Ray Stevenson "Not Just Punk" - New Book from the legendary music photographer

We went along to the Farsight Gallery for the launch party of the new book "Not Just Punk" from legendary music photographer Ray Stevenson. The gallery was packed with familiar faces including some that feature in the book itself including Gaye Black of The Adverts, Neal X of Sigue Sigue Sputnik and Spizzenergi. Also in attendance were Leigh Heggarty of Ruts DC, Tom Crossley of The Phobics, Barrington Francis of The Saints, Anne Pigalle, Chris Musto of Glen Matlock's band, Debsey Wykes of Dolly Mixture, Paul Kelly the Heavenly Films director, Clash DJ Scratchy Sounds, author Daniel Rachel, Roxy club owners Andy Czezowski and Sue Carrington and music photographers Paul Slattery (my Retro Man Blog colleague), Jill Furmanovsky, David Corio and Erica Echenberg. There was a presentation of some of the photos featured in the book and a Q&A session with Ray hosted by Farsight Gallery owner Sean McLusky (Subway Sect and JoBoxers). It was another great event at the Farsight Gallery which is located on Flitcroft Street just off Denmark Street close to the site of our beloved and much-missed 12 Bar Club. I'd recommend signing up to their mailing list as they do put on some superb shows which have previously included Mick Jones Rock 'n' Roll Public Library and the Batcave LP launch party.

Ray Stevenson with his new book "Not Just Punk"

Eric Waring, DJ Scratchy Sounds, Gaye 'Advert' Black and Paul Slattery

Gaye Black of The Adverts

Here's a brief biography of Ray courtesy of the Farsight Gallery...

Ray Stevenson started out as a teenage darkroom apprentice back in mid 1960's London. After meeting with rising folk star Buffy Saint Marie, discovered folk-nights at the Marquee Club, then he was introduced to seminal folk venue Les Cousins by Sandy Denny. Ray became a regular at both of these venues shooting many unknown musicians like Bert Jansch, Roy Harper, Al Stewart, John Martyn, Cat Stevens and Marc Bolan. Stumbling upon a Jimi Hendrix sound-check gave Ray a taste for plugged-in-guitars and opened up another trajectory that resulted in him photographing a much broader range of musicians. His photo ‘The Who at the Marquee 1967’ was used by the Royal Mail in their 2025 commemorative collection. But the Stevenson portfolio went beyond photographing the musicians of the day as his work also featured models, hippies, ballet dancers, the occasional film star and friends. One of those friends was David Bowie, whom Ray shot many pre-glam photos of. None of this activity was enough to pay the rent, so he took a 9-to-5 job in the BBC Open University dark-room. 

Sean McLusky (R) interviews Ray

Anne Pigalle with Spizz who features on the book's cover and inside... both photos above by Paul Slattery

Then in early 1976, Ray's brother Nils asked him to take some pictures of a new group called the Sex Pistols. And so began Ray's second wave of live visual work - capturing the nascent Punk movement and the New Wave and Post-Punk scenes that followed it. His photos of the Pistols, Clash, Siouxsie Sioux, Soo Catwoman, Jordan, 2-Tone, Sigue Sigue Sputnik, et al are now rightly seen as iconic and have been used in numerous books, magazines and documentaries.  His own photo books - Sex Pistols File, Vacant, the Siouxsie & The Banshees Book and Photopast - sold many thousands of copies worldwide and are regarded as collectors' items. In 2007  Ray was described 'as the most important rock photographer of his generation'. He has now released ’Not Just Punk’, a look back at some of those glorious times and people.

Paul Kelly, Paul Slattery, Daniel Rachel and Debsey Wykes

Paul Slattery, Ray Stevenson and David Corio

You can check out more about Ray Stevenson and his work at his official website here and you can order the book at Amazon here. For more information on the Farsight Gallery please subscribe to their newsletter via their Farsight Collective site here or on Instagram here.

Sex Pistols in Carnaby Street by Ray Stevenson - Courtesy of Farsight Gallery

John McKay's Reactor at The Face Bar Reading, Tuesday June 17th - the triumphant return of the legendary Siouxsie & The Banshees Guitarist

I was at a local Club Velocity promotions gig at the Face Bar in Reading on Tuesday night to witness the long awaited return of the legendary Siouxsie & The Banshees guitarist John McKay. The first thing that hit me was how good he looked; all dressed in black, hair slicked back into a Samurai style top knot. Similar to (the much-missed) Geordie from Killing Joke, McKay is effortlessly cool, making it look so easy when of course, we really know it's nothing of the sort. There’s a nonchalance to his playing style that belies the immense, razor sharp sound that he conjures from his equally cool black semi-acoustic Hagström guitar. I was just too young to see The Banshees play when he was in the line-up, but I’ve always loved McKay’s glacial guitar riffs – a sound that defined not only the early Banshees, but pretty much the whole Post-Punk genre. There was a palpable buzz running through the crowd as he struck the opening chords to first number “Black Five” and to hear that instantly recognisable, hugely influential sound, was a big thrill.

 

 

Earlier this year Tiny Global Productions released the beautifully packaged album “Sixes And Sevens” which features unreleased solo recordings made between 1980 and 1989. Former Banshees drummer Kenny Morris who along with McKay, jumped the Banshees ship mid-tour in 1979, features on some of these songs along with Soft Boys bassist Matthew Seligman and John’s partner Linda on vocals – sadly both Matthew and Linda passed away in 2020. Don’t be put off by the mention of ‘unreleased’ songs, as usually when record companies put out such recordings there’s a very good reason why they were unreleased in the first place. Not so with “Sixes And Sevens” as the songs and sound are excellent and it begs the question just why they were not ever released at the time. It gives a fascinating insight into what might have been after The Banshees, and the good news is that now, thanks to Tiny Global, the songs have been given a new lease of life. A few dates have been arranged to promote the album including the Reading show, a sold-out Lexington in London, the Forever Now festival in Milton Keynes on June 22^nd, The 100 Club on June 23^rd and the Hare & Hounds Birmingham on July 19th.

John has assembled a superb band around him, John McKay’s Reactor, and it is very much a band rather than just a solo project. One of Retro Man Blog’s favourites Jen Brown from The Priscillas is on lead vocals, a perfect choice, it’s a role she just had to play, and she looks fabulous next to John. It must have been a rather daunting task as comparisons with Siouxsie are bound to be raised, but Jen is superb, balancing her individual style while keeping a deference to Siouxsie's vocal delivery. Billy King is on bass and like Jen, looks every inch the epitome of Rock ‘n’ Roll, very cool. He also rather impressively keeps his leather biker jacket on for the duration of the whole show despite the soaring temperatures. Drummer Jola is a busy, blur of energy, managing the sometimes unusual tom-heavy tribal beats with real skill, she’s great to watch in her own right. The set list is perfectly balanced between tracks from “Sixes And Sevens” and Banshees classics, and the good thing is there’s a seamless transition between the two, that’s testament to the strength of the solo material, I guess. 

 

The set ends with “Hong Kong Garden” and there’s an encore of “Playground Twist” which both take the roof of the Face Bar. We also get treated to Banshees classics from the first two albums including “The Staircase (Mystery)”, “Placebo”, “Mirage”, “Suburban Release” and “Switch”. Of the ‘new’ songs “Taken For Granted” with its rumbling JJ Burnel style bass intro and “Vigilante” are personal highlights and I’m left hoping that this new line-up can find the time to write some brand new material in the near future. Check out the band’s Facebook page here and Instagram pages for news on the upcoming shows and Tiny Global on how to order “Sixes And Sevens” which is out on CD, download and limited edition vinyl which includes a signed booklet and bonus CD. For more videos from the show please subscribe to the Retro Man Blog YouTube channel here.