Showing posts with label The Dirty Contacts. Show all posts
Showing posts with label The Dirty Contacts. Show all posts

Wednesday, 6 March 2019

Taking Candy From a Dog - An Evocative & Heartwarming Autobiographical Novel by Vic Templar



Vic Templar, the author of "Taking Candy From A Dog" might be better known to music fans as Ian Greensmith. Ian is a Writer, Drummer, Vibraphonist, Gardener and retired Cricketer whose favourite writers include Alan Silitoe, Graham Greene and Keith Waterhouse. This is his sixth book since the first was published in 1987 and Billy Childish’s Hangman Books have published three of them. Ian was a mainstay of the Medway 'scene', drumming with The Dentists and then Armitage Shanks and Ye Ascoyne D’Ascoynes along with Bob Collins. More recently he has played with The Sine Waves and the superb Nuevo Ramon 5 (the story of which is well worth checking out) and has just released a debut single with The Dirty Contacts on State Records. He now lives near Hastings where he runs the regular Fratcave club events and the yearly Beatwave Weekenders with Justin Ellis. 


The book opens in the present day with our hero rummaging around in his Dad’s loft searching in vain for Luke, a long-lost monkey sock puppet. The search evokes memories of a contented childhood and we are spirited away back in time to Chatham, Kent in the late 60's and placed right in the heart of the Smith family. Is this an autobiography, a novel or a metaphorical tale of a man searching for those idyllic days of childhood? I guess it is a bit of each. What I do know is that "Taking Candy From A Dog" is a heart-warming portrait of a ‘normal’ family from the late 60's to the mid-70’s. I put normal in inverted commas there as I can really relate to this book and I always considered myself fairly normal! There are no great dramas or hardships in the young Ian Smith's life but the beauty in the writing is to keep us entertained by the evocative vignettes and lovingly described characters that surround him. So, where does Luke the monkey come in? Luke is a well travelled woollen sock puppet with a nice line in sardonic humour. Each chapter is interrupted by his sarcastic take on events as seen through his (button) eyes and this adds a nice touch of world-weary cynicism to Ian's cheerful reminiscing. Luke explains about his creation and early life in San Francisco and how he ended up in a family home in the Medway. Along the way he drops in some withering put-downs and observations on his new English owners. These owners are Ian and his younger sister Kes. Ian's world revolves around Football, particularly Chatham, Gillingham and George Best. He loves Sure Shot Hockey, Subbuteo, Airfix Models and I-Spy books. 


The writing style perfectly encapsulates the era and many familiar brand names from my own youth spring from the pages. The Six Million Dollar Man on TV, drinking Tizer and R. White’s Lemonade and reading Sweeney annuals. There’s celery and Primula and paste sandwiches for tea. Ian observes all the adults around him, his family and their various friends. The men wear beige slacks and tan shoes and drink beer. “Lager is seen as Continental and treated with suspicion”. They have tattoos of “hearts, anchors, snakes or the bust of a raven-haired woman” and their cars “smell of leather and cigars”. The women wear Crimplene and nylon and discuss whether Pontins in Bognor Regis is better than Butlins. Throughout the book there are amusing Billy Liar style fantasy sequences in which Ian sets off on a road trip to Manchester for tea with George Best and later appears on the Michael Parkinson chat show. We move on to 1977, it’s the Queen’s Jubilee and the seismic rumblings of Punk Rock start to make waves in Ian's world. Suddenly, his older cousin Lee cuts his hair short and gets hold of a copy of the Sex Pistols “God Save The Queen”. Ian is desperate to hear what all the fuss is about but Lee makes him wait until one day when the whole family are sitting around together having their tea. Lee puts the black shiny plastic disc on the Ferguson record player, places the needle down and unleashes all that venomous sound and fury. Finally, the wait is over for Ian. “This is it. The record begins. The guitars and drums and then Johnny Rotten starts screaming. My life changes. It sounds like the Charge of The Light Brigade. It sounds like World War I. It sounds like Krakatoa. It sounds wonderful. Grandad says “Bloody Hellfire”, Nan says “What’s he singing?” and Mum says “What a load of bollocks!” Jack and Kes start singing “No fuchsias, no fuchsias, no fuchsias for you”. Life will never be the same again. 


Indeed, there are after-school fisticuffs, girls and parties and attempts at forming bands. There is a superb chapter on a quest of Holy Grail proportions trying to track down a copy of Buzzcocks “Spiral Scratch” on the day of release as advertised in the NME. Those were the days when buying records involved an actual physical journey and Ian traipses from record store to record store in vain. Hastings, Tunbridge Wells, Margate, Maidstone, no luck. Finally, it takes an elderly and unlikely shop assistant in Hythe to tell him that the release date had actually been delayed. Ian struggles with the various fashions and youth cults of the time and tries to cultivate his own ‘look’. Inspired somewhat by The Fall’s Mark E Smith he decides on ‘eccentric’ but ends up looking like Percy Thrower with Tweed jackets, bri-nylon shirts and woollen cardigans with leather buttons. There is a bittersweet tone to the last few chapters but I guess that just reflects the reality of getting older. Family bereavements, leaving school and having to deal with becoming an adult. Thatcher closing down the Dockyard. “400 years of Chatham history flushed down the pan overnight”. Jobs are either lost or people are relocated to start new careers. Close-knit communities drift apart. There is a big clear out for the move. It’s time to say goodbye to childhood trivialities as once loved toys are consigned to the local Cub Scout jumble sale. It is a poignant moment. His sister’s dolls and teddy bears are next and she picks up Luke and hesitates, looking at the black plastic bag destined for the sale and then back again at Luke… So what happened to Luke? Did the adult Ian ever find it up in his Dad’s loft or did the tatty sock puppet end up on a trestle table at the Cub Scout’s hut. Maybe it was picked up for a few pence and spirited away on another adventure. I am not telling. You will just have to buy the book to find out.

The Author (2nd left) with the Nuevo Ramon 5 - Photo Retro Man Blog
Taking Candy From a Dog by Vic Templar is published by Blackheath Books and available from their web-site. For more information on this year's Beatwave Weekender please check out their Facebook page. You can read a report on last year's Beatwave in the Blog archive here and a review of The Dirty Contacts at the Lexington here. Please click on the highlighted links throughout the feature for more info on the mentioned events and bands.

Thursday, 17 January 2019

The Embrooks "We Who Are" New LP & State Records Launch Party with Les Grys Grys and The Dirty Contacts at The Lexington January 5th

The Embrooks - "We Who Are" LP cover
The Embrooks celebrated the release of their brand new LP "We Who Are" with a cracking value for money State Records showcase and launch party at The Lexington featuring special guests Les Grys Grys and The Dirty Contacts. Of course Mole and Lois of The Embrooks are the brains behind the fabulous State Records who have recently completed work on their very own recording studio North Down Sound in the grounds of their HQ in Folkestone, which is certainly paying dividends.

The Dirty Contacts at The Lexington - Photo Retro Man Blog
The Dirty Contacts at The Lexington - Photo Retro Man Blog
Opening the show after an excellent selection of songs from DJ Suzy ScreamCheese, the Hastings based Dirty Contacts were also celebrating a new release. Their debut single "The World's End" was recorded at North Down Sound and is out now as a heavyweight gatefold sleeved 7" vinyl single. They played a great set of scuzzy Garage Punk with some promising original songs rubbing shoulders with some familiar cover versions such as Wimple Winch’s "Save My Soul" and a superb take on The Wailers "Out of Our Tree". I recognised the Fratcave and Beatwave weekender organisers Ian Greensmith from The Dentists on drums and Justin from The Sine Waves on keyboards. In fact, Justin's futuristic keyboards add another dimension to their sound and give The Dirty Contacts a welcome and original angle that sets them apart from many of their contemporaries.

Les Grys Grys at The Lexington - Photo Retro Man Blog
Les Grys Grys at The Lexington - Photo Retro Man Blog
The fantastic Les Grys Grys have been over from Montpellier to visit North Down Sound to continue work on their forthcoming album. They took time out between recording sessions to headline a riotous New Year show at Weirdsville which featured crowd-surfing, PA climbing, Go-Go dancing full-on mayhem. Tonight they put in a rather more sedate performance that is as tight and rocking as the Weirdsville show was chaotic. They really are one of the best live acts on the circuit and tonight’s set promises that the new LP will be a sure-fire classic, can't wait to hear it.

The Embrooks at The Lexington - Photo Retro Man Blog
The Embrooks take the stage and tonight, with his striped trousers and tasselled hat, frontman Mole reminds me of the Psychedelic shopkeeper in the Mr Ben cartoon, promising us a fantastical adventure ahead. Indeed, there is an element of the unknown to come as Mole announces that they will only be playing songs from their brand new release “We Who Are". I thought it was a brave move by the band to play the album in sequence from side one, track one, however, it all worked out perfectly in the end. This was mainly down to the fact that “We Who Are” is expertly sequenced with each song capable of being released as a stand-alone single in its own right. In fact, I found myself singing along to numbers as though I'd listened to them for years rather than just a couple of weeks. I noticed there were a fair number of people around me doing likewise. You see, “We Who Are” is one of those rare albums where everything just clicks. From the beautifully packaged limited edition 180-gram vinyl LP with its lavish gatefold sleeve and accompanying CD, right through to the production and the sheer quality of the song writing, it’s all here.

The Embrooks at The Lexington - Photo Retro Man Blog
Only one song breaks the three and a half minute barrier but they still manage to cram in loads of intriguing twists and turns into each number, which gives the album a thoroughly satisfying depth. Drummer Lois kicks things off with the snake hipped groove of “Going But Not Gone” and Mole's elastic bass riff is bubbling away nicely underneath. The previously released State Records single "Nightmare" was the only familiar song in the main set and it has a great stinging guitar riff intro from Alex. "Don't Look At Me" is one of my highlights on the album, it starts off as a Garage Punk stomper before shooting off at an unexpectedly pastoral tangent with some wicked flute played brilliantly on the album and at the gig by Tom Hodges. Suddenly a mighty bass riff slaps us back on track and then it all goes off with a crunching guitar riff and the flute going haywire.

The Embrooks at The Lexington - Photo Retro Man Blog
For me the album's centrepiece is the magnificent "Human Living Vampire" and on this track in particular, you really get the feeling that the band are definitely utilising their own studio to its full potential as the multi-layered guitar work from Alex blew my mind. It starts with a beautifully intricate twelve-string motif and then in comes some furiously strummed, almost flamenco styled acoustic. There is so much going on that your ears won't know which way to turn. “We Who Are” certainly distils all of The Embrooks many and varied influences perfectly. From the quintessentially British 60’s Freakbeat era of bands such as The Sorrows and The Attack, they cross the Atlantic to embark on a mammoth Psychedelic road-trip. The journey takes in the dirty waters of the East Coast Garage Punk scene to the Texan Psych of the 13th Floor Elevators and then onto California and the sun-kissed harmonies of The Byrds and "Mr Soul" period Buffalo Springfield.

The Embrooks at The Lexington - Photo Retro Man Blog
There’s some superb Fuzz guitar on "I'm Coming Home" with a melody reminiscent of The Brian Jonestown Massacre's classic "Not If You Were The Last Dandy..." Next up it's "Baby From The South" which has a nice upbeat rhythm and a touch of The Equals Rock'n'Soul about it. A cover of The Lost Souls "Peace of Mind" based on a hypnotic slightly sinister riff, fits in seamlessly among the original material. The excellent "Hang Up" features some classic stabbing organ chords and a great guitar break. "You Can If You Want" closes the album and the main set with Kevin CK Smith joining the band to play some astounding harmonica. I remember seeing Kevin's very first appearance in London when he guested with The Dustaphonics to play harmonica and he blew everyone away. Since then he has gone from strength to strength, joining The Baron Four and The Voo-Dooms as well as DJ’ing.

The Embrooks with CK Smith at The Lexington - Photo Retro Man Blog
The Embrooks encore with a couple of oldies including a vicious version of “Jack” which goes down a storm and then it's over way too soon. The only downside of the Lexington show is that for some reason they omit their superb cover of The Hollies "Have You Ever Loved Somebody" which was a shame as they managed to transform it into the embodiment of a perfect Embrooks song on the album. To be honest, I don’t think they did themselves any favours by officially releasing the album just before Xmas as it was too late in the year to feature in many of the “Best of 2018” lists. Anyway, I'm going to cheat and consider the LP was released on the day of the Lexington launch party as that was the first time I nabbed my very own copy and in that case, this is already a nailed-on “Best LP of 2019”. Now, I know it’s only January but I really can't imagine a better album will be released this year. If it is, I am very much looking forward to hearing it as it's going to have to be something pretty damn special to beat “We Who Are”!



For more photos of the night please check out the album in the Retro Man Blog Facebook page here and you'll find videos of all three bands at our YouTube channel here. Please click on the highlighted links above to access more info on the bands. Finally, "We Who Are" and The Dirty Contacts new single can be ordered from State Records here along with many more of their releases.