Brian Bilston & The Catenary Wires, Jetstream Pony & Railcard at The Water Rats London 9th July 2026

 

This was another very special (but swelteringly hot) night at The Water Rats in Kings Cross in the company of Skep Wax Records, who were hosting the launch party for their fantastic new "Pets Sounds" compilation LP. I was lucky in that I managed to grab the very last copy of the album on vinyl from the night's stock, and it really is a superb collection of mainly animal and pet-themed songs by bands from the Skep Wax stable (sorry about the terrible animal-themed pun there...) such as Railcard, Jetstream Pony and Brian Bilston & The Catenary Wires, who all played full sets on the night and Sassyhiya, Swansea Sound and Gay Skeleton Club who all got up as special guests and performed a song each. Skep Wax is run by Amelia Fletcher and Rob Pursey from Indie-Pop legends, Heavenly and not content with being in at least three bands at the moment, they seem determined to promote and release records by as many of their favourite bands as possible, most of which are currently making waves, in particular The Cords and Special Friend are starting to break through to a wider audience.

 

 

Tonight, Railcard open proceedings with their delightful, beautifully crafted songs, as you would expect from the involvement of former Dolly Mixture, Rachel Love. Rachel takes on lead vocals and guitars with Ian Button on drums, Peter Momtchiloff on bass and Allison Thomson on keyboards, trumpet and generally looking very cool, despite the heat. They played a couple of excellent new songs including "Foxy", which features on the "Pets Sounds" album and "Two Steps at a Time", the title track of their forthcoming album which is due out in September. The band have just announced an afternoon matinee launch party for the LP at The Lexington in London on Sunday September 20th and it seems really interesting, as not only is former Raincoat, Gina Birch the special guest, there will also be an Indie-label record fair in the downstairs bar. You can get tickets for this from We Got Tickets and I wouldn't hang around, as demand for this is surely going to be very high. As I have written on the Blog before, I love Railcard, there is just something so likeable about the band and their life-affirming songs that grabs you by the heartstrings. My favourite "Northern Soul Dancing" with Ian on lead vocals, is a fantastic number and I love the sentiment behind the lyrical theme of yearning to let yourself go, to throw yourself into frenzied dancing without a care in the world. I am really looking forward to the new album and especially the launch party gig in September which promises to be very special indeed.

 

Next up is Jetstream Pony, who I must confess I'd never seen play live before, despite being a fan for a long time and playing some of their early releases in episodes of our Retrosonic Podcast. They didn't disappoint, in fact I'd go so far as saying that they exceeded expectations, and they went down really well with the crowd. Lead vocalist Beth Arzy is an engaging presence up front with an easy humour and a wonderful voice and she makes light of the heat while bombarding the crowd with stuffed cat toys. While they are probably more known for their releases on another of our favourite labels, Spinout Nuggets, they have contributed a track to the "Pets Sounds" compilation called "Grimalkin Tom" which they play tonight and it's a prime example of their trademark shimmering wall of sound. This is mainly down to the twin guitars of Shaun Charman, formerly of The Wedding Present and Mark Matthews who was in The Dentists and that's some pedigree there for sure. Their interplay is superb which is somewhat ironic though, because as far as I know neither were guitarists in their former bands, but you'd never know it and I really love the riffs and textures that they conjure up. 

      

 

The foundation of any band is of course the rhythm section and drummer Tom Levesley impresses, but I'm completeley blown away by bassist Kerry Boettcher - and I mean that quite literally as I was standing in front of her amp! I might be biased, what with me being a bassist and all that, but she has an immense bass sound - think of "Blindness" by The Fall or "Toiler on The Sea" by The Stranglers or "Research Chemicals" by Viagra Boys and then crank it all up a notch and you might come close. The band play a set comprising mostly of songs from their excellent current album "Bowerbirds and Blue Things" and Beth gives a shout out to Buddy Ascott, former drummer with The Chords (who I happen to be with at the gig) as apparently he was the one who came up with the title. He jokingly tries to use this sudden boost in prestige to get a discount off the album at the merch desk, but I think the young guy behind the counter looks a bit panicked at Buddy's "do you know who I am, I named the album!" line (just kidding!). Hard to pick out specific highlights as the set was full of them, but "Bubblegum Nothingness” really stood out as one of my personal favourites. At one point they are joined on stage by Amelia Fletcher for the spoken word parts on "The Relativity of Wrong", which was originally performed by Eleni Poulou of The Fall on the album itself, and they end with the 'classic' "Had Enough". It was a brilliant set and I kicked myself for not managing to see them before, sometimes these things just happen but I certainly hope I can catch them play again soon.

Unfortunately, due to chatting outside the venue while trying to get some fresh air, I missed most of the special guest appearances but made it back inside to catch the brilliant "Compilation Cassette" by Brian Bilston & The Catenary Wires. The Catenary Wires are Amelia, Rob and Ian Button and last year they teamed up with the author and poet Brian Bilston for the album "Sounds Made By Humans" to put music and melodies to Brian Bilston's observant, humorous poetry and spoken word musings on the minutiae of modern life. The album works remarkably well from all aspects, the songs themselves are enough to satisfy anyone who initially might not be that keen on poetry but the delivery and humour of the words is really the key. I think if you love The Blue Aeroplanes then you will love this album. Tonight they are joined by Dentists/Swansea Sound guitarist Bob Collins who adds some sublime sounds from his Rickenbacker. But back to "Compilation Cassette" and any romantic music fan will understand the pre-digital age love letter of a painstakingly compiled TDK-C90, in which each song was chosen to say the things you couldn't bring yourself to say. It's a beautiful song that strangely reminds me of Chris Isaak's "Wicked Game" and Rob's warm voice contrasts nicely with Brian Bilston's spoken words. Other songs/poems such as "The Interview" and the brilliant "31 Rules For Midlife Rebellion" really strike a chord with those of us of a certain age and I can see lots of knowing smiles around me in the crowd. Regretfully, I couldn't stay for the whole set due to problems on the trains, I didn't want a repeat of the two hour journey from hell up into London on the way home too. A real shame, as I was enjoying the set so much and I hope the project doesn't end with just the one album. I've certainly become a big fan of Brian Bilston's poems now and I look forward to investigating some of his books too.

 

I really love what Rob and Amelia are doing with Skep Wax, and whilst not all of the bands on the label are to my own musical taste, they have no doubt created a wonderfully inclusive and diverse roster with a real identity. It's a truly Independent label with all the values that I have loved going back to my old days in bands and doing fanzines and cassette labels in the early to mid-80's, that DIY spirit of postivity and mutual cooperation. It's refreshing and inspiring in these often negative and cynical times, it's certainly hard to beat.

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Would-Be-Goods, Helen McCookerybook and Railcard at Water Rats, London - A Bizarro Promotion, February 21st 2026

Even Pete Frame would struggle to compile one of his exhaustive Rock Family Trees about the Indie talent pool surrounding Skep Wax Records and their proprietors Amelia Fletcher and Rob Pursey. Stretching back to the C-86 Twee Student Jangle Indie-Pop scene, or whatever ridiculous genre the music press deemed to patronise the acts with, their band Talulah Gosh was to go on to spawn many and various bands, spin-offs and side projects, not to mention the influence they would have on generations of eager young fans into forming their own bands. Each trademark branch of those intricate Pete Frame diagrams would probably feature guitarist Peter Momtchiloff in some guise or other though, and tonight Amelia and Rob’s former Talulah Gosh and current Heavenly colleague appears in two out of the three acts on show. Hosted by Bizarro Promotions, this sold-out gig at Water Rats in London’s Kings Cross is basically a showcase for two brand new Skep Wax releases – their compilation of Railcard’s first three E.P.’s and the latest excellent album “Tears Before Bedtime” by headliners Would-Be-Goods.

 

Tonight’s gig came at the perfect time for me, an absolute godsend as I must admit I’ve been on a bit of a Dolly Mixture kick recently, ever since reading Debsey Wykes’ fantastic autobiography “Teenage Daydream” and coincidentally bumping into her at two recent unrelated book launch events. I then went along to see Debsey interviewed by Daniel Rachel about her book in conjunction with a rare screening of the excellent Dolly Mixture documentary “Take Three Girls”. So, suddenly I’d get the chance to see another Dolly Mixture, Rachel Love, and her new band Railcard, for the first time. The Water Rats is sold out and there are almost as many musicians in the audience as there would be on stage throughout the night. Here’s just a few that were in the room – Allan Crockford from The Prisoners (who mixed the Railcard recordings), Viv Bonsels from The Galileo 7, Pete Astor from The Loft, Kevin Younger from The High Span, Ian Greensmith from The Dentists and his former bandmate Bob Collins who is now in another Skep Wax act, Swansea Sound. Then there’s Dave Morgan from The Monochrome Set, Jon Klein from Specimen and Siouxsie & The Banshees and even Gaye Black from The Adverts. It would have made for one hell of a supergroup. Oh, and yes, it’s Debsey again, here to support her former Dolly Mixture friend and former bandmate. 

 

Railcard take the stage, Rachel looks amazing and I’m immediately captivated by her cheerful smile and the promise of hearing those wonderful songs live for the first time. The aforementioned Peter Momtchiloff is on bass duties and there’s Ian Button from Heavenly and Penrose Web and Papernut Cambridge (and more!) on drums and vocals with Allison Thomson on trumpet, keyboards and vocals. Ian takes over lead vocals on the brilliant, foot stomping “Northern Soul Dancing” which is my personal highlight of their set with excellent lyrics about getting to the age where you wonder if it’s really too late to try and recapture that abandon and exuberance of youth. Busting out those spins, kicks and flicks on the dancefloor, it’s a classic.

Their songs are catchy and immediate, “Narcissus” is built on a driving military style beat with some biting lyrics and the sublime “Cherry Plum” is one and a half minutes of pure gorgeousness. They don’t play my favourite “Born In 62” though, I love that song with its Sonics “Strychnine” motif, and I was hoping it might make an appearance. The Dolly Mixture movie director, Paul Kelly, told me that song summed up the loose concept behind Railcard, all the original members were born in ‘62. He said that he was in an early incarnation of the band but I can’t remember if he said his role was Off-Peak Railcard, Family Railcard, Student Railcard or Senior Railcard? Talking of which, I was gutted they had sold out of the plastic Railcard railcard holders, a brilliant idea for band merchandise. I’m sure they have now gone on to be much sought-after collector’s items; I shall not rest until I have trawled eBay and spent my life’s savings on one. They play a great cover of Dandy Livingstone’s “Think About That” and close the set with the hypnotic "Disco Loadout" and the warm applause from the crowd fills the room. There’s something totally addictive about Railcard, something uplifting and refreshing – they will leave a smile on your face and a promise to yourself to bust out some Northern Soul shapes as soon as you get home. Well, once you’ve had a sit down and a nice cup of cocoa that is.

Rachel Love of Railcard and her former Dolly Mixture colleague Debsey Wykes

Next up is Helen McCookerybook, formerly of Indie-Pop pioneers The Chefs, who treated us to a thoroughly entertaining set. Starting off alone with the beautifully evocative “London” she is then joined by Robert Rotifer on guitar and vocals and Ruth Tidmarsh on bass and vocals and their harmonies have a real chemistry that ooze warmth. My personal highlight was “Three Cheers For Toytown”. Helen explains at the start “usually we have Terry Edwards playing trumpet but he’s off playing with The Nightingales, so we’re going to hum his parts. “Sixties Man” is another great moment, as is the audience participation on “The Sea”. Helen has an engaging presence, and her voice really draws you in and it’s no wonder she got a fantastic reaction from the crowd.

 

Would-Be-Goods open the set with the brilliant “The Morning After” which has a chorus that reminds me of The Monochrome Set, not surprising as to singer Jessica Griffin’s right stands the always impressively impassive Andy Warren (of Monochrome Set and before that, the original Adam & The Ants) nonchalantly spinning out some superb bass lines on his trademark Rickenbacker. There’s also a big link between the two bands, Bid and Co. were the backing band on Would-Be-Goods early releases and Peter Momtchiloff, now on stage with his guitar, was in Bid’s side project, Scarlet’s Well. On drums and vocals is Debbie Greensmith from Thee Headcoatees and Ye Nuns and that completes a superb line-up. However, similar to Railcard, Would-Be-Goods were also guilty of not playing one of my favourite songs tonight, sadly there’s no “Emmanuelle Beart”, but they are promoting their latest release “Tears Before Bedtime” after all, so some older numbers are bound to be missed out. Anyway, it’s not such a big issue with the new album being so damn good, packed with songs of the quality of “Tears For Leda” with its killer guitar riff intro reminiscent of The Kinks’ “Till The End of The Day”. 

 

Jessica Griffin’s songwriting is something special, she has a knack of transporting you from a summer picnic on the riverbanks of an English university town, punts flowing past and the sound of leather on willow in the background to the cafes and patisseries of Le Marais and the Rive Gauche followed by a stroll past Serge Gainsbourg’s house on Rue de Verneuil. There’s beautifully constructed exotica such as “Madame X” but Jessica can then hit you right in the heart with stripped back, emotionally raw songs like “Heart of Tin” and “Too Old”. They play a good chunk of the new album and despite only listening a few times on-line prior to picking up a vinyl copy on the night, the songs are immediate and you find they are already lodged in your head. “The Gallopers” and “Witch Hazel” are prime example of the wonderful melodies that sound as familiar as most of the old favourites. Talking of which, I moaned about not getting “EB” but the brilliant “Cecil Beaton’s Scrapbook” keeps me quiet and more than makes up for it. “The Camera Loves Me” is another oldie and mighty fine goodie and it’s great to see Debbie singing the backing harmonies with a big smile, glowing with enthusiasm. It was a fantastic set, and I can’t recommend the new album highly enough, it’s an absolute classic. I mentioned this to Andy Warren, and he replied in perfectly deadpan manner, “thanks, yes it’s a cheerful album”. Priceless! 

All photos and videos copyright Retro Man Blog 2026. More videos from the gig can be found at our Retro Man Blog YouTube channel here, please subscribe for free to access our whole archive of original live videos. Here are some useful links, please click to investigate further...

Would-Be-Goods

Railcard

Helen McCookerybook

Skep Wax Records

Heavenly

Bizarro Promotions

The Monochrome Set

Dolly Mixture

Debsey Wykes "Teenage Daydream - We Are The Girls Who Play In A Band" book