Monday, 12 December 2011

The Len Price 3 + Lupen Crook + Dead Lovers at Preservation Society Presents December 09th

Here are some photos from a very enjoyable gig at the Bull & Gate, Kentish Town on Friday night. The event was organised by The Preservation Society Presents, which is a promotion company that showcases the best of local talent from the Medway area with gigs and various plans, that include compilations and the possibility of a Singles Club, of the vinyl variety rather than of the dating kind if you get my drift...I missed the start so first up for me were the Dead Lovers who played some edgy and catchy guitar pop with two main vocalists who complemented each other very well. Next was a solo performance by Lupen Crook, who played a compelling set of acoustic numbers. It was the first time for me to see both and I am really looking forward to investigating their music further. Headlining were The Len Price 3 with yet another blistering set of their three minute garage-pop nuggets. By the end of the show there was a very happy and exhausted crowd baying for more from a band that just keep on delivering flawless live shows time after time. So, a great night and an excellent show from The Preservation Society Presents, keep an eye out for future events and releases as they have great taste in music and an eye for talent!

Dead Lovers - Photo by Steve Worrall

Lupen Crook - Photo by Steve Worrall
 







The Len Price 3 - Photos by Steve Worrall

For more photos of The Len Price 3, Dead Lovers and Lupen Crook please visit the Retro Man Blog facebook page.
     


Wednesday, 7 December 2011

The Moons live at Bush Hall London December 02nd - by David Kerr

Andy Crofts of The Moons - Photo by David Kerr
Bill Clinton may have remarked that there was a certain pleasure in re-acquainting oneself with a favourite, familiar, old bush and this body-warming thrill of anticipation kept me going as I strode along the Uxbridge Road towards my re-acquaintance with The Bush Hall. Unfortunately, I had not been back since the red velvet curtains were a fitting back-drop to the classic sound of Booker T in 2009, and as I crossed the threshold I just knew that I would have to be standing on Jupiter on a crystal clear night to be in a finer location to be witnessing the true brilliance of The Moons. My anticipation was about to be fulfilled.  
The Moons took to the stage following fine supporting sets from Flamingo Drive and the Sundowners. I had heard great things of The Moons playing live and I was not disappointed as they smashed straight into a plaster splitting rendition of Life On Earth’s opener "Don’t Go Changin'" to commence a well balanced set spanning The Moons distinctive sound. From Andy Crofts' original MySpace uploads to many unreleased tracks from the forthcoming album, to be released in early 2012. Anybody with a passion for the Lunar Sessions and Life on Earth will be wishing away the festive season and looking forward to the delights 2012 has in store. The live renditions of both, the recent single, "Double Vision Love", and James Bagshaw’s 12 string led "Something Soon", reveal that The Moons will surely eclipse the success of Life on Earth with their next long player release.  


Long before Andy Crofts took to the stage to commence the encore with the acoustic beauty of "Jennifer Sits Alone", the gravitational pull of The Moons '60s inspired sound had swelled the crowd at the front of the stage, accumulating in a swaying tide of enjoyment to the flowing rhythms of "Wondering". 

Full force was resumed within the delighted revellers at the front as The Moons set was completed with a show stopping rendition of "The Ragman" as the eleven o’clock curfew brought a premature end to the merriment awash within the pleasures of the Bush Hall. Still, the positives of The Moons live at The Bush Hall far outweigh the negatives of an early closure, (just think of Solomon Burke and Victoria Beckham on a see-saw, you’ll get the picture), and what’s not to like about a gig venue with chandeliers, full wall height mirrors, a terrace bar for a raised view of the proceeding and the high standard of live entertainment supplied by The Moons. Another great gig at The Bush Hall. Ace!




Review and photos by David Kerr - you can check out David's videos of The Moons at Bush Hall, and many others, on his excellent YouTube Channel page here. Thanks David!

The Len Price 3 live at The Bull & Gate Kentish Town Friday December 09th. Last chance to see The Len Price 3 live in 2011...!


The Preservation Society Presents a selection of the best of the current sounds from the Medway Delta. Live at Club Fandango @ The Bull & Gate, 389 Kentish Town Road, London NW5 2TJ

It's the last chance to catch The Len Price 3 live in 2011, so don't miss it..!

Sunday, 4 December 2011

T.V. Smith at the Signal Gallery Punk and Beyond Exhibition December 01st

I must admit that I did not know much about T.V. Smith's post-Adverts career, in fact come to think about it, I don't really know much about The Adverts either...Rather like the U.K. Subs, who were also right there at the birth of British Punk Rock - both bands appearing at The legendary Roxy Club - they seem to have been somewhat air-brushed out of a lot of Punk Rock history books and documentaries. Whether this is by accident or design I'm not really sure. They do have a voice in John Robb's excellent "Punk Rock; An Oral History", but are not often lauded in the same way that their contempraries The Clash, Pistols, Wire and Buzzcocks are for example. To me they are up there as the authors of one of THE classic Punk albums in "Crossing The Red Sea With The Adverts". Along with The Rezillos and X-Ray Spex they seemed to have a short-lived spell in the spotlight but managed to leave a legacy of some classic singles and a masterpiece album, and what a materpiece "...Red Sea..." is! However, I wasn't so keen on their follow-up "Cast of Thousands", in fact it got sold pretty quickly I'm sad to say...I also didn't follow T.V. Smith's music after that except for the excellent "Tomohawk Cruise" and only got to see him at The Ruts' Paul Fox benefit show at Islington Academy a couple of years ago. But music is like that, you branch off on different tangents, lose touch with certain bands but follow the careers closely of others but in the end you always come back to quality, and The Adverts first album was certainly quality. It was always pushing against the musical boundaries of Punk Rock. Lyrically too they were straining at the leash from the off, with "Safety In Numbers" they were already questioning the point and validity of the Punk and New Wave "movement". Certainly one thing that resonates is the superb lyrics and how the themes are still pretty relevant today. In fact from the solo songs T.V. Smith plays tonight there are real parallels between "Bored Teenagers" and his later "Generation Y". His world weary take on the state of Britain is also still very much apparent. Tonight he plays a selection of solo material and a choice of classics from The Adverts including "No Time To Be 21", "New Church", "The Great British Mistake".
He is funny and self-effacing yet still retains an edge and a dissatisfaction with the ills of modern life. Whether it is the slacker generation or the obsession with minor gripes and grumbles whilst ignoring the bigger issues. One of his takes on consumerism is wittily summed up in "Xmas Bloody Xmas" which tickles the funny bone instead of just bashing you around the head. "Every musician has to have a Xmas song, and that was mine!". The sentiments are not exactly of mistletoe and wine. He claims that the worst thing you can do performing in such an intimate setting is to perform a ballad, but then duly goes ahead and expertly does just that with the sublime "Generation Y". "I might have to get a bit closer in the quiet bits" he says, "don't get nervous..." He's an impassioned performer, eyes shut tightly as he sings, sinews straining as he stomps the beat with his boots on the gallery's wooden floor. It was a marvellous performance in such stripped down circumstances and close proximity of the audience. He ends with "Gary Gilmore's Eyes", which he "leaves for last as that's what real musicians do, leave the hit for last...". It was such a thoroughly enjoyable evening so I had to say hello afterwards, although I felt a bit of fraud with just my love of "Crossing The Red Sea" as common ground. However, he was very charming and patient, despite my obvious lack of knowledge of his solo work. Still, that's one of the great things about music, it's a constant voyage of discovery, and re-discovery too, so I left the show armed with his new album and book "Getting There: Punk Rock Tour Diaries Volume 1" and I look forward to my own little voyage with the works of T.V. Smith!


T.V. Smith at Signal Gallery - Photos by Steve Worrall
T.V. Smith with Gaye Advert in front of Gaye's artwork - Photo by Steve Worrall
I bought a copy of T.V. Smith's new album, "Coming In To Land" at the show to kick-start my voyage into his solo work, and I must say it has been on constant rotation ever since. It is a great album, extremely strong from start to finish, each song is memorable even after the first couple of listens, especially the banjo and mouth-harp driven "True Believers". The witty "Complaints Dept." has neurotic half spoken verses but bursts into a beautiful, delicate chorus and whistling refrain. There are muscular guitar riff driven songs such as "Man Down" where Smith's voice is superb, reminiscent of Richard Butler from The Psychedelic Furs. But my favourites are probably the epic title track and album closer "No Message Please" which is an acoustic led singalong, a perfect way to end an excellent album. I will now have the pleasure of delving into T.V. Smith's back catalogue and look forward to discovering some more great music along the way!


T.V. Smith is playing at the New Cross Inn on December 11th where'll perform the Best of The Adverts with The Valentines. Check the web-site here for the store and news of other live shows.

With sincere thanks to T.V. Smith, Gaye Advert and the Signal Gallery

Saturday, 3 December 2011

The Godfathers - St. Valentine's Day Massacre live in London February 14th 2012

The Godfathers will play their regular legendary Saint Valentine's Day Massacre gig at the 02 Academy Islington in London on Tuesday February 14th 2012.


Tickets available from the Box Office 0844 477 2000 or from Ticketweb.

The late '80's and early '90's was not a good time for me musically, I just didn't click with a lot of the British bands around at the time. The shoe-gazing and grebo things went over my head and it was all a bit bland for those of us needing our fix of raw rock 'n' roll. Luckily some bands including The Screaming Blue Messiahs, still carried the torch, taking over from The Prisoners, The Playn Jayn Billy Childish's Milkshakes. The Sid Presley Experience too who, of course evolved into The Godfathers. It's hard to believe now just how out of step The Godfathers were with the majority of their so-called Indie band contemporaries. Mean, sharp-suited coolness personified with their two guitar attack and aggressive live act, at odds with the shambling, charisma-free zones of most bands they had to share stages with.

My ticket for The Godfathers 1989 Valentine's Day Massacre
Singer Peter Coyne sneered his songs of mis-trust and cynicism from centre stage whilst around him was a blur of flailing guitars, courtesy of the live-wire Kris Dollimore and Mike Gibson. Bassist Chris Coyne was all coolness and calmness whilst the excellent drummer George Mazur kept the beat going. A direct link from the best of mean edged rock, from early garage punk to The Creation, The Who, Johnny Cash, to Dr. Feelgood and The Sex Pistols, The Godfathers took that musical lineage and spat it out in classic tracks of their own such as "I Want Everything", "This Damn Nation" and the anthemic "Birth, School, Work, Death". It didn't stretch your imagination too much to picture their guitar cases being fitted with compartments for baseball bats and machine guns!
 
And one from the 1990 gig at the Kilburn National
So The Godfathers are back and since 2009 have been playing with the Coyne brothers, drummer Grant Nicholas and original Sid Presley guitarist Del Bartle, this year releasing two stunning download singles "Back Into The Future" and "The Outsider".  I am already looking forward to next Valentine's Day to get the chance to show my appreciation to the band that helped me through those barren musical years with my dose of rhythm and booze flavoured rock 'n roll!

Monday, 28 November 2011

Punk & Beyond - Gaye Advert curated Art Exhibition Launch Night Nov 24th at The Signal Gallery

Gaye Advert
I was lucky enough to go to the launch night of the new "Punk & Beyond" exhibition curated by Gaye Advert, the iconic bassist with The Adverts. The Exhibition features artwork by various musicians, DJ's and artists involved in Punk Rock through the years and whilst, some pieces might be more a case of enthusiasm over natural artistic talent, the standard throughout is very high. Gaye Advert herself was also extremely pleasant and her superb artwork sold out in minutes, you can see why she deserves to be curating the Exhibition.

An unexpected highlight for me were Ray Gange's colourful and vibrant triology of quotes from Chinatown, Goodfellas and The Clash's "Clash City Rockers". Ray Gange was the star of The Clash movie "Rude Boy" which, along with Quadrophenia, pretty much informed my teenage years. Ray was in attendance and was extremely friendly, willing to talk about his experiences with The Clash as well as his artwork and DJing.
Ray Gange in front of "Wiseguys"
I had a nice chat to photographer Ray Stevenson too who was exhibiting some of his early Punk photographs such as a very early Adam & The Ants photo and a great portrait of Gaye Advert. Also there on the night were Grant Hart from Husker Du, Don Letts, photographer Jill Furmanovsky, author of '77 Sulphate Strip Barry Cain, Dave Collins from Podrophenia, Jenny from The Priscillas and Shanne Bradley from the Nipple Erectors amongst others.

Photographer Ray Stevenson


I managed to talk to Billy Childish, who was also very pleasant and interesting about his fellow Medway-ites The Len Price 3 and Ranscombe studios. As I left the gallery I was dazzled by a cheerful bundle of energy with a bright shock of blonde hair and flourescent emblazoned outfit proclaiming Spizz Energi. Yes, the singer of one of my all time favourite post-punk songs "Where's Captain Kirk?", a classic single if ever there was one. Spizz was great fun posing for photos and it was a real pleasure to finally meet him. Other artwork on display included works by Sonic Youth's Thurston Moore, Robert Pollard from Guided By Voices who contributed three excellent pieces, Jamie Reid's classic "Rock & Roll Swindle" collage and one of my favourite pieces on the night, "Dog in Aldridge Road Villas" by The Clash's bassist Paul Simonon. I'd been to see an exhibition of Paul's Spain influenced artwork previously in a very posh Mayfair gallery so was already aware of his talents. 
Spizz with Gary Loveridge


But it was those interesting surprises that were the real pleasure of the night, as I mentioned Ray Gange's artwork but also there was a really great wall mounted sculpture called "Mick Jones Guitar With Life Mask" by Alabama 3's Nick Reynolds and nice portraits of Poly Styrene by Chris Bell from The Briefs. The Exhibition was actually a fitting tribute to Poly Styrene who so tragically passed away earlier this year and there were some additional portraits of Poly by Knox and Charlie Harper as well as photographs by Ian Dickson. The news about Poly was made even sadder as she had just released a fanatasic new album "Generation Indigo" that was getting critical acclaim and putting her back in the fore-front of music again where she deserves to be. 

Gaye Advert Artwork
It is also touching to think of Ari Up who also passed away at tragically young age at a time when she had also released a great new Slits album. It was nice to see both Ari and Poly  paid tribute to in the art and photography on display. Other notable exhibitors included Michael Davis from the MC5, Penny Rimbaud with some very striking pieces, Mark Mothersbaugh from Devo, Marco Pirroni from Adam & The Ants/The Wolfmen and Jowe Head from the Swell Maps. I would thoroughly recommend a visit to the gallery to catch the exhibition before it ends and sincerely hope that this becomes an even more regular event.

The Exhibition is being held until December 17th at The Signal Gallery at 32 Paul Street London EC2A 4LB

Here are some more of my photos from the launch night.


The Signal Gallery

Robert Pollard from Guided By Voices

Jamie Reid

Artwork by Michael Davis of The MC5

Poly Styrene by Chris Bell of The Briefs
Self Portrait by Marco Pirroni

Artwork by Jowe Head of Swell Maps
Paul Simonon "Dog in Alridge Villas"

Artwork by Penny Rimbaud
Artwork by Robyn Hitchcock
The Adverts by Jill Furmanovsky
The packed out Signal Gallery
Gaye Advert in front of her artwork


All Photos by Steve Worrall - Many thanks to Gaye Advert and Chris from Signal Gallery

Sunday, 27 November 2011

The Frowning Clouds & The Len Price 3 The Blues Kitchen Camden Nov 25th

Fantastic gig on Friday night at a packed out Blues Kitchen with The Len Price 3 and Australian band The Frowning Clouds, who were over for their first show in the U.K. First up were the Medway Delta's finest, The Len Price 3, who stormed through a selection of their perfectly formed garage pop nuggets. One catchy hook filled track after another, the only pause being when an enthusiastic young lady took to the stage to dance along and remove her clothing...The band has that kind of effect I guess! Highlight tonight was new track "Praying Mantis" and the last encore, the wrestling and Big Daddy tribute "Shirley Crabtree"...the best live band around at the moment, no contest, "Easy...Easy...!" Here are some photos of their set:










 The Frowning Clouds took the stage full of enthusiasm and for a band so young, they oozed confidence and cool. Their songs are retro masterpieces with plenty of catchy guitar riffs, reminding me of The Standells and early bluesy Stones. They also bring to mind Billy Childish's Milkshakes and The Brian Jonestown Massacre with their authentic vintage Sixities sound. I spoke briefly to some of the band before their set, lovely guys too, so I wish them good luck on their European adventures and recommend you check out their excellent album "Listen Closelier". In the meantine here's the opening song of their very first U.K. performance!





 

 


The Len Price 3 will play at The Bull & Gate in Kentish Town on Friday December 09th

The Frowning Clouds will be in France for dates in Montpellier on December 01st, Dijon on the 02nd and Paris on the 03rd. They will then play the Purple Weekend in Leon, Spain on December 04th.

Video and all photos by Steve Worrall