Sunday, 25 September 2022

Those 12 Bar Nights - New Book by Mark 'Barnet' Webster with memories from Staff, Performers and Customers of the much-missed 12 Bar Club


"Those 12 Bar Nights" is a suberb, beautifully presented new book by Mark 'Barnet' Webster that features memories, photos and stories from Staff, Performers and Customers of London's much-missed 12 Bar Club. I've heard the 12 Bar described as the best ever dive bar, a Punk Rock Heaven (and haven) and London's answer to CBGB's and it's loss to heartless property developers and culturally clueless money-grabbing local council and Government is still keenly felt. I haven't missed a venue so much since the Hammersmith Clarendon was similarly bulldozed to make way for a monstrosity of a shopping mall. Sure, I also mourn the loss of the Astoria, The Hammersmith Palais, The Old Trout in Windsor, The Marquee and many more - but the 12 Bar was so much more than just another venue. It was the social aspect too, a place where lasting friendships and memories were formed, all right in the heart of London's most famous and historic musical street, Tin Pan Alley or Denmark Street to give it it's rightful name. The book is beautifully illustrated and includes hundreds of photographs of not only some of the bands and people that appeared, but of the character-packed venue itself. Initial copies of the book were individually credited on the cover, signed and included prints, stickers and postcards of various flyers, posters and superb cartoon artwork, the whole package is an absolute delight. Credit to Mark for the painstaking work in compiling the many contributions into a fascinating and nostalgic look back at the 12 Bar Club's history - including my own, as you can see reproduced below...

"I first went to the 12 Bar Club when The Fallen Leaves started their Minimum R'n'B Club nights on a Wednesday and straight away I was hooked. I was so happy to find a spiritual Rock 'n' Roll home right in the heart of London but also angry with myself that I hadn't discovered it sooner. I rarely missed any of the Leaves' residencies, not only were they one of the best live acts I'd seen but they had the habit of choosing excellent support acts and DJ's to make them nights to remember. The only downside was the Wednesday night... as I had to travel into London from out in the sticks and the nights were long and late, I found myself transported back to my youth - rushing out to race across town to catch the last fast train home. As I soon made many good friends and gig acquaintances at the 12 Bar Club, I learned to sneak out secretly as saying goodbye to everyone could take quite a while and the trains would not wait just for me! This soon went by the wayside and I would usually be late and have to cadge a lift back or wait at the station for the bone-shaker slow train. It was always worth it.

It was the friends I made at the 12 Bar that would be equally, if not more important than the great bands I would see there and this will always make it a hugely important part of my life. It also kept me busy with loads of content for Retro Man Blog and Retrosonic Podcast and myself and my colleague, Rock Photographer Paul Slattery, filed loads of reports from memorable gigs at the 12 Bar. There are too many great nights to mention them all, just check out the Blog and you can see what I mean - but I would say one particularly memorable night was Crash '74 who were a one-off band featuring Harley Feinstein, the original drummer of one of my favourite bands Sparks and his wife Michelle on vocals. They were joined by Nicky Forbes from The Revillos, Stevie Savage and friends to deliver a fun-packed singalong of some of their greatest hits and a selection of cover versions. So, I owe the 12 Bar a hell of a lot and I was gutted when I heard it was going to close down. Hopefully, one day in the future we'll see a new 12 Bar appear - we can but dream!"



You can buy the book from the London Callin' web-site here and there's also a Facebook Group with more information here. There may be plans to release a second edition, so if you have any memories, photos or stories from the 12 Bar Club but missed out contributing to this book, then please contact Mark at the Facebook Group. 

Thursday, 8 September 2022

Retrosonic Podcast - Eel Pie Island Museum, The History and Legacy of The Thames Delta 1960's British Beat and R'n'B Explosion


In the latest episode of Retrosonic Podcast, Steve from Retro Man Blog and Buddy Ascott of The Fallen Leaves are on location at the excellent Eel Pie Island Museum in Twickenham in the company of museum curator Michele Whitby and music historian Pete Watt. We discuss the rich musical heritage of what has become known as the Thames Delta and the birthplace of 60's British Beat and R'n'B, focusing on the legendary Eel Pie Island Hotel and some of the famous acts who played there. From it's opening night in 1956 and the Trad Jazz of Acker Bilk, Chris Barber and George Melly to the last show in 1970, the Hotel hosted gigs by many hugely influential bands and artists. There were shows by the leading importers of American Blues and R'n'B such as Alexis Corner, Long John Baldry and John Mayall, the originators Howlin' Wolf and John Lee Hooker and of course, their young acolytes such as the Rolling Stones, The Artwoods and Downliners Sect. That's not to forget Soul acts like Jimmy Cliff and Geno Washington and even the later incarnation when the Hotel was transformed into Colonel Barefoot's Rock Garden and started putting on Heavy Rock and Psychedelic acts such as Deep Purple, Joe Cocker and Black Sabbath. One of the most fascinating aspects is discovering all the now legendary names who made early pre-fame and fortune appearances at the Eel Pie Hotel including David Bowie with The Manish Boys, Jeff Beck with The Tridents, Ian McLagan with The Muleskinners and Eel Pie audience regular, Rod 'The Mod' Stewart with Steampacket. 



Surprisingly, despite Pete Townshend's strong links with Twickenham - after all, his studios and publishing company were named after the Eel Pie Island - The Who only played there once and you might be surprised to find out when. The answer can be found in the episode along with other interesting facts and anecdotes - for example, just how did bands get their equipment to the Hotel before the bridge was built? Did you really need a passport to cross to the Island? Why did The Pretty Things never get to play there? The Hotel was sadly destroyed by fire in 1971 and is now the site of luxury flats but thankfully, the Eel Pie Island Museum is keeping the remarkable legacy of Eel Pie Island alive in such a vibrant and enthusiastic way. To find out more about the Museum and the history of Eel Pie Island, including their mightily impressive list of bands and artists who played at the Hotel, details on visiting, yearly membership, merchandise and much more please check out the official web-site here. If you're going along to the Museum we'd also recommend a visit to the excellent Eel Pie Records, check out the regular live shows at The Eel Pie Club at the Cabbage Patch and of course enjoy a pint or two at the Eel Pie pub. For our report on the recent Don Craine tribute and fund-raising gig at The Half Moon Putney, please check out the feature in our archive here. Retrosonic Podcast Episode 48 features Buddy and Rob Green of The Fallen Leaves discussing the show and there's also an exclusive new song from Thee Headcoats Sect, the band that Billy Childish formed with Don Craine. We'd also recommend the books "British Beat Explosion: Rock 'n' Roll Island" and "Raving Upon Thames: An Untold Story of Sixties London" by Andrew Humphreys for further reference and inspiration. You can subscribe to Retrosonic Podcast for free at Spotify, Apple Podcasts, iTunes, Amazon Music or direct from SoundCloud below:

Here's a few more photos of the Museum and Eel Pie Island itself (copyright Retro Man Blog).

Michele, Pete and Buddy Ascott


The bridge to Eel Pie Island
The site of the old Eel Pie Island Hotel
The impressive list of Eel Pie Island Hotel shows

Tracklisting

Downliners Sect "Glendora"

Rolling Stones "I Just Want To Make Love To You"

Rolling Stones "Not Fade Away"

The Artwoods "If I Ever Get My Hands On You"

The Muleskinners "Back Door Man"

The Who "I'm A Boy"

Downliners Sect "Why Don't You Smile Now?"

The Steampacket "Can I Get A Witness?"

Georgie Fame & The Blue Flames "Yeh, Yeh"

Geno Washington "Hold On I'm Comin'"

The Manish Boys "Take My Tip"

With sincere thanks to Michele and Pete at The Eel Pie Island Museum. Eel Pie Island resident Sheba from Bitter & Twisted Cartoons designed the fantastic Eel Pie caricatures picture (as seen below), which can be found on tea towels, posters and postcards in the museum shop.   




Sunday, 4 September 2022

Dennis Morris "Super Perry" - Iconic Images of Lee "Scratch" Perry, Exhibition and Book

Dennis Morris at the Super Perry Exhibition - Photo copyright Retro Man Blog

Yesterday we went along to the Dennis Morris exhibition Super Perry, a selection of superb photos of Lee "Scratch" Perry arranged to coincide with the release of the book Super Perry and timed to commemorate Perry's sad passing in late August last year. Morris has included pictures of the legendary and eccentric Reggae and Dub producer from the late 70's right up to their last photoshoot together out and about in London in 2016. You can also see photos of John Lydon's pre-Public Image Ltd trip to Jamaica and there's even a full size recreation of Perry's Black Art Studio. We were in luck as Dennis was there in the gallery and was happy to chat and explain more of the background to the photos on display. Dennis Morris started off his career in music photography while he was still at school, hanging around a soundcheck waiting for Bob Marley. Marley was impressed and invited Morris on tour with the Wailers and the subsequent photos became famous worldwide and even graced the cover of Melody Maker, all this before Morris was 17 years old. The photos of Marley caught the eye of Reggae fan John Lydon who invited Dennis to take photos of the Sex Pistols when they signed to Virgin Records. These photos are collected together in the excellent book "Destroy" which was published buy Creation Books. When the Pistols split up, Morris continued to work with Lydon and Public Image Ltd, designing their logo and the "Metal Box" packaging. Dennis then worked in A&R for Island Records and joined the Punk band Basement 5. He formed Drum & Bass unit Urban Shakedown, who Paul Weller chose as the first release for his Respond Records label and this was followed by the Hip Hop outfit Boss, who were signed by Virgin. For details on how to buy Dennis Morris prints and books and news on upcoming exhibitions, please check out the official Dennis Morris web-site here. The Super Perry exhibition which is hosted by Gimme 5, is on at 30 Old Burlington Street, London W1 until Thursday September 7th, for more details please check here.




Dennis Morris photo copyright Retro Man Blog


Friday, 26 August 2022

The Playn Jayn - "New" Single from much-missed 80's Psychedelic Popsters to be released by Circle Records


If people ask me which was the best live band I ever saw, I can say at the drop of a hat that The Playn Jayn were definitely one of them. Sadly, the most common response to my answer is "who?" On one hand, it's disappointing that this most special of bands never really "made it" and certainly never received the acclaim they truly deserved. However, on the other hand I can allow myself a wry smile and bask in the knowledge that I was lucky enough to witness The Playn Jayn in their glorious prime. I remember clearly being blown away by the unusual spectacle of two live-wire lead singers and frontmen which added an air of unpredictability to their gigs. The chemistry between Craig Lindsey and Mike Jones and their vocal harmonies were a joy to behold. Behind them, the band featuring Nick Jones on guitars, Erol Suleyman on bass and Clive Francis on the drums were tight, powerful and stripped back, allowing the immense melodies and ringing riffs to shine. They were rooted in the Psychedelic 60's but had that Garage Punk intensity that meant they appealed to a wide cross section of music fans of all the varied underground genres at the time. At the much-missed Hammersmith Clarendon they shared the stage with many diverse bands from The Prisoners and The Adicts to Sunglasses After Dark, The Long Ryders and Twenty Flight Rockers and went down equally well with all of their respective audiences. I can clearly remember one night at the Lyceum where they played with Lords of The New Church and Wall of Voodoo and that still remains one of my favourite all-time gigs to this day.


But I suppose The Playn Jayn will forever be associated with the Marquee, mainly due to their classic 1984 debut album "Friday The 13th at The Marquee Club" which was released by the major label A&M, who took the unusual step of releasing a live album for the band's debut. Unusual yes, but actually this was a smart move as the brilliant production by Vic Maille captured all the band's live energy perfectly - very rare with official live releases. It also meant that the album sounds immense today, fresh and exciting, bursting from the speakers and completely free of all the terrible studio gimmicks and over production of the early to mid-80's that ruined so many great records of the time. This was unfortunately to come next, as the follow up studio album "Five Good Evils" disappointed me after the raw excellence of "Friday The 13th" and I felt that the songs were half-buried under a weak production. A&M obviously didn't have a clue what to do with the band and the album was put out on their "Indie" subsidiary ABC records. 


They released a couple of singles including the excellent "Juliette" but the band sadly called it a day not long after. The Jones brothers continuing as The Jayn and Erol joined The Jazz Butcher. Mike then sang with The Other Side but by the early 90's all of the members had pretty much disappeared from the music scene. They never resurfaced, there was certainly no reunion and then the terribly sad news filtered through a few years ago that Craig had passed away. For a band that blazed such a short lived trail they certainly made a significant impact on those of us lucky enough to have seen them play live - or even those who had just heard the records. The memory of the band has been kept going by the enthusiasm of fans such as Desmond Behan and Julian Leusby and those at the Playn Jayn fan's group on Facebook, which can be found here


But the good news is that long-standing devotion has now been rewarded as Peter Wild at Circle Records has pulled off a remarkable coup by releasing this gem of a 'new' single that will not only be welcomed with open arms by existing fans but will also prove to new listeners just what a special band The Playn Jayn were. The 7" vinyl single will be released on 16th September as a limited edition of 375 individually hand-numbered copies and contains two previously unreleased songs by the group, the last recordings they ever made. There's usually a reason why songs remain unreleased and that is they are generally not good enough, so it's very rare that these two tracks from 37 years ago could well be among the finest the band have recorded and I was blown away by the quality of the songs and the sound of the single. So, a bit of background to the single from Circle Records - The Playn Jayn went into RMS studios in London with producer Andy Le Vien in April 1985 and recorded  two songs for a possible single to hopefully drum up interest following their departure from A&M. They chose the regular show-opener "Cardinal Charlotte's Memorial School" and the slightly newer "It's Not Me". Unreleased after 37 years, rescued by Desmond Behan and mixed by Satch Norton who did live engineering and studio work for the band including the "Friday The 13th" album and the rare white label 7" single "Chamber Door". There's more good news, Circle Records are also looking into the possibility of compiling a selection of rare demos and live recordings for future release, it's not sure yet on which format this will be so I'd recommend subscribing to Circle Records on their social media for updates. Of course, we'll also keep you informed as soon as we have news. To enquire about the new single, please message Circle Records for more information on how to order or check for updates at their eBay page. Otherwise why not drop by and say hello at the Playn Jayn Facebook group here.



Tuesday, 23 August 2022

Don Craine Tribute at The Half Moon Putney with Downliners Sect, The Masonics and The Fallen Leaves, August 21st 2022


What a fantastic turnout on Sunday afternoon for the special matinee tribute show to Don Craine, the Deerstalker wearing R'n'B guitar legend of Downliners Sect who sadly passed away earlier this year. The occasion was also used to pay tribute to former Downliners guitarist Del Dwyer and large posters of the two hung on the backdrop, which was a nice touch. The fundraiser and celebration was really well organised by Rob Green and Ron Symmons of The Fallen Leaves to raise funds for Macmillan Cancer Support and included not only, three top bands but also a charity auction which included some tasty signed records, books and white label test pressings from Spinout Nuggets, Billy Childish, Damaged Goods and Ace Records. There were also signed books by artist Jamie Reid and a superb package from the Eel Pie Island Museum, which is a must visit if you are in Twickenham. Rob Green acted as Auctioneer with a nice line in quips, a drumstick as a gavel and a snare drum to bash once the items had been sold. The good news was that all the items presented were sold and I'm sure that well over £1,000 must have been raised from the auction itself. 




It was great to be back at The Half Moon again, scene of most of my Retro Man Blog Nights over the years and I had to remember that it wasn't my gig so I couldn't go backstage and help myself to the rider! The Fallen Leaves opened proceedings with "Begin Again" and slammed through a short and sharp set peppered with some promising sounding new songs such as "Rosalina" and "Worried Well" from their forthcoming new LP. I haven't seen The Leaves since before lockdown and they were even better than ever - former Subway Sect guitarist Rob Symmons unique blistering style leaves people standing there in awe and frontman Rob Green's idiosyncratic performance and impressive croon is always a joy. Drummer Buddy Ascott, who you can often hear as my co-host at Retrosonic Podcast  crams all his years of experience from his time in The Chords, The Moment, Speakeasy and many other bands to sublime effect in The Fallen Leaves. His John Maher-style fills and sharp, tight rolls add a dynamism to the Leaves sound. His rhythm section partner Gaz on bass leaps around the stage like Dee Dee Ramone, adding an air of unpredictability and a nice contrast to the two Rob's more studied approach. The band will be playing at the Dublin Castle in Camden on September 10th so if you're free, please go along and you'll see one of the best live acts around. 




Next up were The Masonics who never fail to entertain with their raw Medway Delta R'n'B and Beat and they didn't disappoint today with their catchy, danceable numbers. Like The Fallen Leaves, the band were good friends with Don and Downliners Sect and they regularly shared stages together. Of course, drummer Bruce Brand was also once in Thee Headcoats Sect with his Milkshakes and Pop Rivets colleague, Billy Childish along with Don and Keith from Downliners Sect so there's a lot of shared history between them all. The Masonics were joined by Ludella Black for a superb run through of "Why Don't You Smile Now" and they left everyone smiling and thoroughly satisfied. 




Downliners Sect closed the afternoon with a rollicking set of good time R'n'B featuring founder member Keith Grant on bass and vocals and you can only wonder why the band never quite achieved the fame of their early contemporaries, after all Rod Stewart and Steve Marriott once wanted to join them! So, a poignant but nevertheless thoroughly entertaining afternoon that will live long in the memory, in fact I wonder if it might become a regular occurrence? Anyway, well done to Rob Symmons and Rob Green and all involved in making it such a special event. You can hear Rob Green and Buddy Ascott of The Fallen Leaves talking to me about the background and preparations for the show in Episode 48 of Retrosonic Podcast which also includes an exclusive Headcoats Sect track and is available for free on Spotify, iTunes, Amazon Music, Apple Podcasts or from Soundcloud below: 

Please click the highlighted Links throughout the feature for more information. There are more videos of the show available at the Retro Man Blog YouTube channel here.



Friday, 19 August 2022

Michael Head & The Red Elastic Band at St. Pancras Old Church London August 17th 2022


This was the third time to see Michael Head & The Red Elastic Band in London this year and each show couldn’t have been more different yet all were equally as memorable. First of all, back in May we squeezed ourselves into the tiny packed out basement bar of the Heavenly Social where only drummer Phil and guitarist Nat accompanied Mick. After this show, the crowd filed out of the venue and followed Mick to a nearby pub to watch Liverpool in the Champions League Final. Then in June we went along to the superb 2,000 capacity Shepherds Bush Empire where we were treated to a full-on eight-piece Red Elastic Band line-up including brass, woodwind and cello to hear the songs from  the new album “Dear Scott” in all their glory. Then it’s another change of direction for tonight’s intimate show at the St. Pancras Old Church, the grounds of which were used as a photo shoot location by those other Scouse musical legends The Beatles during their 1968 “Mad Day Out” jaunt around London. The grounds and the church itself are stunning and we’ve got front row seats although I was a bit disappointed to find out they weren’t pews though. It’s as though Mick and the band are right there in your front room, well that is if your front room just happens to be a chapel that pre-dates the Norman Conquest of course. It really is a beautiful setting and Mick seems taken aback “I know we’re standing on gravestones but I’m sure it’ll be OK” he says, the stained glass window above the altar behind him adds a suitably ecclesiastical backdrop. 


It’s great that Mick doesn’t just follow the routines of the traditional touring circuit, it’s as if he’s determined that each gig be treated as a very special one-off event, something to be treasured and remembered. The flexibility that he has carved out for himself since Shack’s indefinite hiatus is admirable, he’s working on his own terms so seems to be able to escape the pitfalls, pressures and clichés of the corporate music industry and that’s such a rare commodity these days. Tonight’s line-up of The Red Elastic Band features Nathaniel Cummings on guitar, Tom Powell on bass, Phil Murphy on drums and Martin Smith on trumpet, but unfortunately guitarist Danny Murphy is missing as he’s currently on tour with Jamie Webster. The band kick off with “Gino & Rico” from the new album "Dear Scott" and the sound is surprisingly excellent – I say surprising, as Church’s tend to work best for acoustic or orchestral performances but rarely for a full-on Rock band. However, tonight it really works and the impressive acoustics really highlight the nuances of Mick’s intricate songs. I do notice that Phil has dampened his snare drum with what looks like a tea towel but otherwise, the band put as much into the performance as if they were on the stage of a large traditional Rock venue. Tonight’s set consists of a dip into most aspects of Mick’s musical career post-Pale Fountains so we get “Undecided” from “Waterpistol”, the always emotional “Comedy” and a blistering “Pull Together” both from “H.M.S. Fable”. “As Long As I’ve Got You” is the choice from “Here’s Tom With The Weather” and then there’s the superb “Something Like You” from “The Magical World of The Strands”.


The now classic “Newby Street” from The Red Elastic Band’s debut E.P. “Artorius Revisited” raises the tempo and temperature with Martin blasting out that insistent trumpet riff. Then of course, there’s a large chunk of the current critically acclaimed Bill Ryder-Jones produced album “Dear Scott” which has raised Mick’s profile to heights not experienced since the peak-Shack era of the late 90’s/early 2000’s. In fact, as much as I love Shack and in particular John Head’s guitar work, I don’t find myself longing for a reunion anymore as the quality of the new songs and the excellent chemistry between Mick and the Red Elastic Band members certainly stops you getting all nostalgic. Rather like Ebbot Lundberg did when The Soundtrack of Our Lives split up, Mick has surrounded himself with super-talented younger musicians who don’t only do justice to familiar classic songs but they manage to inject their own personalities and styles into the music. Interesting that both front men decided to cherry pick the nucleus of already established bands, Ebbot from the Stockholm based Side Effects to form The Indigo Children and Mick took from The Peach Fuzz, augmenting them with other musicians to suit. They both seem to understand that the dynamic and chemistry of a band works far better than any bunch of assembled faceless session musicians will ever do and The Red Elastic Band embody this, all have their own characters which really helps them connect with the fans. Phil is a really great drummer, navigating the twists and turns and sudden tempo changes of Mick's songs perfectly. When he's not playing trumpet Martin spends his time dancing away in the background and in front of him, bassist Tom Powell grooves away, long hair swaying around him as he immerses himself in the music. Guitarist Nat is a bit of a star, after all he is the frontman of The Peach Fuzz and his guitar playing is superb, especially tonight as he has to cover for the absence of Danny. It can't have been easy for both of them having to follow in the footsteps of John Head but they have both excelled. Not only are they all great musicians but they are great guys too as was proven by their concerns over the health of one of their biggest fans Ann. In fact, Mick dedicates a song to her tonight and the band make sure they all sign a set-list to present to her at the next opportunity, it’s such a nice touch of class. 



There are too many highlights to mention, but the vocal version of “Shirl’s Ghost” is truly beautiful and it’s strange that they only included a short instrumental take to close “Dear Scott”, it’s almost as though that was put there as a tantalizing trailer for the next album. New song “The Human Race” is a cracker, it’s more of a powerful straight-ahead rocker than the material on “Dear Scott” and Nat’s guitar work is immense. As the song builds to a climax, Mick drops to his knees thrashing away on his acoustic guitar hunched over and as the song finishes he realizes he’s kneeling on a gravestone and I catch him put his fingers to his lips and blow a kiss in way of respectful apology. It’s this church thing, it seems to be making everyone come over all saintly. However, Mick just can’t stop swearing and each time an expletive escapes he cringes and says “sorry” as if a big bolt of lightning is going to flash from above and strike him down. “I blame my Ma,” he says, “She was always swearing” and then corrects himself, “sorry Ma” with a glance to the heavens. The set closer “Meant To Be” is almost like a cathartic experience when  the crowd take over the main riff singing along and turning it into something akin to a football chant. Mick even joins in as he and the band take a bow and lap up the well-deserved applause. They are called back for an encore and we get the excellent “Stranger” from “Waterpistol”, but then it’s all over sadly despite the calls for more. So, another memorable night in the magical world of Michael Head and The Red Elastic Band and I'm already looking forward to the next adventure.



Special mention for tonight’s support act, the engaging Harry Tonks who went down really well with the crowd and was a perfect choice to get us in the mood for Mick. Harry was joined on stage by Mick’s sister Joanne for a cover of The Civil War’s “20 Years” and his own “Community Church” before which Harry commented that he’d always wanted to play the song in a church. Anyone who has seen Joanne sing "Daniella" with Mick at recent shows will know she has a wonderful voice and her appearance was a real highlight. Harry introduced a new song “Middle of The Night” with self-deprecating humour, saying it was a difficult one to play and he wondered why he always made things difficult for himself. Indeed the intricate guitar work was pretty mind (and finger) bending and it reminded me of none other than The Strands. Harry has some excellent songs and a great voice, free of the gimmicks and affectations of many modern day singer songwriters and I look forward to hearing more from him in the future. 

Harry Tonks at St. Pancras Old Church

The Red Elastic Band - Martin, Nat, Phil and Tom
For more information on Micheal Head & The Red Elastic Band please check out their official website here. You can find out more about Harry Tonks here and you can see more videos of the show at our Retro Man Blog YouTube channel here.



Sunday, 14 August 2022

Retrosonic Podcast Special with Suzi Moon


In our latest interview special we catch up with Suzi Moon following her show at Bannerman's in Edinburgh and welcome her into the virtual Retrosonic Podcast studio for a thoroughly enjoyable jaunt through her career as a musician and life as a music fan. We talk about her love of the Rebellion Festival in Blackpool, where she was soon to appear, and her affinity with European and U.K audiences. Suzi then takes us on an entertaining journey from her upbringing in Southern California and the influence of her older sister on Suzi becoming a musician, inviting her to join her band Civet and encouraging her to write songs of her own. Then there's Turbulent Hearts and the short-lived project L.A. Machina before Suzi finally embarks on her own solo career with the release of the excellent and well-received E.P. "Call The Shots". Suzi picks her own favourites from all aspects of her career right up to the brand new single from the hotly anticipated debut album "Dumb & In Luv" which is available to pre-order from Pirates Press Records now. Among many and various topics we also discuss her songwriting process, the connection between her mum and Alternative Tentacles Records, the New York CBGB's scene and much more. Suzi also plays some of the records that introduced her to Punk Rock and helped shape her own music along with some inspirational bands and people that have supported her along the way. The episode is soundtracked by great tracks from The Hives, Elvis Costello & The Attractions, The Stooges, The Heartbreakers, Nazi Bitch & The Jews, Teenage Bottlerocket, Minatore and Against Me! You can subscribe to Retrosonic Podcast for free at Spotify, iTunes, Amazon Music, Apple Podcasts or direct from our SoundCloud site below:


Tracklisting (please click the highlighted links for further information)

Suzi Moon "Sonic Attraction"

The Hives "Main Offender"

Elvis Costello & The Attractions "No Action"

Iggy & The Stooges "I Wanna Be Your Dog"

The Heartbreakers "Pirate Love"

Civet "Take Me Away"

Turbulent Hearts "The Runaround"

L.A. Machina "Go!"

Nazi Bitch & The Jews "Dead Porker"

Suzi Moon "Special Place In Hell"

Suzi Moon "Gold Record Autograph"

Teenage Bottlerocket "Bigger Than Kiss"

Minatore "The Hour"

Suzi Moon "I'm Not A Man"

Against Me! "1203"

Suzi Moon "Dumb & In Luv"

For more info on Suzi Moon, please check out her official web-site here or her Facebook page here. U.K. and European fans can pre-order the forthcoming album "Dumb & In Luv" here and US and worldwide fans can get the record from Pirates Press Records. With sincere thanks to Suzi.