collective breath, the anticipation is palpable just waiting for the part where the powerful guitar chords come crashing in and the song tales off into another dimension like The Stooges "Sick Of You", it's a truly stunning moment.
|Rebekah of The Indigo Children by Anders Magnusson|
Next up is the laid-back Burt Bacharach lounge styling of the Ebbot solo single "Wishing Well" which allows a welcome breather and we all join in on the "La La La La" backing vocals before a crunching version of Alice Cooper's old 60's Garage Psych band Spider's "Don't Blow Your Mind" slaps us round the face and gets the tempo going again. The it’s one of my highlights of the whole night, a song entitled "I See Forever" which I later found out was co-written by Ebbot and his old UCP/TSOOL colleague Björn Olsson
but is as yet unrecorded. It's an achingly beautiful yet simple song based on one of those minimalistic Erik Satie style piano motifs that Martin Hederos did so well in Soundtrack songs such as "Tonight". The second set ends with "Second Life Replay", the complex baroque masterpiece that despite being buried on the 24 song 2008 double album "Communion" fast became a fan favourite. For the inevitable encores we get a batch of cover versions starting with "Riders On The Storm" and the Beatles "A Day In The Life" which breaks down into a knock-about "Act Naturally" and somehow morphs into Donna Summers "I Feel Love" via The Trashmen's "Surfin' Bird"! The night draws to a close with a faithful cover of Johnny Cash's version of "Hurt", rather than the Nine Inch Nails original and we finish with an emotional singalong of "The Passover". And that's it, it's sadly all over, the end of yet another amazing experience at Slussens Pensionat and I can only sincerely hope that Ebbot makes this a regular date in the future.
|Ebbot Lundberg and fan by Anders Magnusson|
The next day we managed to have a little chat with Ebbot for Retrosonic Podcast
where he gives us the low-down on two forthcoming album releases and explains what he has planned for the future. You can download/listen to the Podcast for free at our Soundcloud
page or subscribe for free at iTunes
. For more photos of both the Stora Teatern and Slussens Pensionat shows please head on over to our Retro Man Blog Facebook
page and, if you are not already following, hit “Like”
for access to the exclusive photo albums. You can see lots of exclusive photographs and features on TSOOL including reports on the band’s last ever show at Slussens with exclusive Paul Slattery photos here
. We also have Retrosonic
Podcasts featuring exclusive interviews with Ian Person
, Mattias Bärjed
and Fredrik Sandsten
available in the Retrosonic Archive. There's also The Soundtrack of Our Lives fan's forum on Facebook here
. With thanks to Ebbot, Hans Selander, Liselott, Robert and Vibs.
Special thanks to Anders Magnusson for contributing the excellent photographs as credited above.